sonic and rhythmic exploration of my noisy electric guitar solo.
visual: extract of one of my recent abstract painting in colors.

DANS L'OMBRE DE MA GUITARE  PATRICK PICAULT

A quirky little number!  This is the first initial trial instrumental mix for our new song Mirrors.  There's a way to go yet but we're working on it... :)

Mirrors

Now Christmas time is now passing and we are heading into a new year I would like to thank all of you who have taken your precious time to listen and support my music over the past year. I appreciate you all.

Music,arrangment,orchestration,mix and production :- Pablo

Christmas Passing

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (Kontra Sz & Val Akey collab)

Tired of cold short days? Me too. Let's party!!  I haven't posted anything new in a while so here's a 10 year old tune that will be new to some of my peers, and those who've heard it have already gotten over the shock. This is an exercise in licentious sexual innuendo and lewd, funky sounds. It's what happens when an otherwise innocent childhood is spent listening to Jimmy Castor Bunch, New Birth, Slave, James Brown, Funkadelic, etc, and there are some biblical metaphors thrown in for good measure. It can be downloaded in case I decide to run for Governor and need to quickly hide all scandal.

OK where does this nonsense come from? 

"There's a primordial dread and fear of the power of the Feminine expressed in the feckless desire to dominate and control a situation that the poor fool just oughta accept as way beyond his own meager forces."  -- Carl Jung

James Brown --  Hot Pants (use what she got to get just want she want)
https://youtu.be/lehBlK2MrD8
James Brown -- Just Look at Those Cakes (yeah he got away with this stuff)
https://youtu.be/7fMNganQ-z0
Jimmy Castor -- Trogolodyte (that bass tho')
https://youtu.be/n0zfdptxQvY
P-Funk -- Undisco Kid (the girl was baaad)
https://youtu.be/o38j7m3ZMWE
New Birth -- Got to Get a Knutt (sorry their title not mine)
https://youtu.be/2HQsslSYDbA
Ohio Players --  Skin Tight (ditches britches stitches, delicious)
https://youtu.be/5Smb9DkYDr8

TASTES LIKE CHICKEN
I went down to the melon patch 
gonna find myself a big 'un
it was Saturday morning and the sun was shining 
and I was ready for diggin'

there she was alone with her hands around a vine
sunlight shining through her summer dress I said my my my

my name is Daisy hope you don't mind
that I'm down here pulling on your vines
now if you please may i keep on pickin?
and one more thing I taste like chicken

she was in my melon patch already picking
and now she tells me she tastes like chicken
this could be the thing that I've been missing
now here's a girl that tastes like chicken

she followed me home with a couple juicy melons
I said baby where you are from but she wasn't telling
now something about her story just wasn't clickin'
I know a lotta girls don't none of them taste like chicken

back in my kitchen I cut the rind
it was pink and juicy on the inside
she said baby just a minute
I need to step outside before we get in it

she went outside behind a big old tree
I was following close behind but I didn't let her see
then I heard something that blew my mind
she was talking alien on a radio line

she came back in through the front door
wearing nothing but a smile
I know she's an alien
but I'll let it go for now

now I'm not sure how it's gonna all work out
I still got my extraterrestrial doubts
but man she looks good standing in my kitchen
and she tastes like chicken

Tastes Like Chicken

Jellyfish Palace

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS: Of the Shimmering Seraphs

The Professor

Well this is another with Greg Willis from Wales on Sax , it's got a Northern Soul sort of sound , hope you like it ! On a similar theme , on the 5th of March me and Charlotte ( Charlie and the Fox ) have a 60s Wall of Sound song out , I tried to get the Spector sound , we'll see whether I succeeded or not ! Greg is on this one too , I can't seem to leave him alone Ha ! Renowned Lyricist Tony Harris ( from Alabama ) and I got together for a lovely song which is out on the 15th of March . After that a new one from me and Gaz Brownie . Thank you so much for giving us your time !

No Album

Different Melody ( feat. Greg Willis )

Different Melody ( Fox and Willis )

I'm sorry y'all--this is another downer of a song with preachy lyrics but it's an idea that came up and demanded to be completed. 

The only side I take is the human one, but I couldn't have more contempt for the ostensible leaders of both Gaza and Israel who seek their own interests at the cost of so much suffering among innocents. Nothing good comes out of "Let's go kill some people."



You Let This Happen

have you understood that this is the final warning call
abandon hope all those that linger here

you lived the diamond life and could not lend your ears
and now the sand is wet with blood beyond our wildest fears 
how could you let this happen here

we plant the seeds of death beside the seeds of life 
so they can pay the price and have the will to fight

the bloodied face that no one could identify
now here's the news that was a mother's precious baby
how could you let this happen here

so how do you think this story ends
when it begins with the death of innocents
another thousand years of war is in the cards
another generation with daggers in their hearts

and you let it happen

You Let This Happen

Roar (or Get Up On Your Hind Legs)

"JellyStep" by Dreaming While Awake

RhuneStar 3 write, record & produce their own music. Having been inspired by a diverse range of bands & artistes over the years, their music has resulted in an eclectic & sometimes interesting mix of styles & genres.  
 
RhuneStar 3 are :
*** *** *** *** *** 
Bev    
Vocals*Guitars*Keys 
Mick   
Guitars*Bass*Drums*Mandolin*Keys*Backing Vocals 
Martin  
Gibson Guitars*Backing Vocals 

(Check us out on Facebook/Youtube/Spotify/I-Tunes/Amazon)
  ** *** *** *** *** *** *** *** *** *** *** *** *** *** *** ***

Mirrors

RhuneStar 3

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