Dub Techno

For the first time in more than a decade, Paul St. Hilaire (AKA Tikiman) presents a solo album – 100% Tiki. 

Over his 30-plus year career, St. Hilaire has become one of dance music’s quietly legendary figures. Born and raised in the Caribbean island Dominica, he moved to Berlin in 1994 and has lent both his voice and his musicianship to some of the most iconic electronic music from the German capital – and beyond. Renowned for his collaborations with Moritz von Oswald and Mark Ernestus (AKA Rhythm & Sound), he has also appeared on records with Deadbeat, Rhauder, Larry Heard aka Mr. Fingers and Stereotyp (G-Stone Recordings), amongst others. 

However, few know the extent of St. Hilaire’s compositional and technical mastery. From his home studio in Kreuzberg, which includes an extensive collection of vintage hardware, self-built instruments and notebooks scribbled with endless lyrics, he has created a vast archive of material spanning ambient dub, avant-jazz, lush techno and lovers rock. 

Tikiman Vol. 1 is a heady, downtempo tour de force of patois metaphors on education, displacement and personal vs. global histories, as is evident on slippy album opener “Bedroom in My Bag”: Mister, mister / Where are you going? / I’m heading for a faraway land / What are you having in the bag in your hand? / Help us to understand / He said, I’ve got my bedroom in my bag. 

Overall, the album’s lyrics reflect on life between Berlin and Dominica, specifically St. Hilaire’s hometown of Grand Bay, where he has worked with various musicians famous for the island’s different genres of carnival music. St. Hilaire himself always favoured the island’s more “discrete” music, developing a sonic synergy between two different geographical strains of groove and minimalism, and combining them with foundational Caribbean mixing techniques, which provide the basis for his songwriting and distinct baritone. 

Tikiman Vol.1 offers a rare insight into St. Hilaire’s complex artistry, from the eyes-down grooves of “Little Way” and the guitar-heavy digi dancehall experiment “Keep Safe,” to the subtle hypnosis of “Ten to One” and the softly crashing synth waves of closer “Three and a Half”, evoking not only beaches but also coasts and borders. It’s a fitting expression of both the breadth of St. Hilaire’s work, as well as his history as one of the few black, Berlin-based artists who, despite remaining largely overlooked, has influenced the city’s electronic music culture since its beginnings. 

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Kynant Records was founded in 2015 by Richard Akingbehin, a British-Nigerian radio programmer (Refuge Worldwide), music writer and DJ. Originally specialising in deep techno and featuring artists such as Cio D’Or, Terrence Dixon and Donato Dozzy, Kynant has since launched a sub-label Kynant EX which focuses on ambient, dub and experimental electronics. 

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Distributed by N.E.W.S 
Mastered by Stefan Betke 
Artwork by Grant Gibson 

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Supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media.

D1 Paul St. Hilaire - In Door

Our sixth VA compilation continues in the collective spirit at the heart of Pressure Dome; here taking its fullest form. The first of its kind in the label catalogue, ‘Two [Is Greater Than] One’ sees a selection of PD regulars and friends of the label put their heads together across eight atmospheric tracks, equally as suited to the club as to solo listening. 

Those who have followed the label for a while will be no stranger to the comp’s first collaborator. Human Resources teams up with London dub techno specialist, Keplrr, on ‘Spring’: a mood-led composition where the impact is contained in atmosphere. Fragmented drum breaks are engulfed by airy synth pads and punctuated by a dancehall-indebted rhythm that marches at 90BPM. ‘Yuppel’ welcomes Noods Radio mainstay Sid Quirk aka Keppel into the mix. He is joined by label boss, Yushh, on a ruminative percussive tool, guided by cavernous drums that fabricate a vivid, immersive environment. With the guidance of Brighton’s Caldera, the journey continues with Süss Choc. The reverb-laden synth plucks on ‘evoke water droplets, and hallucinatory details echo around them to create the illusion of being in a mountainous cove.

Delay Grounds – an audiophile in the truest sense of the word – is next to take the baton. Together, he and Yushh take it up a notch on ‘Telomere’ – a full-bodied club-ready track packed with glitchy chords and giddy drums. A gnarly, Pariah-esque breakdown segues into the track’s second wind where pitched-up vocal chops accelerate it to the compilation’s energetic climax. With the help of London drum specialist, Syz, ‘Fuzbidun’ keeps our feet firmly on the dancefloor. Breakbeats are chopped and rearranged, flitting between double and half time whilst a distorted mid-bass roughens things round the edges, prepping the ground for the compilation’s move to a more inorganic feel.

Bristol don, Forever, joins Yushh next on ‘Passing Notes’ – a groove-driven club track where skittish percussion ricochets from side to side, so palpable it tempts the touch. ‘Crash Bash Party At BUFOs’ is no different. The link-up between Delay Grounds and dance music’s stalwart of musique concrète, Wordcolour, is completely idiosyncratic to both artists: the perfect combination of found-sound percussion and skillfully rehashed vocal samples. It’s up to two PD mainstays – Roy Mills and Human Resources – to close proceedings. A chugging rhythm bubbles under the surface of ‘Sycophantasy’, sending us on a dubbed-out trip before picking the pace back up again.

Copy – Annie Parker
Artwork – Jesse Webb
Mastering – Matthew Bentley

Süss Choc

Caldera X Yushh - Süss Choc (PDCOLLAB001)

habit

@dancedatarecords are proud to release the debut EP by Parisian duo, Konalgad & Mosleo as the inaugural release of the Dance Data Digital series.

