The Green Room:

These songs came together through one of the hardest years of my life. Most were made in the small spaces between dealing with personal issues — moments where I was just trying to keep it together. I was also working on another project, Stigmata, pushing myself to the edge, trying to make it perfect, until I realized the new music I was making felt truer to where I actually was.

“Untitled_2” was made after a hurricane, no power for a week, just headphones and my laptop. “Scarification_ii” was made during a period where I wasn't sure where my life was heading — it sounds like the psychosis, noise, and anger, but also a sense of joy and relief, where music was the only outlet I had for emotions that I really couldn't express. These tracks weren’t planned or polished; they were lived through, and I'm grateful to be able to share them, not only in such high quality, but at a time in my life where I can enjoy the music and the experience of sharing it with others.
Thank you for reading this. I hope you enjoy this EP :)

Produced by Rhys Rogers
Mixed by Rhys Rogers
Mastered by Rhys Rogers 

Scarification_ii

Untitled_2

Untitled_3

Luv_X

Untitled_1

Rhys Rogers is a Houston-based artist, producer, and engineer whose work sits at the volatile intersection of contemporary hip-hop, the distorted, high-energy aesthetics of underground rage, and the rapid, experimental frameworks of ’90s IDM. At just 23 years old, Rogers has carved an unmistakable identity defined by emotional volatility, adventurous sound selection, and an uncompromising commitment to sonic evolution.

His music is alive—constantly shifting in texture, velocity, and temperament—reflecting not only technical curiosity, but a deeply intuitive, emotionally driven creative process. Rather than treating a track as a fixed structure, Rogers approaches each piece as a living environment where patterns transform, energy mutates, and emotional tone directs the arrangement more than any genre boundary. The result is a raw, unpredictable sonic palette where aggression, tenderness, and vulnerability share equal weight. Each track functions as a vivid document of an internal moment—an immediate capture of where he was emotionally when the piece took form.

Many of Rogers’ recent works emerged during a period marked by significant personal upheaval, written in the fragmented intervals between major life transitions. During this time, his practice became both refuge and release, producing pieces that function less like traditional compositions and more like uncensored transmissions. “Untitled _2,” written in the aftermath of a hurricane during a week-long power outage, carries an atmosphere of suspended tension and displacement. “Scarification ii,” composed amid the most destabilizing parts of this chapter, stands as a fevered reflection of rupture, intensity, and emotional fracture.

These works—intuitive, urgent, and unmistakably mature—represent Rogers’ clearest articulation of his evolving sound. They move beyond conventional songwriting, operating instead as emotional documents: fragments of experience etched into form, each one bearing witness to transformation and renewal.

Rogers’ catalog continues to expand as he cultivates a practice grounded in experimentation, self-interrogation, and a quiet devotion to evolution. His music functions simultaneously as biography and architecture—a visceral record of where he has been, and an ever-shifting map of where he is headed.

Rhys Rogers

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