This one is a dedication to the Belgian Junglists group.

While They Are Watching TV

Here is a new mix of mine inspired by the Breaks revival within Jungle/Drum & Bass.
It's a kind homage to the mid-nineties sound. The one that brought Jungle/Drum & Bass abroad, not only abroad the UK borders but also abroad the musical genre. The kind of sound that made house and techno's people listen it.
The perpetual tension between deep, slow atmosphere and the syncopated, speed breaks. It's music for the body and for the mind.

I tried not to mix quickly, as I wanted to let each track the time to say what they wanted to say, though I didn't wanted to end with only 11 tracks, so I had to push a little sometimes, there are so much good tunes out there for the moment!

Tracklisting

Cryogenics & DJ Trax - Thinking In Circles (Omni Music v003)
Spktrm Featuring Michael Rotgers – 2319 (Project 51 LP-03)
D-Fect - Can U Hear What They Say (Bustle Beats ‎004)
Artificial Skys &  Griever – Our Kingdom (Criterion Records 008)
Equinox ‎– What We Have Forgotten (Scientific Wax ‎020)
Double O - New Skank (Ako Beatz ‎002)
Theory – Every Moment Is Precious (Rupture London ‎006)
Blocks & Escher – Moods (Metalheadz ‎016)
Psycho Mantis - Sing To Me(Subtle Audio Recordings ‎006EP)
D-Bridge - Move Way (R&S Records 1311)
Voyager – LuvBLoved (Tempo Records 1203)
Response – Dekadenz (Fresh 86 ‎142)
Tim Reaper ‎– Into The Void (Criterion Records 007)
Cruize Of Fiction - Contrail (Sinecore Remix) (Black Hoe Recordings 013EXTRA)
Asymmetric - LSD (Pinecone Moonshine ‎PCMSV012-B)
Soundmurderer – Awamori (WéMè Records ‎016)

Altitude

Hi, I did this rmx before the summer, as I wanted to be part of this project. 
I never found time to really finish it, but as we are getting closer to the end of this year, I think it's about time to share it. It could have been more polished or complex, but maybe it's not bad to keep like this simple, like this, it has a 91's raw feeling. Good luck.


Bazz - House Of Pax (Rhumble rmx)

This is the closing set I did this summer @ Saintklet.

What a memorable night it was! Great set by 2 Bad Mice and Coco Bryce!

Thanks to all the ravers and the Mentality Crew!

Bounces

Saintklet Night 03:08:2019 Rhumble Closing Set

Well to make a long story short, raver since 1990, DJ since 1995 and producer since 2010. But that’s maybe too short? I have been listening to all kind of music during the 70 and the 80 (soul, funk, chanson française, disco, new-cold wave, EBM, dub, reggae, electronic …) but hence my age, I wasn’t really interested in digging further than the song’s title or the artist’s name. The first record I owned was “Kraftwerk – Radio-Activity” (not bad for a beginning) but the first record I bought was “Baltimora – Tarzan Boy” (not really proud of it).

I started to be more interested in music around the mid 80, when lots of new style popped around the world and intrigued me. I mean hip-hop, house, techno, acid and the Belgian’s very own New-Beat. But at that time, it was still too underground music for me, I was too young to go out to clubs and there was no internet (at least like we know it today), only the radio and the K7 recorder (and MTV Party Zone later). 

I started to buy music in 1990, when I found some records shops (of course), I was mainly interested in breakbeat driven records (XL, SUAD, Reinforced, RHC …), which lead me to UK Hardcore then jungle then d&amp;b then …
The fact that I had a quite interesting collection for a Belgian guy, made me to play at parties in 1995. Although I must admit I didn’t had the skills for, till then I never really thought to be a DJ, but at that time, people were more interested in the music than in technique, fortunately for me. After several years of practice, and improvement of course, I founded the Hydra crew in 2001, with Saïko and Lotus. We organized together some of the best parties I ever attended. Other memorable moments were being one of the promoters for Therapy Sessions Belgium or the organization of the Nuit Blanche, 4 years in row.

Now, I’m more interested in promoting and working with Independenza Records and Evil Beats, and also, I’m more seriously working on producing music, after 10 years latency.



Rhumble

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