Deep and grooving tracks for fans of proggy broken techno with an ambient excursion.

Released October 27, 2023
Buy: https://dancedata.bandcamp.com/album/deadline

PREMIERE Konalgad - Deadline [Dance Data]

BORBA EP is available now: https://tapan.bandcamp.com/album/borba-ep

BORBA - The Dream

Order: http://www.kompakt.fm/releases/signs_under_test_2xlp_cd

- The lastest full-length effort from LA-based synth mastermind JOHN TEJADA
- An unabashedly dreamy collection of 11 expertly crafted cuts that rank among the artist's best work to date
- 2xLP edition pressed on 180gr audiophile vinyl, including a CD of the entire album

Following his much-acclaimed full-length „The Predicting Machine“ (KOMPAKT 267 CD 102) and a slew of pop-infused 12“ singles - „We Can Pretend“ (KOMPAKT 286) and „Somewhere“ (KOMPAKT 264) -, LA-based synth mastermind JOHN TEJADA returns with new album SIGNS UNDER TEST: comprised of all-new material, this latest effort sees the studio wizard digging deeper into his modules, unearthing particularly dreamy tracks that rank among John's most accomplished work to date.

From the get-go, SIGNS UNDER TEST presents itself as a whole new ball of wax, reaching even further into the depths of JOHN TEJADA's hot-wired synth machinery, while cranking up the already stunning levels of musicality on display in his oeuvre. Opener TWO 0 ONE serves as a prime example for the sonic aplomb in place, thanks to its beautifully rendered melodies and finely tuned textures – a perfect storm made of cosy melancholy and celestial bliss. This expertly wrought piece serves as a particularly strong entry point for the album, setting the bar high for its successors.

An unabashedly brilliant listen, the album continues its thrilling journey with existential bleepfest Y 0 WHY and the bass-heavy BEACHT, followed by the intricately arpeggiated R.U.R. and brooding electronica vignette VAALBARA. The second part is ringed in by the undulating CRYPTOCHROME - another proof for JOHN TEJADA's uncanny ability to craft tracks that operate as distinguished bouncers as well as introspective meditations. The deliberate vivacity of connecting cuts RUBRIC and PENUMBRA only confirms the growing suspicion that this might be a timeless masterpiece we're dealing with.

As gorgeous as it sounds, texture isn't the only star here: a surprisingly diverse set of rhythm patterns suffuses the mesmerizing synth licks - take for example the multilayered ENDORPHINS effortlessly switching between straight techno stylings and vintage breakbeat ornaments. Meanwhile, electronic landscape painting MEADOW purrs away on its road to redemption, priming the listener for closing cut HEAVE IN SIGHT, an atmospherically rich composition that marries abstract storytelling with a flurry of reversed synth sounds.

„There's a bit more dreamy tape wobble going on throughout“, says the producer about his latest effort, „as I’ve gone quite analog tape with my delays and patches - on the verge of actually being broken, which gives them a nice character.“ It also might explain the air of intimacy surrounding the album - a quite personal listening experience taking the listener up close with its details and idiosyncracies, „maybe even more than before, as I’ve tried to cut out distractions and really focus on the production.“
The result is a record that is not meant to be trendy, even though it’s a product of analog hardware connoisseurship: „Everything is built from the ground up using hardware synths - mostly analog, but that’s a bit annoying to say nowadays. It’s not a record that fits in with any current stuff, but something that hopefully holds up as it ages. Something that hopefully reveals more on repeated listens.“ In our humble opinion, this mission has been more than accomplished with SIGNS UNDER TEST.

04 R.U.R.

02 Y O Why

John Tejada - Two 0 One (Original Mix)

SR07 - Fagli Fare Il Break (96 BPM)

Very upbeat. To me it's a Hill Billy Style with yuh banjo dungarees & ting & ting.

Enjoy the piano chengz. Bless

SKILL ON BOARD

All Stras Game (Red Richards)

Buy on bandcamp

Prodzillah - All Stras Game (Red Richards)

Mango Walk / Mango Drive

Mango Drive

Signs Under Test

John Tejada - Beacht

Buy there : https://www.redeyerecords.co.uk/vinyl/116708-him007-ten-brains-pipe

Ten Brains! Much can be achieved with One Brain, so it begs the question: how much goodness can be conceived with Ten?! There is a very clear and definitive answer, badly concealed in the aural fine print of the debut Ten Brains release, which finds a cosy home on Houses in Motion.
Crisp and emotionally pervasive, the record is punctuated by playful basslines, melodic quips and bouncing broken beats; as fitting in the rainforest as in a jungle of heaving bodies in a dark room.
Taking the reins for the flipside’s reinterpretations are trusty pilots RP and Andy Garvey, who both add a large helping of heat and euphoria to the mix.

HIM007

LISTEN ON YOUTUBE

PREMIERE : Ten Brains - Dunlop Rattle

On Board Music follows on from its debut compilation with The Meaning Of Time Pt II. This edition comprises seventeen tracks spanning a global range of scenes and musical styles, a sonic document of this unique time. In true On Board style, the music finds a thread amongst the deepest realms of techno and ambient. We are grateful to the inspiring artists involved, some regulars to the label and some new names. 50% of the proceeds will be donated to Sea Watch, in aid of the important work they do conducting migrant rescue operations in the Mediterranean Sea.

Visual by Natacha Mankowski
Mastering by Alan Mathias

Mango Drive

Rhythm & Sound

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