Henny ❤️ lots of gd old dayssssss!!!🥃🥃🥃🥃🥃🥃

funk

Steve Jones - I Need You By My Side (6'32)

Herley Johnson JR - Do It (Maxi Version Quality Records 1982)

UK Players - Love's Gonna Get You (RCA music 1983)

Lemelle - You Got Something Special (Leviticus Records 1982)

Forecast - You are My One and Only (1982)

[ Tracklist ]
01 - No one's gonna love you
02 - Just be good to me
03 - Just the way you like it
04 - High hopes
05 - The finest
06 - Good and plenty
07 - Can't get enough
08 - There is no limit
09 - Looking for you
10 - Do it now
11 - Take your time
12 - Long way to the top
13 - Take love where you find it

The SOS Band Megamix

I'll Do Anything for You

Denroy Morgan - I'll Do Anything For You

For more SanFranDisko remixes / edits and free downloads please follow me here https://hearthis.at/vgncc7yp/

Free Download

Bounce, Rock, Skate,Roll- Vaughan Mason and Crew #FreeDownload

Kano - Im Ready

Shalamar - Make that move maxi 1980

19 - Skyy - Let's Celebrate - 1981 [12'' Mix] - Funk [WM](1) - Cópia

chewy will rub anything for you  .... a rub of 

Denroy Morgan  - I'll do anything for you- chewy rub

DANCE TO THE DRUMMER'S BEAT BY; HERMAN KELLY, ( AKA, HERMAN KELLY AND LIFE ) A DANCE RAP  HIP HOP SONG FOR  ALL AGES, VERY GOOD PARTY SONG AND MUSIC ALL OVER THE WORLD. hermankelly@att.net

DANCE TO THE DRUMMER'S BEAT

The SOS Band | No One's Gonna Love You (Change Request Extended Fantasy)

Having written for The SOS Band before and freshly coming off being fired from The Time—by The Purple One himself, Mister Jamie Starr—Jimmy Jam & Terry Lewis officially started their full-time music production careers with this song and this album at Master Sound Studio for Tabu Records in Atlanta.

A favorite single off The SOS Band’s fifth studio album—1984s Just The Way You Like It—“No One's Gonna Love You”, much like this entire record, was written and produced by the Dynamic Duo from Minneapolis. 

Peaking at just #6 on the Billboard R&B Albums charts, this song would continue to see Jam & Lewis developing their early takes of drum machines in popular R&B, this time featuring the brand new Roland TR-808. 

Students of Prince, but graduates of The Minneapolis Sound, this would be one of the first productions of theirs that would go on to heavily influence groups like Loose Ends and 52nd Street as well as being sampled 49 times by artists such as Tupac, New Edition, Snoop Dogg, Foxy Brown, Maxwell, and A$AP Rocky among many others. 

I have always loved this song and like most of their productions from this era, their arrangements and formatting were hyper-focused on developing their quick succession of sections that could all be hooks, a benchmark of the Jam & Lewis songwriting aesthetic. 

Forging a new rhythm section here composed in the zeitgeist, I added all the Minneapolis Sound drum favorites for the era in the mix—from The Oberheim DMX/DX and LinnDrumm LM-1/LM-2 to the standard Roland TR-808 percussion ensemble as well as The Sequential Circuits Drumtraks (which wasn’t used on this album as it was released in the same year of it)—to put some “Get Right” on this 25-year old recording. 

Extending the instrumental sections and symmetrically repeating the hook, I made the longest version of this there is, clocking in at just over 10mins. Saturating the polyrhythmic additional programming, this modern version is now armed for Dance Floor Destruction or Dinner & A Movie Devastation.

A Special Shoutout To A Special Someone:
Whereas The Surreality Of The Reality Is What Really Feels Like A Fantasy

Enjoy!

@AndrewEmil 
@ChangeRequest 
Website: bit.ly/2Vc9qOv  
Facebook: bit.ly/2vvHZQb  
Soundcloud: bit.ly/2vDI30h   
Instagram: bit.ly/2J87UFH

Classic House-Secret Weapon (must be the music)

revitl

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