Instrumental 2

During the first lockdown in 2020, I began learning a number of string figures to pass the time. My next release of music is a reflection of that strange period of uncertainty and the string figures I learned. ‘Opening A’ is the lead track from my next EP ‘String Figures’, and I am delighted it will be released on Friday 21st May with Piano and Coffee Records!

Opening A is named after the opening move of a lot of the string figures that I learned. Most of them started in the same way.

String Figures

String figures

Opening A

Track 11 of 11

Get the album here: ramesesb.bandcamp.com/album/reborn
Stream on Spotify: https://open.spotify.com/album/5fATxzQ9T0s9Z7p6NkyyQp?si=w_tqjSO_R_StehCy1WTjxg

As the album comes to a close, a cinematic piece is played out; with improvised piano parts to express the unexpected events during our journeys, the suspense of what is to come and the beauty of it all resolving. Here's to the next chapter.

● Facebook: www.facebook.com/RamesesB.official
● Soundcloud: @RamesesB
● Youtube: youtube.com/RamesesB
● Twitter: twitter.com/RamesesB

The Next Chapter Awaits

Rameses B - The Next Chapter Awaits

This is a re-recording of the Song "Time changed everything" without background noises.

Hope you enjoy it.. =)

Nyctalgia- Time Changed Everything

Sólfar

Sleep in the backyard

Remixed by Cyrus Reynolds 
https://soundcloud.com/cyrusreynolds

Cello: Mike Kaufman 
Viola: Virginia Rockwell 

Track taken from 'Adrift Reworks', released on Injazero Records.
https://injazerorecords.bandcamp.com/album/adrift-reworks

Buy This Track

Steve Gibbs - Patterns (Cyrus Reynolds Remix)

We Move Lightly

'Close To Her' is a personal, improvised piece that was recorded one late night in the studio a few days ago. Hope you enjoy. 

Photo: Melania Brescia 
www.melaniabrescia.com

Instagram - instagram.com/benjamingustafssn

Close To Her

I reasonlty released a new track feel free to check it out! :) (28.07.2024)
https://soundcloud.com/fossekall/dommer?si=31a035ffced04ca9b70b1a7d1747119b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Thank you all so much for all the love and support! 😄

If you liked this, feel free to check out my new instrumental track: https://soundcloud.com/abist-466198880/mp3 😋

Feel free to support me:
Spotify: https://open.spotify.com/album/03zUMmOPP2dPRaxhxLDjry?si=pOr593CuTNyLNNvXzZOxdA
Bandcamp: https://fossekall.bandcamp.com/
Soundcloud: https://soundcloud.com/fossekall
Youtube: https://www.youtube.com/@Fossekall
Twitter:  https://twitter.com/Fossekall1
Instagram: https://www.instagram.com/fossekall11/

MUSIC USAGE CONDITIONS:
ask me at: awwofficial@outlook.com


Piano sheet music: https://www.dropbox.com/sh/sydf2zyfi9q6tji/AABHpf_cmoa2PXyf_Wla1t2ua?dl=0

Cover art:
https://pixabay.com/no/d%C3%B8d-m%C3%B8rke-hette-hooded-sp%C3%B8kelse-164761/

All glory to God ✞

Our Shadows

Pay What You Want

A new piece from my upcoming new LP 'ELASTIKANIMAL'.

Out in May, 12th on 1631 Recordings.
www.facebook.com/1631recordings/

Feat.
Laura PRIEU - Violin
Aude FADE - Viola
Emmanuelle BACQUE - cello
Romain COLAUTTI - Double Bass
Stéphane GARIN - Vibraphone

Recorded & Mixed by A.BRUNET at CELESTINE RECORDS
www.celestinerecords.com/

Mastered by JC PANIZZA at CLIMAX MASTERING
www.climax-mastering.com/

Contact Press officer:

Nicolas FAVIER
e-mail // communication@la-centrifugeuse.fr
Phone number // 06 34 06 21 09

Les Lointains

Third track of Manos Milonakis's remix release "Sólfar Reworked" by:

Luke Howard (www.lukehoward.com , @lukehoward) : 

Australian Music Prize-nominated composer Luke Howard has been described as “absolutely heavenly” (Mary Anne Hobbs, BBC Radio 6) and his music as “an ambient masterclass” (Musos’ Guide), but no words can fully capture the potency of Howard’s enthralling compositions. A pianist since childhood, Howard has scored films and performed with artists as diverse as Lior and Jeff Mills, capturing audiences with contemporary classical arrangements that curl and twist around the boundaries of a particular emotion. Though wordless, Howard’s songs perform a function unique to music as a medium – that of evoking without describing, bringing listeners to a feeling which defies articulating. 

Now signed to UK label Mercury KX (Lambert, Olafur Arnalds, Solomon Grey) and joined live by drummer and collaborator Daniel Farrugia, 2017 has Howard working across several projects: arranging the keyboard works of photographer William Eggleston, a pioneer of colour photography; a European tour beginning in the UK and ending with a performance at Germany’s legendary Elbphilharmonie; and a new record. 

Howard is one of Australia’s foremost practitioners of contemporary classical music. Having already accomplished so much and with more on the horizon, he is set to captivate audiences worldwide.

---
Celebrating Record Store Day and given the occasion of Sólfar EP’s 1st anniversary, Manos Milonakis invites friends, composers and producers to rethink-reimagine its’ 5 tracks. Sólfar EP was Manos’s second solo release, after Your Hand in Mine, which he recorded in Iceland with contribution of local musicians.

The 5 pieces of Sólfar EP have been reworked by:
Steve Gibbs, Fragile Balloon, Luke Howard, Hior Chronik, Ed Carlsen.

