this is what a dying speaker should sound like.

worst load of wank ever. How do we stop this loser making any more music?

shuffling through my old tracks    still same vibe 6 years later

ahh forgot how beutiful this song was.   hiccup

This 🎧 why I drink ginger beer ;) happily

This used to be one of my favorite tracks to listen to 6+ years ago, I thought I had lost it multiple years ago and so I stopped coming on to SoundCloud…. Found myself back on here from a link my MOM group sent me and somehow found your profile and this track again 🥹 feeding my maiden soul right now. Wow

Compilations

Pretty Lights - One Day They'll Know (ODESZA Remix) - A Color Map of the Sun Remixes

Official Music Video: https://www.youtube.com/watch?v=o7PzDNh4N2Y

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All I Really Need (Featuring Kenzie May)

Tev Woods & Steven Sober - Acid Love (Feat. Neema Nekesa)

I mourn peace and freedom. I mourn checks and balances, and the democratic consensus. I mourn every innocent victim of war—every child, every dream crushed by every tyrant. How could I not? How can you not?

Being pro-people and pro-peace isn’t being anti-anyone, it’s refusing to let pain justify cruelty. I love my Jewish friends, but I also mourn the moral consensus we once called “Never Again.” Because safety matters—yours, mine, theirs, ours. Everyone’s safety matters… That’s why my heart can’t stop singing and praying for world peace. I’m not anti-anyone. I’m anti-dehumanization. My hope is that the Jewish story can end in healing, not repetition. 

I can’t help but hope… because I believe we can protect each other without inflicting new wounds. Empathy isn’t a zero-sum game; it’s what makes us human! It’s what helps us survive and thrive as one earthly, democratic tribe. In fact, empathy is the ultimate weapon against evil! That is exactly why those who cannot feel it try to divide and conquer by calling empathy weak or dangerous.

Simone Weil wrote: “Imaginary evil is romantic; real evil is gloomy, monotonous, barren.” So when I hear friends glorify revenge to justify genocide, I weep… as if trauma could explain violence because it gives despair a proud story; as if moral drama, fueled by hubris, could heal the multigenerational void of helplessness left by past and future trauma. When a pacifist says “no more heroes, no more villains, just humans,” it’s treated as a threat, as if “you’re with us or against us” were unquestionable truth. 

But Nietzsche warned that those who fight monsters must be careful not to become them, and Hannah Arendt reminded us that fear of being a victim can make us accept the role of the oppressor. Real humanism doesn’t erase trauma, it transcends it! Pacifism isn’t naïve; it’s a radical commitment to ending the cycle of identification with force. 

Winning means grounding ourselves in moral coherence. Life is sacred. It’s not about picking sides between nations (or parties)… it’s about choosing compassion over cruelty. Sigh. 

And so well now, of course, I wrote yet another song—another “Letter to My Friend,” about Never Again. 💌

—
@bananasutra – Lyrics: “Letter to My Friend”

Hey love, 
I’ve been thinkin’, the air’s gone strange.
We built a bridge, but fear made the range. 
When did caring turn into crime? 
Since when did heartbeats choose a side in time?

You think my tears forgot their tribe, 
But pain’s one language, that’s the vibe. 
If I cry for Gaza, do I leave you dry? 
Or can both our ghosts learn to sigh and fly?

I’m not your enemy, babe, I’m the echo that remains. 
Every love I add don’t steal your chains. 
Peace ain’t a prize that one can win; 
It’s a wound that heals when we let it begin. 
Oh, Bananasutra sings again…

Your roots run deep in haunted clay, 
I feel that tremor every day. 
But if walls keep empathy out of sight, 
Ain’t we just living in longer nights?

You guard your story like sacred wine, 
But I sip my sorrow... it tastes like thine. 
Can’t “never again” be a door, not a wall? 
Must one rise so another can fall?

I’m not your rival, love, I’m the ache that understands, 
Two trembling souls with open hands. 
My heart don’t subtract when it starts to expand; 
It multiplies truth in foreign lands.

Pain is pain; it don’t wear flags. 
It needs no borders, no tags. 
Fear’s a thief, babe, it steals our sight, 
Makes day look wrong and wrong look right.

Would you rather win, or rather heal? 
Would you rather numb, or rather feel? 
If trust could hum a new refrain, 
Would you hear my note through your pain?

I’m not against you, I’m just against cruel. 
Love ain’t a weapon; it’s the rebel’s rule. 
Let’s rewrite Never Again for all, 
’Cause peace built on pride’s just another wall.

So hey, my friend, come dance instead? 
We’ll sing for the living, not just the dead. 
Bananasutra’s heart don’t bend, 
It blooms, it breaks, it mends. 🪽


[21] Letter to My Friend (Never Again) • Gipsy Peace Duende Soul Fusion INDIE LOFI

Forthcoming on MTA Records.

