Lable:
Sonder house
Mastering:
case mastering

Spotify: https://open.spotify.com/track/1PmY8kgWZmxjIVZ8A5SVnK?si=u5L3ZCDLSn-VSvpkJOgbRg

Inward

Lable: Sonder house
Mastering: Case mastering

spotify link:
https://open.spotify.com/track/6J7M2LFGNX1DVTwFOslIdm?si=7tutoTNYRxKtu_FnDwMKmA

Photo. Jessica Lindgren Wu

Although

Lable: Sonder house
Mastering: Case mastering

spotify link:
open.spotify.com/track/6J7M2LFGNX…NYRxKtu_FnDwMKmA

Photo. Jessica Lindgren Wu

Ostinato

Threads

Piano and Viola acoustically recorded. Some lovely Labs tape orchestra and  labs textural pads added.

Sylvan

Black waters

A meditative piece for Ukraine!

if you want to use this piece in film or other media: https://sonata.media/artist/richard-hellgren/c81d29e3-0780-41e4-a8a3-e2d0fbb07314

Litany

Surge

Falling

The piece "Pine" is an attempt to convey the peaceful and contemplative atmosphere I experience when I walk in the woods. It's not so much about having a defined melody or complex harmony, but more about creating a mood and an atmosphere.

As with my previous recordings, I've used my Malmsjö piano from 1911 to bring this piece to life. However, this time, I've added some felt effects to create a slightly altered sound that fits the overall mood of the composition.

In this piece, I've used felt to soften some of the sharpness of the notes, creating a more subtle and delicate sound that blends well with the theme of the piece.

Thank you for listening.

Pine

The grave chapel in Visby where I recorded my music is a special place to me. It's an octagonal building from the late 19th century that draws inspiration from Gothic architecture, with high vaulted ceilings and stone walls that create a unique acoustic environment.

During my recording session, I used vintage Coles 4038 microphones to capture the full depth and warmth of the chapel's acoustic environment. These microphones are known for their ability to capture the nuances of acoustic instruments with clarity and warmth, making them a perfect choice for recording in this unique space.

Prior to my recording session, I had often walked by the chapel and admired its architectural design, but I had never been inside before. Stepping inside for the first time was an inspiring experience, as the resonance of the space gave my playing a new life and created a sense of intimacy and connection that was truly special. Even the distant sounds of traffic outside added a unique dimension to the recording, reminding me of the world beyond the chapel walls.

Östra Gravkapellet

Live Concert - Gotland

vindspel

Dags Ände

En sång inspirerad av vårnätter i Visby

Text: Eva Bergenwall
Musik: Eva Bergenwall, Richard Hellgren

Eva Bergenwall sång
Richard hellgren piano

Koltrasten

Eva Bergenwall - sång
Richard Hellgren - piano

musik: Richard Hellgren, Eva Bergenwall 
text: Eva Bergenwall

Prisma

(The Song tree)

text: Garcia Lorca

music;
Eva Bergenwall and Richard Hellgren


Caña de voz y gesto, 
una vez y otra vez 
tiembla sin esperanza 
en el aire de ayer. 

La niña suspirando 
lo quería coger; 
pero llegaba siempre 
un minuto después. 

¡Ay sol! ¡Ay luna, luna! 
Un minuto después. 
Sesenta flores grises 
enredaban sus pies. 

Mira cómo se mece 
una vez y otra vez, 
virgen de flor y rama, 
en el aire de ayer.

Àrbol De Canción

I found myself in a misty landscape beside a tranquil lake. The stillness of the wind and water allowed me to find a moment of peace, despite the emotions I was feeling. I realized that it was okay to be vulnerable and open to sorrow, and that by doing so, I could let those feelings pass through me.

A few days later, I was inspired to create a short musical piece. For this recording, I decided to try something new. I used my old upright piano, which has been a faithful companion to me for many years. Although the sound is not perfect and the mechanics of the piano sometimes produce unwanted noise, I have come to appreciate the beauty of imperfection.

I believe that when we can embrace the quirks and imperfections of people and things, we are more likely to see the beauty in ourselves and accept ourselves for who we are.

Photo: Kitty Terwolbeck

Still

A world in a grain of sand

if you want to use this piece in film or other media: https://sonata.media/artist/richard-hellgren/c81d29e3-0780-41e4-a8a3-e2d0fbb07314

Nocturne

From the EP Ainigma
Released By Sonder House 14 June 2019 
Mastering by Alex Saltz

Leaves of Grass

Rich Ground

From the album Felt transience

Mastering: Alex Saltz
Label: Sonder House

Lingering

From the album Felted transience
mastering  Alex Saltz
Label: Sonder House

Mist

Surfacing

An arrangement from the recording Ainigma

From a live radio recording featuring violin and bassoon

Frey Franzen - violin

Alice Quayle - Basoon

Ainigma

From a radio recording

Frey Franzen - violin

Alice Quayle - Bassoon

Homeward

Music for String Quintet

Movement 1: Air - Fragile as Light Mist from the Sea

Movement 2: Moon Mirror - An Inner Mystical Dialogue

Movement 3: To the Sea - The Sea as a Refuge, Bearer, and Healer

Movement 4: Chi - Waves Interacting

Performed by the Uppsala Chamber Soloists.

Notes from the Sea

Have been playing around a bit with Spitifre audios wonderful free sample libraries Labs. Also some BBC Symphony core and Intimate strings

Waltz For Music Box And Orchestra

Richard Hellgren is a Swedish composer and multi-instrumentalist, residing on the island of Gotland in the Baltic Sea. His music is known for its minimalistic and contemplative character, often touching upon themes of melancholy and poetry. Richard's unique style of composition stems from his special relationship with his old Malmsjö upright piano, which he uses to create most of his recordings.
As a building architect, Richard draws inspiration from the creative process of composing music. He believes that both architecture and music revolve around the concept of space and silence, respectively. In his own words, "Architecture is about encompassing space and music is about encompassing silence!"
Richard's music has been praised by notable sources, with one reviewer describing his work as "hauntingly beautiful, with a melancholic edge that lingers long after the last note has played." His first EP, Ainigma, was released on the New York label Sonder House in June 2019, followed by his second release, Felt Transience, on the same label in October 25.
Richard Hellgren's unique approach to composition and his ability to evoke emotions through his music make him a rising star in the industry. His work is not to be missed.

Richard Hellgren

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