Name: Julia V3 by Rhian Hutchings
Duration: 6 min 48 s
Description: This track was inspired by Matera and the caves in the rocks of the Sassi. It was also inspired by an opera created for Matera 2019 by L'albero called Silent City.

This track was inspired by Matera and the caves in the rocks of the Sassi. It was also inspired by an opera created for Matera 2019 by L'albero called Silent City.

Julia V3

Smile - New Arrangement by Kat Rees & Joshua Lascar

Read the lyrics:

Do people hear me when I speak
Do they think I’m insubstantial or weak
I wish they’d show their emotions to me

I don’t feel that spark
That I have to feel to make it worthwhile to start
Something important with you

I don’t feel that ache
That my friends feel when they see you make
An average joke it’s not that impressive 

Maybe that feeling is the feeling
But I don’t think so because your not that appealing to me
To me

I’m supposed to feel it 
I don’t feel it
I think I’m different
I know I’m indifferent 

To your tatted wrists
Your big arms
Your short hair
And your charm

I’m not feeling what I’m meant to feel

And I’m scared because I think I’m dramatic
Maybe in the end this will be anticlimactic 

And I’m scared because I think I’m ignorant
How would I know at 15 if I’m so different

They stare at your pictures for hours on end 
They show me videos and I pretend 
To understand their wasted time

Is it your hair that makes you attractive 
Or that sweaty white vest that you inhabit
What about it makes you so great

Maybe this feeling is the feeling 
But I don’t think so because your not that appealing to me
To me

I’m supposed to feel it
I don’t feel it
I think I’m different 
I know I’m indifferent

To your tatted wrists 
Your big arms
Your short hair 
And your undenying charm

Im not feeling what I’m meant to feel

And I’m scared because I think I’m dramatic 
Maybe this will all be anticlimactic 

And I’m scared because I think I’m ignorant
How would I know at 15 if I’m so different

SUPPRESSED DIFFERENCE

This track was inspired by love messages found scratched into stones, during an off-grid songwriting week in the Welsh countryside. 

Written by Madeleine Elizabeth Jones
Performed and Produced by Maddie Jones
Mixed and Mastered by Charlie Francis

Je T'Adore

Loafus - Dream Land (Demo)

Premonitions Of A Lily (demo) - Ratiba Ayadi ft. Silent Songstress

11 Dec 2015 /// we recorded the Kyrie from Richard Barnard's M(Mass) in several locations across Highgate, London as part of an acoustic exploration project supported by Arts Council England and The Bliss Trust.

Track 1: M(Mass) Kyrie, is the piece as it was composed
Track 2: M(Mass) K2, is Barnard's first experimental step away from the original composition
Track 3: M(Mass) Two Sopranos, is Barnard's second step towards new choral soundscape

M(Mass) Kyrie text:
Catharanthus roseus
Vinca rosea
Catharanthus roseus

//Catharanthus roseus (previously known as Vinca rosea) is the Madagascar rosy periwinkle. This plant contains the alkaloids vincristine and vinblastine used in chemotherapy to treat cancer.

Richard Barnard (composer) // http://www.richardbarnard.com/

Singers on these tracks:
s/ Julia Sinclair & Alexandra Schwinn
a/ Sophie Nairac & Lucy Prendergast
t/ Nils Greenhow & Julian Issa
b/ Joachim Cassel & Peter Lidbetter

M(Mass) Two Sopranos

11 Dec 2015 /// we recorded the Kyrie from Richard Barnard's M(Mass) in several locations across Highgate, London as part of an acoustic exploration project supported by Arts Council England and The Bliss Trust.

Track 1: M(Mass) Kyrie, is the piece as it was composed
Track 2: M(Mass) K2, is Barnard's first experimental step away from the original composition
Track 3: M(Mass) Two Sopranos, is Barnard's second step towards new choral soundscape

M(Mass) Kyrie text:
Catharanthus roseus
Vinca rosea
Catharanthus roseus

//Catharanthus roseus (previously known as Vinca rosea) is the Madagascar rosy periwinkle. This plant contains the alkaloids vincristine and vinblastine used in chemotherapy to treat cancer.

Richard Barnard (composer) // http://www.richardbarnard.com/

Singers on these tracks:
s/ Julia Sinclair & Alexandra Schwinn
a/ Sophie Nairac & Lucy Prendergast
t/ Nils Greenhow & Julian Issa
b/ Joachim Cassel & Peter Lidbetter

Recorded & Mastered by Rhys Maslen

M(Mass) Kyrie

Trevor Wishart (UK) (b. 1946) has been a pioneer within electronic music, vocal music and academia since the early seventies. Wishart is currently associated with the Durham University as Arts Council Composer Fellow. Wishart has also developed musical software that has been and still is being used by many electrophonic music performers today.

“Anticredos” is written for 6 voices and multi channel sound design/electronic. 
The range of the composition is vast, both vocally and aesthetically speaking. The piece had it’s premiere in 1980, and it is based on a very detailed system of sound and notation published in the book “Book of Lost Voices” (1980). One can find this system in almost all of Wishart’s vocal compositions. “Anticredos” is both vocally demanding and musically very complex and for that reason it has been performed only a handful of times. At the same time the music speaks to us all, with it’s fascinating soundscapes and strong contrasts. Song Circus has since April 2009 performed the piece on several occasions, amongst others at the contemporary music festival PGNM in Bremen, which was broadcasted on the radio (Radio Bremen/Nord-Deutsche Rundfunk). 

THE VOCAL CHAMBER ENSEMBLE SONG CIRCUS
Song Circus is a vocal chamber ensemble consisting of professional singers from Stavanger, Oslo and Gothenburg. The ensemble is continually exploring the voice through projects that combine contemporary music and improvisational music.
The group is seeking collaboration with composers and creative musicians, which have already resulted in collaborations with composers such as Trevor Wishart (UK, Jaap Blonk (NL), Ruben Sverre Gjertsen (NO), Ole Henrik Moe (NO) and David Moss (US/DE). The ensemble was founded in late 2008/early 2009, and has already been noted for their performances which include four large main projects and several rarely performed pieces.

Musical director: Liv Runesdatter.

Singers: Liv Runesdatter (Stavanger), Anita Kaasbøll (Oslo), Eva Bjerga Haugen (Stavanger), Maria Norseth Garli (Gothenburg), Rønnaug Bakke (Stavanger)/Stine Motland (Oslo), Signe Irene Time (Stavanger).

Conductor: Jonas Rogne Skartveit (Stavanger). Sound engineer/designer: Trevor Wishart (UK)/Dag Egil Njaa (Stavanger).

Julia V3

Rhian Hutchings

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