Cesaria Evora - Petit Pays (Remix)

Overdub instrument with Home Recording - 4/23/2024
Performed on a Yamaha TRBX 304 Bass Guitar

Anytime -  Vocal n Bass.wav

Sueño Mama

MULATA | Raúl Paz

http://www.mrbongo.com/product/latin-beats-cd-boxset-1155

Previously only available as separate albums, this boxset contains over 120 tracks from the mambo and boogaloo to the sounds of fania, Latin funk and jazz as well as contemporary remixes from the likes of Gilles Peterson, Masters at Work, Quantic and Bonde de Role.

Artists featured in this release include Tito Puente, Pete Rodriguez, Ray Barretto, Fania All-Stars, Lenni Sesar, La Lupe, Charlie Palmieri All-Stars, Henry & Orlando Fiol, Don Barreto, Havana Casino Orchestra, Lecuona Cuban Boys, Sao Benitez, Cachao Y Su Orquestra, Dave Cortez, Jose Conde, Hanny, Beny More, Jack Costanzo and many many more.

Jose Conde Y Ola Fresca - El Chacal

La bonne étoile (cover by One More Kiss)
Paroles & musique : Mathieu Chédid

Mélanie - chant
Romain - guitare, choeurs

One More Kiss ne détient aucun droit sur ce morceau

La Bonne Etoile (live) - Mathieu Chédid / Cover by One More Kiss

Cesaria Evora - Angola (Edit)

The beautiful melodies and exotic rhythms of Cuban son are guaranteed to have you dancing the night away.  

The music of Cuba developed from a unique set of historical and social circumstances. African slaves, brought to work on the Spanish sugar plantations, soon outnumbered the European colonists. The attitude of the Spanish political and religious institutions towards African culture, while undeniably oppressive, was more open than in some other colonial societies. Catholic priests did their best to convert the Africans to Christianity, but they overlooked their worship of African deities as long as they gave them Christian names. In fact, santeria, a religion that combines Catholicism with African deities and rituals, is still a key part of Cuban spiritual life. 
Most of the songs on this collection are a style called son, (lit. "sound") one of the most popular and influential Cuban musical forms. Son developed around the turn of the century in Oriente, a region in eastern Cuba. Migrating musicians brought son west to Havana in the 1920s, where it exploded in popularity. The fundamental element of the son is a rhythmic pattern called clave (lit. "key"). Played on two wooden sticks, called claves, this repetitive beat is the foundation upon which all of the other musical elements are structured. It gives son the propulsive swing that has endeared it to people around the world. Most contemporary salsa is based on son. 


Cesaria-Evora-Petit-Pays-

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