Sólfar Reworked is out worldwide on 22/04/2017, Record Store Day 2017, in limited handmade CD edition and digital.

You can find it at:
Thessaloniki: Lotus, Noise, Stereodisc
Athens: Underflow
Worldwide: www.manosmilonakismusic.com
Digital release: https://manosmilonakismusic.bandcamp.com

Sólfar Reworked

Ten (Luke Howard Rework)

Mourners Matinée

a loose cut that didn't make the new album (it felt like lyra by the numbers), but I didn't want to leave it on the cutting room floor either, so I'm hereby releasing it as a little one-off single. please like and subscribe and also hit the bell

Saaremaa

Anne Lovett’s stunning new release for 1631 is a departure from her beautiful previous solo piano album Beyond (and below). Without loosing any of the startling beauty of the preceding album, in The Eleventh Hour, Anne Lovett revels in a new sonic world. Joined by the London Contemporary Orchestra , UK’s most innovative and respected ensemble routinely heard alongside such luminaries as Radiohead or Johnny Greenwood, and later in duo with phenomenal cellist and composer Oliver Coates, Anne Lovett also introduces subtle electronics interwoven carefully alongside layered melodic piano lines.

The main narrative for the album was conceived shortly after a new addition was brought in to Anne’s studio, a plantation chair which sat opposite her Grotrian-Steinweg grand piano. It led to intense hours of rethinking around the instrument itself and more generally about the seismic shifts that were taking place in society. The album is an attempt to reconcile the flaws of time. 

Best described by the Japanese concept of Kintsugi or “broken beauty”, The Eleventh Hour is a heartbreakingly beautiful contribution to the modern “indie” classical genre. The thirteen tracks all meticulously crafted and ringing out with a dark luminosity, like an elegy to our troubled times. 

It will appeal to fans of Dustin O’Halloran, Nils Frahm, Max Richter, Philipp Glass, Jóhann Jóhannson who will find many reasons to love this album .

www.1631recordings.bandcamp.com/album/the-eleventh-hour

The Eleventh Hour

Anne Lovett - The Eleventh Hour

Hoshiko Yamane 3rd Album "Threads" out on June,2018
acoustic live set(25min)

concert: Silent Green Berlin on 25.Sep.2018

Album "Threads"-acoustic Live set

Available on main music platforms here:
http://hyperurl.co/td5a51

Sunrise EP

Sunrise

Ninety-Nine Stones is inspired by a story told by Erling Kagge in his book Silence In the Age of Noise. It is a story about ninety-nine scientists based at the South Pole who had seen nothing but snow, ice and man made objects for several months at a time. One year someone smuggled in ninety-nine stones and as a Christmas gift gave each resisdent at the base one stone. Everyone sat holding their stones in quiet reflection feeling the weight of the stone without uttering a word. 

I imagined the jumble of sounds they might each individually be hearing in their heads, sounds from all around the world, where home is and where the pebble took them back to. I wanted to make them all sound at once. 

The solo violin part performed by Marie Schreer.

Ninety-Nine Stones ft Marie Schreer

1631 Recordings is proud to release the original score for the indie documentary “The Man Behind The Microphone” composed by Tom Hodge and Franz Kirmann.

Directed by Claire Belhassine and produced by Claire de Lune Films and Roast Beef/Nutopia, The Man Behind The Microphone starts from a very personal story (the British director found out by chance in her early 30s that her grandfather was a legend of Tunisian music, the ‘Frank Sinatra’ of Tunisia) and turns into a family saga and a reflection on the nature of fame, culture, heritage and homeland.

Tom Hodge and Franz Kirmann have worked collaboratively over the past 10 years and have released three albums together under the guise of their post-classical/electronic moniker Piano Interrupted. This is their  second soundtrack together, having composed the score to BBC One series McMafia earlier this year.

The Man Behind The Microphone took several years to complete and Kirmann & Hodge were involved early on, sketching compositions loosely inspired by some of Hédi Jouini’s own music. Sometimes they would sample a small musical phrase from his old recordings or write harmonies and chords in a relative key to use as a starting point for their pieces. Their score echoes the melancholy and investigative nature of Claire Belhassine’s quest for her grandfather and the mysterious and fragmented aspects of the story.

Kirmann’s vaporous electronics and Hodge’s ghostly piano and clarinet lines are mixed with earthy analog synth basses and a string quartet provided by the London Contemporary Orchestra. The soundtrack is a melancholic and dreamy journey over 9 pieces, oscillating between post classical, minimalist and ambient music.

“There is a real sense of culmination about this soundtrack. In one way way it is our very first score, as it started long before McMafia. But even more so, you might say it is simultaneously our first and last Piano Interrupted record, or our very first collaboration even. Our album Two By Four was strongly influenced by our work on the prototype of this film and the sound of Papa Hedi. Yet because of the longevity of this film project, our combined musical voice has been profoundly altered by our work on our other two Piano Interrupted albums, as well as the four hours of score we wrote for McMafia. Here we are, full circle.”

www.1631recordings.bandcamp.com

The Man Behind The Microphone

Tom Hodge & Franz Kirmann - Ghost Of My Grandfather

There were endless possibilities, questions left unanswered and a door which sat ajar. There were three reasons why she might have left... The night was cold and dark, a faint chill ran through the town as he began to wonder where his long lost lover had gone. Absconding was weak and cruel - it answered as many questions as it posed and carried a bitter taste upon the tongue...

Tom Hodge & Franz Kirmann are long time collaborators and prominent musicians - the pair have worked creatively for decades and have recently recorded music behind a new documentary: "The Man Behind The Microphone". 

In doing so they also managed to compose new music of their own, built for no creative purpose other than love. This track is one of those.

Instrumental 2

Rev.Aswin_Clyde