neurofunk

Unofficial remix on The Prodigy - Smack My Bitch Up
Enjoy ;)

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The Prodigy - Smack My Bitch Up (Agressor Bunx Remix)

Released 1st March 2016.

After a tremendous 2015 with releases from Fre4knc, Safire, Rido, Proxima, Alix Perez, Kolectiv, Survey, Cursa and Icicle, Plasma Audio have more than proved their mustard when it comes to bringing out heavyweight drum and bass records. Now they're here with their first offering for 2016.  Rotor by Signs on the flip unleashes mayhem on your ears and catches you off guard after the Hybris track. A balanced and precise 12" to start 2016 for Plasma Audio. 

https://soundcloud.com/signs-music
https://www.facebook.com/SignsHQ

https://soundcloud.com/plasma-audio-melbourne
http://plasmacolab.co
https://www.facebook.com/plasmacolab

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Signs - Rotor

Forthcoming on the brand new Black Sun Empire & State Of Mind - The Violent Five EP

Beatport: March 11
Worldwide: March 25


Black Sun Empire & State Of Mind - Pull The Trigger

TRK - To4iLo

//artist
@agressorbunx
facebook.com/agressorbunxmusic/

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

It began as a whisper, spoken in low tones in multiple languages in the uneasy night. Talk of a place where the greatest of mecha roam, gathering amongst the desolate ruins of a war prepared for and never fought. The first explorers returned with stories of low frequency weapons, harvested from the ruined depths of a subterranean complex. With these re-engineered into towering relays capable of pure sonic carnage, the lands began filling rapidly with pilgrims from distant places, offering themselves as captives to their own higher mental states. What was once a mere whisper has now become legend, with this meeting of the mightiest clans bringing forth the greatest frequency warriors to stake out their claims. 

EATBRAIN casts a long shadow across the fray, setting seasoned label veterans L 33 and MINDSCAPE into the hordes of adrenaline-fuelled ravers alongside recent label additions MACHINECODE and AGRESSOR BUNX - all of whom have LPs coming on the label as well as appearing at the festival. A tight manifesto is stretched across the 4 rowdy and high-energy tracks that make up the EATBRAIN GOES TO LET IT ROLL, with the irresistible audio manipulative skills of Eatbrain crafted to exquisitely tear up the dance. A reflection in sound of the perfect marriage between one of the best contemporary neurofunk labels and one of the most impressive live spaces that exists for drum and bass.

Release date:
28th April
4th April Beatport exclusive

EATBRAIN023 Eatbrain Goes To Let It Roll

Eatbrain Goes To Let It Roll

Agressor Bunx - Big Daddy (Eatbrain023)

The return of Program has been eagerly awaited. One of the most defining sister-labels that has cemented a name for itself against its colossal counterpart, Program’s hiatus has led to the secret expansion of its discography. One that’s about to be unleashed on the masses, after biding its time. And Aggressor Bunx deliver a four-track EP to reinstate both their name and the imprint’s… The producers have withstood the baying competition of new recruits to become a household name in their own right.

Reintroducing you to the gritty, no-apologies assault of Program’s output, up first is title-track ‘Colony’. Creepy, horror-like samples intertwine with boding snare, dragging you forward on top of steely drums. You’re given a brief moment of respite before you crash inside another unfamiliar break pattern, a feature Aggressor Bunx are renowned for.

‘Disballance’ and ‘Time Shift’ roll out next. ‘Disballance’ takes you down a techierroute, with elevating note patterns and a madly fluctuating bassline, made stockier by pumping subs. Kick-drum bolsters the composition, creating a seemingly intricate but no less heavy fresh piece of sonic artwork.

On the other hand, ‘Time Shift’ offers up a different take on their signature production standards. Riding along a more ethereal intro, you’re opened to a deeper version of their repertoire. Ragga vocal snips drop you into distortedanarchy, amongst clinking hi-hats and wavering synth. It’s murkier than itspredecessors, gradually building with each segment.

And lastly, comes ‘Hottah’. Each layer grows more and more indignant, filledwith cascading drops and peddled drums ricocheting throughout the mix. It serves as the perfect finish, yet again demonstrating a commitment to a dark,fiercely intimate craftsmanship which has made the producer so notorious.

So once again… it’s time to get with the Program. One that’s here to stay.

Agressor Bunx - Colony(PROGRAM)

The return of Program has been eagerly awaited. One of the most defining sister-labels that has cemented a name for itself against its colossal counterpart,

Program’s hiatus has led to the secret expansion of its discography. One that’s about to be unleashed on the masses, after biding its time. And Aggressor Bunx deliver a four-track EP to reinstate both their name and the imprint’s… The producers have withstood the baying competition of new recruits to become a household name in their own right.

Reintroducing you to the gritty, no-apologies assault of Program’s output, up first is title-track ‘Colony’. Creepy, horror-like samples intertwine with boding snare, dragging you forward on top of steely drums. You’re given a brief moment of respite before you crash inside another unfamiliar break pattern, a feature Aggressor Bunx are renowned for.

‘Dizballance’ and ‘Time Shift’ roll out next. ‘Dizballance’ takes you down a techier route, with elevating note patterns and a madly fluctuating bassline, made stockier by pumping subs. Kick-drum bolsters the composition, creating a seemingly intricate but no less heavy fresh piece of sonic artwork.

On the other hand, ‘Time Shift’ offers up a different take on their signature production standards. Riding along a more ethereal intro, you’re opened to a deeper version of their repertoire. Ragga vocal snips drop you into distorted anarchy, amongst clinking hi-hats and wavering synth. It’s murkier than its predecessors, gradually building with each segment.

And lastly, comes ‘Hottah’. Each layer grows more and more indignant, filled with cascading drops and peddled drums ricocheting throughout the mix. It serves as the perfect finish, yet again demonstrating a commitment to a dark,fiercely intimate craftsmanship which has made the producer so notorious.

So once again… it’s time to get with the Program. One that’s here to stay.

neurofunk

Richard Jačo