Please Don't Let Mac Die!

Can't Find My Way Home

From the album Tomorrow Is My Turn

The landscape of American music is littered with the ghosts of the unknowable and mysterious blues musician, scratchy voices on a 78 conjuring up an era and an energy long gone. No one represents this better, perhaps, than Geeshie Wiley, who, along with equally unknown L.V. Thomas, recorded a handful of sides for Paramount Records in 1930–31. “Last Kind Word Blues” calls to me in a way that I can’t really explain, but when producer T Bone Burnett suggested it for the record, I knew instantly it was the way to begin.

Tomorrow Is My Turn

Last Kind Words

Ry Cooder

Available Space

Escondida

Old Fashioned Morphine

The original members of Pentangle - Bert Jansch, John Renbourn, Jacqui McShee, Danny Thompson and Terry Cox - reconvened in summer 2008 for a final tour. This track was recorded live at London's Lyceum Theatre.

Live album from UK tour 2008

PENTANGLE ~ Light Flight

Mum's List

Call Me

...Io ci sono

I As a Person

Even My Sure Things Fall Through

Crystal Frontier (Acoustic Version)

Live in London

No Time For Cryin' (Live)

AVAILABLE 2/22/2019: https://folkways.si.edu/songs-of-our-native-daughters

Songs of Our Native Daughters shines new light on African-American women’s stories of struggle, resistance, and hope. Pulling from and inspired by 17th-, 18th-, and 19th-century sources, including slave narratives and early minstrelsy, kindred banjo players Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell reinterpret and create new works from old ones. With unflinching, razor-sharp honesty, they confront sanitized views about America’s history of slavery, racism, and misogyny from a powerful, black female perspective. These songs call on the persistent spirits of the daughters, mothers, and grandmothers who have fought for justice – in large, public ways – only now being recognized, and in countless domestic ways that will most likely never be acknowledged. 52 minutes, 36-page booklet with lyrics. Note: LP versions omit the track "Better Git Yer Learnin."

“An artistic mission to supplant the portrayals of slavery as an abstract, ancient sin with the imaginative, immersive contemplation of its individual human impact and aftermath" - NPR

“A crucial pronouncement in folk music” – Rolling Stone

Our Native Daughters - Quasheba, Quasheba

Rhiannon Giddens is a celebrated artist who excavates the past to reveal truths about our present. A MacArthur “Genius Grant” recipient, Giddens has been Grammy-nominated six times, and won once, for her work with the Carolina Chocolate Drops, a group she co-founded. Pitchfork has said of her “few artists are so fearless and so ravenous in their exploration,” and Smithsonian Magazine calls her “an electrifying artist who brings alive the memories of forgotten predecessors, white and black.”

Last Kind Words

Rhiannon Giddens

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