Arriving fresh on the scene with a debut of anthemic proportions, France-born Trinidad-raised Toronto resident Kill Them With Colour aka producer Wesley Marsh joins forces with Chase & Status-helmed UK label MTA Records for new single ‘Get High’. The track has already seen plaudits from leading lights including The Magician, who included it in his Magic Tape 48, and Pete Tong and Annie Mac who have played ‘Get High’ numerous times on BBC Radio 1.

Kill Them With Colour’s inspired remixes of a diverse range of artists including ZHU, Raury, Kendrick Lamar, Marian Hill, Zella Day, Lana Del Rey, A$AP Rocky and Notorious B.I.G. alongside genre-hopping and deftly produced original tracks have notched up over 8 million combined views and listens on YouTube and Soundcloud, making him a mainstay in the Hype Machine charts with Hype M Radio listing KTWC’s remix of Ariel Pink’s ‘Round and Round’ as the #9 overall remix that year. Most recently, his original song ‘Always Somethin’ garnered worldwide success, tallying over 1 million plays on Soundcloud and drawing coverage from THUMP, Complex, Hypetrak, Earmilk, Indie Shuffle, Hilly Dilly, Do Androids Dance and DJ Mag to name just a few.

His debut single proper, ‘Get High’ is a huge statement of intent, opening with rolling trap snares and a rousing female vocal before a UK flavoured 4x4 beat takes to the floor. There’s something deliciously off-kilter about it too, as a distorted flute riff (yes, flute) drops in halfway through, heralding a gargantuan breakdown. The single is backed with a moody, bass-laden VIP version along with a ramped up club-ready Extended Mix.

Live, Kill Them With Colour has played alongside the likes of Ryan Hemsworth, Cut Copy, Rudimental, Classixx, Azari & lll and Fred Falke, as well as being invited to perform at the inaugural Toronto edition of Bestival this year with SBTRKT, Jamie xx, Flume, Caribou, Dusky and more.

Follow Kill Them With Colour:

soundcloud.com/killthemwithcolour/
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Artwork: www.keivanazhari.com/ 
@keivan_azhari

Order Get High EP

Get High VIP

unofficial remix.
All rights go to Wild Belle

Support them here -> https://soundcloud.com/wildbelle
Click buy for free download.

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Wild Belle - Our Love Will Survive (NEOSO edit)

Surprise!

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Emma Gatsby - 2 Steps (White Cliffs Remix)

california

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TRACKLIST*
Valleyz, Tessellated & Amindi K. Fro$t ~ Pine & Ginger
tessellated - talk to me
Papa Ya - Sunny (Evan Gartner Remix)
Destiny - Time (TapTone Remix)
MRVLZ & Sarthe - IDK
verzache - hiccup

Support these artist!! Great producers and I'm happy to make a mix for you all to enjoy! Nothing like it getting plays of a mix that we all enjoy! Over 200K!!

Free Download

PD Radio 00'7. TCAZ

Music Video: 
https://www.youtube.com/watch?v=dJW1UBS3DHI

casablanca.lnk.to/StelouseStelouse
www.stelouse.com

Follow:
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twitter.com/SteLouse
www.facebook.com/stelouse
@efmascolo
twitter.com/efmascolo
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Artwork by Jesse Draxler
jessedraxler.com/

lyrics: 
all the time
I wait while you don’t know me 
but you talk of how you’re lonely
I wait for it to pass
oh why

walking blind
these nights are going slowly
I wait but you won’t show me
past your sheets of gold
oh why

I’m betting on your grace darlin’ help
I’m crawling in my greed now
so call it what you please darlin’
I’m begging that you’ll come around

all the times I wait while you don’t know me 
and I’m left alone in shivers and gold
you know you’re crazy darling

oh why are my hands cold
it’s only you, 
you know, i know, it’s only you

And all my desperate waiting’s wasted time 
My bones are frozen by your fools gold

I’m betting on your grace darlin’ help
I’m crawling in my greed now
so call it what you please darlin’
I’m begging that you’ll come around

all the time
I wait while you don’t know me 
but you talk of how you’re lonely
I wait for it to pass

Written by StéLouse & Mascolo 
Produced by SteLouse
vocals by @efmascolo
Mixed & Mastered: Naderi
additional bass guitars: Noah Matthews

StéLouse

Shivers N Gold (feat. Mascolo)

Album out now!

MINDJOB RADIO .001

hope yall enjoy
0:00 Brent Faiyaz- Poison
3:20 Bruno Major- Easily
6:40 dre'es- Warm(ft. mia)
11:03 Omar Apollo- UGOTME
13:08 Kali Uchis- After the storm(ft. Tyler the creator & Bootsy Collins

PD Radio 00'7. TCAZ

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