ecstaticupliftingchoir

V spans ( R ∪ I ) pour contrebasse et électronique.
Double Bass : Jules Bauer de Milleret
Diffusion : Julien Aléonard
Composition / programming / live engineering : Reuben Jelleyman
CNSMDP 2021

V Spans (R ∪ I)

2021.11.12 CNSMDP, France
Ensemble Intercontemporain + DAIC du CNSMDP
Direction : Léo Margue

Clarinette : Takahiro Katayama
Clarinette Basse : Alain Billard
Trombone : Maxime Col
Percussion : Gilles Durot
Piano : Chisato Taniguchi
Violon : Jeanne-Marie Conquer
Alto : Paul-Julien Quillier
Violoncelle : Eric-Maria Couturier
Contrebasse : Nicolas Crosse

Saï-saï pour ensemble

Extreme Quiet Village [11 saxophones]

Métier d'art [Piano]

Fevered Fan

Playing with the Torso is curating, more than creating. 
The Torso T1 presents musical ideas you can select from. And T1 is a time traveller. Sends you music from the past. What a beautiful machine. 
This is a curated track, Lots of  step events on FS1r vocals
Some Midi FX with a Future Retro Zillion.
Congenial track-title is taken from Fredric Jameson, "Postmodernism, or the cultural logic of late capitalism". Head of chapter Nine. Jameson, a good read.
Photographer: unkonwn. 
Das Wiener Boheme Quartett: https://grammophon-platten.de/page.php?170

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

Nostalgia for the present

Nostalgia for the present disquiet0591

for Paetzold contrabass recorder and accordion

Commissioned by Tabea Debus and Samuele Telari, with funding from Beauftragten der Bundesregierung für Kultur und Medien as part of NEUSTART KULTUR.

Recording from 2022 - Sam Stadlen (Stadlen Productions)

Tabea Debus (contrabass recorder)
Samuele Telari (accordion)

As part of 'Sounds of Now: Rotations' at Music in the Round, Sheffield
Film here: https://www.youtube.com/watch?v=EpV8ClWuDAo

slowly, turning (2022)

pour petite clarinette et dispositif électronique

Takahiro Katayama, petite clarinette
Étienne Démoulin, réalisateur informatique musicale

Selfie (2023)

Fractal Guitar Trio (https://linktr.ee/fractal_guitar_trio): Miguel Ángel Rivera, Raúl Rocha, Ramón Hernández Mendiola
Registro audiovisual: Rodrigo Villaseñor
Gravação realizada no Piso 16 - Laboratorio de Iniciativas Culturales da UNAM em maio de 2023 como resultado do Prêmio Ibermúsicas de Composição e Estreia de Obra 2022.
Partitura: https://www.babelscores.com/catalogs/instrumental/7985-teledescante-n-27985
Vídeo: https://www.youtube.com/watch?v=GPQ4WCW-gzY
Spotify: https://open.spotify.com/track/0tSIMlzkMPRuRbSyLj6sro

Teledescante Nº2 (Там, вдали за рекой), per trio di chitarre (2021)

12 clarinets (4 basses, 2 basset horns, 6 Bflat clarinets)

performed by Jérôme Voisin and his students

13/05/23, Boulogne-Billancourt (FR)

photo ©BChampeaux

Byword (2023) | 12 clarinets

Reuben Jelleyman (1993) is a New Zealand composer.  His works have been played by ensembles such as Ensemble Intercontemporain, Ensemble Multilatérale, Avanti!, Schallfeld Ensemble, the New Zealand Symphony Orchestra, Ensemble Fractales, and Stroma.   He completed his undergraduate studies at Te Koki NZSM / Victoria University of Wellington in composition and physics in 2016, and from CNSMDP with Gérard Pesson in 2021.  His contributions have been recognised by the CANZ Trust Fund Award 2019, along with nominations for the SOUNZ Contemporary Award in 2015 and 2021.
Jelleyman completed the KulturKontakt Residency in Vienna (2019), and is supported by the New Zealand Arts Foundation Springboard 2020, Edwin Carr Foundation Scholarship 2020, APRA Professional Development Award 2019, Fonds Legs Jabès, Fonds Nguyen Thien Dao, and Mécénat Musical Société Générale.

V Spans (R ∪ I)

Reuben Jelleyman

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