Name: Rollin' Wit Da Howling Man by RICH VAPORZ
Duration: 3 min 35 s
Description: Vocal samples are from arguably the best Twilight Zone episode of all time...The Howling Man

Very cool drum and bass track. Killer beats

Wow man! Great flow throughout this track!

Wow this is spectacular. Keep it rolling your synth choice is incredible

Great work on this track. Nice use of the old school breaks with the bass.

well thought out tune. Brilliant soundscape.

exelente me agrada los sonidos de suspenso

Nice track bro, another one added to the running playlist

Vocal samples are from arguably the best Twilight Zone episode of all time...The Howling Man

Rollin' Wit Da Howling Man

I am very unhappy with this music. It sounded good on mixing stage, but it changed sound on mastering stage. I just don't have enough mastering experience and probably did something wrong. I bothered with the mastering for 3 days.

It's a good music but I don't like how it sounds after the mastering.

Wish I could afford a good mastering engineer instead of making mastering by self. But I can't afford it yet.

A lil bit of back story.

I written the first instance of this track in 2013. It was inspired by 25 years anniversary of my favorite game The Guardian Legend. At that year I also made another approach because the music was also taken by guys who tried to make a sequel. So I improved a lil bit. Too bad they flopped and stopped to develop. Then I opened the song in 2018 and added that down fall from fast to slow speed FX. And then like I added it again and then I came up with idea to add them through entire song and each one should be different. So I did that kinda. And then put away. And now in 2021 I open the project again. I made few dozen more of this kind of effect because I thought they are a bit too similar. And also working on a lot of other things.

Space Guardian

This track was written around 10 years ago. But I could not finish it because I did not know how to. Now I know some things about mixing and sound design and I finished this track. I am glad how it came out. Sounds good and driving me.
It takes a little bit of time the track to appear on streaming like Spotify, Deezer or stores like Apple, Google, Beatport etc. It will be delivered there in 1-3 weeks.

Plasmotech

Its 2 a.m. and the night is just beginning. Looks like its going to be one of those night you cant forget.
https://www.youtube.com/watch?v=Hk2SYVN5nxk

2 a.m.

Original

Searching

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Listen on Spotify: https://open.spotify.com/track/4CwkZRAwGeT3ZmDPtTGuK9?si=2b8ee98ed83c4068

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Ed Rush, Optical & Fierce - Cutslo (Lokuste Mix)

Ed Rush , Optical & Fierce - Cutslo - Lokuste Mix

www.facebook.com/layer3dnb

Super rare Music House dubplates from the Layer 3 jungle/dnb collection.

For those that have not witnessed them first hand (they were unlacquered 10" acetate discs which were cut a the Legendary Dub Cutting House.) The format originally came from the Jamaican Reggae soundsystem scene and adopted by the jungle/dnb scene designed as special, promotional exclusives for the latest artist music. They had a lifespan of 30-60 plays usually. Some however have lasted a lot longer than expected.

Top industry artists and dj's would request a copy when they were cut live at the Music House sessions, and then used them that day/weekend to drop at club nights, radio shows, events etc (for promotional and testing purposes.)

They were promos of promos in effect and only a handful were ever cut (prior to the single actually being released.)

This was an institution for the music before the advent of the internet and still going strong today...

Ed Rush , Optical & Fierce - Cutslo - Lokuste Mix

Most recent tracks have been successfully dropped in a Club Environment.

How i got here:

As a kid with older brothers - Iron Maiden, Judas Priest, Black Sabbath, Motley Crue, DEO, Mercyful Fate...among many others.

Middle School - Metallica, Megadeth, Slayer, Sepultura, Anthrax...among many others.

Sophomore in high school - THE DISCOVERY OF HARD INDUSTRIAL MUSIC. Front 242, Chemlab, Ministry, Frontline Assembly, KMFDM...and my favorite band of all time...Godflesh. Now Godflesh is on a completely different level than any other type of music i have ever heard...and i have heard them all. Godflesh was on Earache records out of Britain...and i basically pledged allegiance to Earache. I was not disappointed. Bolt Thrower, Carcass, and Scorn were some of the heaviest and most influential music known to man (in my twisted opinion)...all coming out of England.

My next couple years of high school progressed into a passion for more pure electronic music as i attempted to follow what was hot coming out of Britain. It was TECHNO. Back then there was no trance, no house, no subcategories. it was all labeled as techno. I couldn't get enough of it, and i loved the hard stuff. Always have. There was no internet, no MP3s, no relatively easy way to keep up. There was a lot of hand letters and phone calls to record companies and radio stations to hunt for new music. 

After high school I went to college and graduated. It did nothing for me. I started rolling with a new group of friends that were all local DJs at the clubs in Milwaukee and i loved the scene. Huge parties, VIP at clubs, and a free pass to all sorts of you things you can imagine. I dabbled at spinning records myself, but didn't really take the time to practice enough...so that never came to fruition. By this time jungle breaks had evolved and that was primarily the scene with myself and my crew. Instead of being behind the turntables, i started MCing their sets at the clubs. It was an amazing time. Then came HARDSTEP...then TECHSTEP...

The Metalheadz crew was a group of uber talented D'n'B producers from England. Doc Scott, Dillinja, Adam F, Grooverider, Photek, Johnny L...among many others. Then Doc Scott released SHADOWBOXING under his Nasty Habits moniker, and it turned the world upside down. Shadowboxing is the single most important and influential electronic music production in my life. It is quite rudimentary, but brilliant at the same time.

In the late 90's and early 2000's i played around with putting tracks together using Sound Forge and music samples from other tracks, and recorded sounds from every day life. I still have them...maybe i will dig them up and post them.

Many years passed as i focused on my career. I no longer kept up with the scene. I did, however, continue to listen and enjoy the classics that molded me and also the new styles that were evolving. There was a brief period in which two-step was born from drum'n'bass and and pure breakbeat.  Over the years two-step progressed into what everyone familiarizes with what is now called Dubstep. I love Dubstep. Good Dubstep. the early productions of Datsik and Excision are what wanted me to come back to making my own tracks. 

Oh, and let's not forget about hip-hop. i began to understand and enjoy hip-hop and rap at a much later age. I still love it, and some of my favorite artists write and produce hip-hop music. YG, Tyga, G-Eazy, AD, Rae Sremmurd, E-40, A$AP Ferg...among many others.

I am tired of typing. Cheers to all of you and good luck on your path to stardom. Let's all support each other ;)

Rollin' Wit Da Howling Man

RICH VAPORZ

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