analog heart 2013

born in a Clapton aquarium and catapulted into the sun; found coughing sea on the safety of a beach.

http://www.facebook.com/jrsea

played/recorded/produced by J.R.C.
additional recording/production by Tom Morris
mixed by Tarek Musa

Out Of Body Auto-Reply

Taken from the forthcoming double A Side single Exploded View/Magpies Eyes out November 5th via CF. 7" is limited to 100 records and includes downloads of both songs plus 2 brand new tracks, also exclusive screen printed artwork by Lucy Jones. Pre-order here: http://cfrecords.bigcartel.com/product/sea-pinks-exploded-view-magpies-eyes-7-dl

Sea Pinks - An Exploded View

From the album Appear to Float.
Available on Limited Edition Blue Vinyl

Recorded at Granny It's Ok Recording Studio.

Dig Your Own Disco

Sunridden

Show 700 - playlist
︻╦╤─ CENTRIFUGAL ─╤╦︻

on Campus Radio // 98.3fm \\

5pm, Wed June 15th 2022

https://www.youtube.com/playlist?list=PL3mkIWWILu7CtVq8SHBQCeDLEVH1fDevL

https://open.spotify.com/playlist/1VlkgCvNorW6C73WZxR0Ad



Part 1:

1.	Got Your Number - The Maghreban & Nah Eeto

2.	Magic Pony Ride, Pt. 1 - µ-Ziq

3.	Lemonhead - Tunnel

4.	Now That You Got Me Thinking | Alt Version - Gammy Origami

5.	The Trumpet's Revenge - Boa Morte

6.	Revolutionary Spirit - The Wild Swans

7.	Pepsi Vacuum - Dummy

8.	The Last Normal Day - The Burning Hell

9.	Of the Deep Sea - Jeff Greinke

10.	Transcend - TWÏNS

11.	All Your Love - Ghost Woman

12.	John The Revelator - Miraculous Mule

13.	The Power of Incredible Violence, Pt. III - Pure Adult

14.	Alphaville - The Monochrome Set

15.	Sell The Sky - Tess Tyler

16.	Weather Alive - Beth Orton

Show 700 [15.6.22] Hour 1

https://www.instagram.com/splitterrrr/
NO TIME FOR FUCK ALL JUST SEEING WHERE IT TAKES US
SLOWLY BUT SURELY IT INFECTS ⛓⛓☣⛓⛓☣⛓⛓☣

feelin just like Paul Blart the way I maul cops 
crack his fuckin head with a lamp made of salt rock
they were havin beef with me before my fuckin balls dropped
so as far as i'm concerned they can all rot
it's that motherfucker splitter, nobody legiter
051 but i'm north of the river
walking dead like thriller
no reflection in the mirror 
try n step to me the bayonet make you reconsider

buds of sticky cannabis top shelf not no average shit
grown by rabid savages, not sure you can handle it
the toxic fumes it can emit
got crystals like an amathyst
lungs are fucking damaged shit
just from half a gram of it
 skin ice cold to the touch
from the sticks where we walk amongst banshees and such
have you dropping to your knees like i kicked out a crutch 
residing in a tomb 50 years untouched
Docks on, rockin black boots
Truey jeans i don't fuck around with tracksuits
Had to take a break told you i'd be back soon
immortal always resurrecting and that's facts too

Prod. error.mp3
https://www.youtube.com/@error.mp3

S@LT R0ck (prod. error.mp3)

babyrain

No Space for Cowboys is my version of the big cosmic disco. 

Hat tip to...
@deejaypino https://on.soundcloud.com/xYuvd
@LeoLeonski https://on.soundcloud.com/okVHu 
@TheDeadRoseMusicCompany https://on.soundcloud.com/PgsFr
@ToyTonics https://on.soundcloud.com/xcgZX
Ping if you want track info.

