Soul

Máquina deseante de su destrucción
Ritmo desconcertante en oscilación

Grabado en :MWM:
Marzo 2015

Máquina-Guerra

onetime project "Flying Bodies" (Beta Evers and C.Kent). Recorded in 2004. Will be re-released on the upcoming Bodyvolt compilation, BVV-03 in spring/summer 2017. www.bodyvolt.de

Electrified (by Flying Bodies) - Re-release on Bodyvolt in 2017!

Keine Richtung

Buy on Bandcamp

Baile Sin Dientes - Dance without teeth

It is a brutal dance. We are born without teeth and we die without teeth. It is the dance of life. Baila sin dientes!

The Berlangas - Baile Sin Dientes (Contubernio Records CRCS116L)

Mix up Mix Up

101
Pro One
707
MS 2000

Hearts
Minds

//TENSE// (MixUp) - LiveBody

Nestajanje

MATERIAL ELÉCTRICO Vol III

Pahn

Desolation Years

Desolation Years - Restless Desires

From the Crystalline Stricture album 'Technique' on TONN Recordings.

Available from TONN Recordings Bandcamp.

Vocals by Crystalline Stricture.

Image © Mary McIntyre.

Technique

Traum Huntress

Traum Huntress - MADMOIZEL Remix for Crystalline Stricture

slow glass - savage fusion (demo version)

Ruinas para una Era Futura is a darkwave project located in Mexico City. Members Mayumi Kyu (Vocals, Live Drums, Noises) and Jorge Cardiel (Drum Machine, Sequencer, Synthesizer) decided to collaborate in a new project together, after being in contact through soundcloud and meeting in the Death in June concert on May 16, 2014. This resulted in a first session that lasted twelve hours of intense musical communication, in which they wrote their first three songs.

Discussing the song Die Befindlichkeit des Landes from Einstürzende Neubauten, they came across the paradoxical idea of a futurism based, not on the exaltation of modernity, but on the consciousness of the inevitable decay of human civilization, which encompasses bodies, architecture, landscapes, technological devices and machines, psychic, social and nervous systems. In order to present this nihilistic futurism, their sound comprises analogical oscillations, reverberated voices and screams, distorted beats, filtered samples and self-generated noises.

Their first song entitled "Human Machine" deals with this catastrophic conception of the future as seen from the present moment and it's inspired on the 20th century's first film scenes which focus on machines as a non-human protagonist. Machinery is a metaphor for civilization's development, working its way through history and, although it reaches high levels of complexity and organization, doomed to collapse. The future of the "Human Machine" is an agglomeration of ruins.

Ruinas's second song, "La noche y la nada" (Night and Nothingness) inspired by the poem "Schöpfung" (Creation) by the German expressionist Gerrit Engelke and wrote also at the beginning of the 20th century, focuses on the moment after the "Human Machine" breaks down, bringing a return to the original indeterminate state before creation.

Máquina-Guerra

Ruinas parauna Era Futura

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