6lı Zigon

release by nina
https://www.ninaprotocol.com/releases/mago-no-te

itawari house demo

mago no te

Concordances II (2024) is a piece by Gerard Erruz for piano, accordion and electronics.
Performed on October 2024 at the Universität für Musik und darstellende Kunst Graz (KUG).

Piano: Ana Ostojic
Accordion: Maurizio de Luca
Composition and electronics: Gerard Erruz

Concordances II is part of an ongoing series of pieces that explore the integration of field recordings and environmental sounds into the musical discourse focusing on the control of the degrees of mimesis with instrumental sounds. It investigates the potential of suggesting symbolic relationships to objects, scenes, actions, by means of sounds and their unfolding through musical time.

This work uses the following sounds:
"Radio Communication (3).wav" JonnyThePonny -- https://freesound.org/s/260449/ -- License: Creative Commons 0
"G03-09-Light Plane Cessna Idles.wav" by craigsmith -- https://freesound.org/s/437757/ -- License: Creative Commons 0
"baby girl crying" by josephvm -- https://freesound.org/s/442655/ -- License: Creative Commons 0
"Baby cry.wav" by crazyadamos -- https://freesound.org/s/402927/ -- License: Creative Commons 0
"Nuclear Explosion" by unfa -- https://freesound.org/s/547802/ -- License: Creative Commons 0
"huge explosion in distance.wav" by SuperPhat -- https://freesound.org/s/417691/ -- License: Creative Commons 0
"Far Explosion" by EminYILDIRIM -- https://freesound.org/s/595240/ -- License: Creative Commons 0
"Dynamite explosion in the mountain" by felix.blume -- https://freesound.org/s/251401/ -- License: Creative Commons 0
"Explosion005 with decay.wav" by klangfabrik -- https://freesound.org/s/232961/ -- License: Creative Commons 0

Concordances II [live] (2024) for piano, accordion and electronics

Produced by: @brodinskiofficial and @LaraSarkissian

Mix & Mastering: Modulaw 
Artwork: Rob Scharlach

Brodinski, Lara Sarkissian - ZULAL

Recording of my set at Club Sin, Malmö October 4 2025. What an honor to be a part of setting the vibe for a room full of sinful, beautiful little darlings.

The set went all the way from deep tech, to sunny house tracks, with sprinkles of techno, breakbeats and a tiny bit of acid house. All Madura. From start to end.

Madura at Club Sin – October 2025

Warehouse singer 1832U_FULL_Export 10.06

for ensemble, Buchla Easel and electronics
Performed by Ensemble Modern
“Happy New Ears” 2024

Specially written for Ensemble Modern
Commissioned by the Warsaw Autumn Festival and the Adam Mickiewicz Institute

Recording by Ensemble Modern

Skvyrk for big ensemble, buchla easel and electronics

The Narcotic and the Sacred

Ne-c 162 Pt.2

Monument of Memory of a Monument
Genre: Soundscape Composition, Spoken Word
Duration: 30 min
Dispersing oneself in search of past selves. A memory of something that did not happen, yet appeared in the eye of the mind. Behind closed lids, on a soft floor, the past unfolds—not as fact, but as sensation. This work attempts to construct a monumental sonic memorial around a past that may or may not have existed. It manifests through sound, improvisation, and voices reading my written, lived memories in words—an auditory imprint of what I saw when looking back in time.
By looping memory, time, and sound, this piece becomes a spoken-word soundscape composition—a radical attempt to make sense of a sublime bodily experience. It questions monuments and ideologies, situating them within a world that oscillates between control and chaos. The vastness of the uncontained mirrors the strength of an individual’s willpower. We hold so much within us and are connected in ways we do not always acknowledge or expect.
The concept of nostalgia of Svetlana Boym, where she discusses the tension between restorative and reflective longing, resonates throughout this work. It does not seek to reconstruct an idealized past but instead reflects on its fractures, its echoes, and the instability of memory itself. The monument in this piece is not fixed; it is transient, ephemeral, existing in the act of remembering and the shared experience of listening. It is an attempt to articulate what cannot fully be grasped—an offering of sound and speech to the uncontainable.

Participants:
Alexandra Shkodrova - vocals and processing
Julie Hasfjord - voice
Phoebe Kirrage - voice
Leah Place - cello
Julia Fuello - voice
Uroš Ðurđević - voice
Felician Erlenburg - voice

Premiered for On Air On Site 2025 - https://onaironsite.com/artists/viktoria-nikolova-2

Monument of Memory of a Monument

heist support brokenchord at brokenchord.bandcamp.com

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GEGEN KÖRPER
THE SOUND OF ANTHROPOGENESIS & OTHER DWELLINGS
certified 
party pooper
sorehead
spoilsport
grinch
gremlin
grouch
grump
wet blanket
sourpuss 
drip
drag
crab
bore
fuddy-duddy
goody-goody
malcontent
pecksniffian 
crosspatch 
killjoy
animal

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