“Through their generic and transient qualities – workstations devoid of personal effects, relations with colleagues as fleeting as those with passengers on a commuter journey – many workplaces now resemble non-places, either literally, as in the case of a hotel, corporate coffee chain or out-of-town supermarket, or symbolically, in the form of temporary assignments for faceless employers (dis)located in anonymous buildings, where the worker-commuter then follows the same global timetables, navigates the same software applications and experiences the same sense of placelessness, the feeling of being mere data in the mainframe”

So writes Ivor Southwood in his analysis of precarious labour, ‘Non-Stop Inertia’ (2011). In the last decade, the proliferation of corporate non-places has been accompanied by the spread of cyberspace-time, or Itime, a distributed or unpunctuated temporality. It’s no coincidence that, as this unmarked time increasingly came to dominate cultural and psychic space, Derrida’s concept hauntology (re)emerged as the name for a paradoxical zeitgeist. In ‘Specters of Marx’, Derrida argued that the hauntological was characterised by “a time out of joint”, and this broken time has been expressed in cultural objects that return to a wounded or distorted version of the past in flight from a waning sense of the present. Sometimes accused of nostalgia, the most powerful examples of hauntological culture actually show that nostalgia is no longer possible. In conditions where pastiche has become normalised, the question has to be: nostalgia compared to what? James Bridle has recently argued that “the opposite of hauntology … [is] to demand the radically new”, but hauntology in fact operates as a kind of thwarted preservation of such demands in conditions where - for the moment at least - they cannot be met. Whereas cyberspace-time tends towards the generation of cultural moments that are as interchangeable as transnational franchise outlets, hauntology involves the staining of particular places with time - albeit a time that is out of joint.

Audio (excerpts) from the Colloquium for Unpopular Culture & NYU's Asian/Pacific/American Studies Program event: There Are Non-Times As Well As Non-Places: Reflections On Hauntology, a talk by Mark Fisher. Wednesday 4th of May 2011, 6:30pm, Room 471, 20 Cooper Square, New York, NY 10003.

Mark Fisher - There Are Non-Times As Well As Non-Places: Reflections On Hauntology — Q&A

/ unreleased / having failed to obtain the necessary permissions-what we have here is a piece that takes a portion of Hawkwind’s 7 x 7 and repeats it /

Death and Transfiguration by Richard Strauss

1982. Recovered from a Sony CHF 60. Roland TR-606 drum pattern filtered through a Korg MS20. Edited into Ableton Live. The bpm has been reduced from 140 to 35, causing the audio to fracture.

pathogens 1

"It’s very difficult to keep the line between the past and the present" — Edith Bouvier Beale

Mark Fisher - There Are Non-Times As Well As Non-Places: Reflections On Hauntology — Q&A

Richard J. L-H

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