I keep coming back to this, no lie the texture on it has me feeling like this is a jungle classic. Im pretty sure my head would explode if I heard this live

Business commerce and climbing the corporate ladder

rings n boundabouts

Buy the album

Daniel Avery - All I Need

urban noise

Us Ephemeral (George Clanton Remix)

TIME-BOMB!!

//sonictunnels//

WANTED

WANTED (pt.2)

My fifth single :) 
the song i'm most proud of

new lite

Puddings

Spotted Dick

READ > inverted-audio.com/premiere-maxwell-simons-richi-rich-joburg-abadir-remix

Beat Machine Records return with a percussive missive titled ‘Bantu’ that pairs local producer Maxwell Simons with the magnetic cadence of South African vocalist Richi Rich...On remix duties, ABADIR dives straight into the deep end with 'JOBURG'. His version plays like a lucid dream, cascading polyrhythms delve into outer orbit, while chopped vocal shards of Richi Rich hover like holographic spirits. By the time the amen breaks crash through, the track transmutes into something almost spiritual.

@beatmachinerecords
@maxwellsimons
@rami-abadir

Maxwell Simons & Richi Rich - JOBURG (ABADIR Remix) [Beat Machine]

Invoking The Ancients

Hard Normal Daddy

Beep Street

Raw Sounds District is proud to welcome Bakground from United States on RSD004. This jungle 6 tracker full of dreamy pads, hardcore rhythms, heavy basslines work ands MC voice samples, will make you travel back in time, bringing you directly in underground raves from 96’s London. 

300 copies
Preorder : https://lobsterrecords.co.uk/products/bakground-fantasies-ep-pre-order
Out October 5th
Distributed by @lobsterdistribution

RSD004 - Bakground - Fantasies EP Preview

Rezzett LP

Worst Ever Contender

Zootie

After a string of standout track releases on her label Coconut Beats, HAAi is now preparing to unleash her first ever full length EP under the moniker, leading with stand out single 'Growing Up With Muscle Cars'. 

Pre-order the EP now, due for release 5th July 2018: https://haai.bandcamp.com/album/motorik-voodoo-bush-doof-musik-ep

“This EP was made after I realised that what inspired me most was to combine my love of electronic music with the music I enjoy outside of the club. I decided to collaborate with friends from a couple of my favourite bands, including Fay Milton (Savages) who provides live drums on Motorik Bush Doof Musik and Taigen Kawabe (Bo Ningen) who performs on I Never Cared That Much For Jungle. For me, having live instrumentation on the EP adds an extra depth to the tracks & has given me a vision of how to I’d like future releases to sound.
My fave track off the EP, Growing Up With Muscle Cars, is an homage to my step dad who repairs and restores old muscle cars. He also used to take me to the drags in my hometown when I was little. We would push the race cars out onto the track. Some of my favourite memz as a lil kid.”

Growing Up With Muscle Cars

Nocturnal Sunshine – ‘Meant To Be’ (DJ Kicks Exclusive) 
16/04/12, K7 Records [K7295EP]

Meant to Be (DJ Kicks Exclusive)

Interview + Download:  http://truantsblog.com/2019/truancy-volume-247-clark/ 

Soundcloud: @throttleclark

Following an expansive discography of LPs on Warp from 2001 to 2017, the latest release from acclaimed British producer Clark sees him self-releasing an album for the first time on his own label Throttle Records. Titled Kiri Variations the fourteen-track album is an extension on his score work he produced for BAFTA-nominated TV drama Kiri back in 2018. Having delved into world of scoring for film and TV back in 2016 with the soundtrack for crime-thriller The Last Panthers, he's taken to the versatility of this type of work with ease. Clark's music, even if sparingly, has always had quite emotive themes and on Kiri, his use of piano, harpsichord, clarinet, strings, electronics and his own voice paints a wonderfully melancholic narrative. We caught up with Clark to discuss the work put into Kiri Variations, his performance at the Royal Albert Hall, the transitional two second 'holy points' in his productions and how producing music for horror films is one of the most satisfying things you could ever do as a producer. His Truancy Volume, a sonic extension of his recent scores, is a riveting tapestry of organic instrumentation. Incredibly coherent yet polarising at points, his embrace of recent acoustic sources can be heard throughout. Shuttling through haunting modern classical and folktronica to the trance-induced productions of Lorenzo Senni, it's an overlap of two circles both firing up emotion. As Clark puts himself  - "We live in a post-genre era, it's good to take advantage of that."

Worst Ever Contender

Rezzett

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