Unknown Album

No Space for Cowboys

From the Tongue&Groove series
Made for World Poetry Day ... dedicated to Millie Arwen HH
Using fragments of an interview and the poem 'I Rise' by the Maya Angelou, 
With choice cuts from the Curtis Mayfield track 'Right on for the Darkness'.
Additional music and production by Band of Clouds.
Mastered by Mixmaster Dave
Granny it's OK to Experiment Recordings
Winterport / Hawaiireland

Still I Rise (Angel of Mayafield mix)

Recorded by John Haggis at Soundbouncer Studios // Demo *2007
The music recorded in the first few years of Granny it's Ok to Experiment could not have been made without the help & support of Conor Nolan, Arts officer at the Waterford City Council

Emi Muto

Buy Hypnotic Regression on iTunes - https://itunes.apple.com/ie/album/hypnotic-regression-single/id583187872

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released on 18th February, their second album The New Life is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, The New Life is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

The band’s performance at Primavera festival 2012 provided them with their first real opportunity to showcase the songs that were to comprise The New Life. The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains:

“The New Life is not an over night change for Girls Names - just over two years in fact. Dead to Me literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, The New Life is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. The New Life is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream here - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, The New Life, stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

The New Life will be released on February 18th on Tough Love (UK) and Slumberland (US).

Girls Names - Hypnotic Regression

Order Here : 
www.juno.co.uk/products/furniture-on-broken-glass/711209-01/

Emotional Rescue returns to the music of British “pop” band Furniture, with an EP of the band’s own extended versions, remixes and unreleased takes of their particular output.  

Taken from three 12”s that followed When The Boom Was On (ERC072), the songs included cast a light on their development from 3 to 5 piece, adding Sally Still (bass) and Maya Gilder (keyboards) and the new male/female frontline.  The subsequent broadening of their line-up and sound meant they could start to address the kind of pop music they wanted to play.

After the early releases garneered radio play and reviews, Furniture were launched into the melee of ‘80s pop.  An anomaly, the band found they attracted a specific kind of “intense” follower, who were often beguiled by Furniture’s freaky normality.  This was addressed on the 1984 release, ‘I Can’t Crack’.  A more urgent version of the sound Furniture had debuted with ‘Why Are We In Love’, the track, sung by Tim, was based around a sequencer-like rhythm played live by drummer Hamilton Lee, and a clarinet part played by Tim’s brother, Larry Whelan.  A mix of bleakness and euphoria, the song was and is a favourite of the band and considered one of their best self-productions, as well as becoming a latter day club play. 

This is followed by the studio experiment ‘Throw Away The Script’, where the band wrestled with sequencers and synth-pop, but then countered it with a free-jazz sax solo.  Found on the flip of the double A -side of ‘Love Your Shoes’ 12”, this instrumental version too became an underground club hit, including a cult play at Fran Lenaer’s influential Valencia club, Spook Factory.   Played loud, the studio mastery, trickery and oft-accidental discoveries come to the fore, with tissue-damaging frequencies giving extra sound system shaking bottom end.

The B-side continues the band’s love of making extended mixes with ‘Dancing The Hard Bargain’.  Co-produced with Tim Parry (formerly of Blue Zoo), they threw everything at these 12” versions.  Able to relax and focus on the sounds they really liked, rather than the ones thought more commercial, this can be clearly heard on this compelling, percussive mix, a stop-start breakdown becoming a band hallmark. 
To close this collection is the mammoth ‘Bullet’.  Again sung by Whelan, an edited version of which debuted on the 1986 Survival compilation of Furniture tracks called ‘The Lovemongers’, here this previously unreleased original take is centred on a mesmeric tape loop, live drums and a guest appearance by violinist Helena Bjorelius.

B1. Furniture - Dancing The Hard Bargain (Extended Mix)

The Lights Are Going Out

Dirt

A band of musicians, poets & human hearts

Dig Your Own Disco

BAND OF CLOUDS

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