Another cool track Rich.  Lots of nice mixes.  Hey love the poster art.  Nice title as well.  Cool, man.

Dude i just discovered this track yesterday.... Dirty dirty dirty

Cool tracks! I really get inspired, some great fills and drops, awesome! Also, my living is suddenly cleaned and spotless 😂

yes...thats the right message...music can be so helpfull

Relistening to this mix & love this track, dirty

MegaMix  15.05.2024

A big Thank You to eddyoffline (https://soundcloud.com/user-705706912) for providing this wonderful guitar 

The picture shows an extract of:
„An operation for stone in the head“ (1563) Oil painting by a follower of Jan Sanders van Hemessen (1500-1566). Source: Wellcome Library, London

Cut In Ego

1
1 had a vision
But it was only a hallucination.
1 had a vision
But that was only a fantasy.
1 had a vision
But it was only a figment.
1 had a vision
But that was only a pipe dream.

ref 1
Its end shall be dramatically
But until then
1 can try to stand,
Gain solid foothold again 
And that eventually
Until the end

Take the reject and
Try to reflect that
Cut in ego

2
1 had this vision
But it was only a big misconception.
Thought to be on a mission
But that was only an aberration.
How 1 was wishing
that it had another destination.

ref 2
Its end designed dramatically
But until then
1 can try to stand,
Gain solid foothold again 
And that eventually
Until the end

Take the reject and
Try to reflect that
Cut in ego
Cut in ego

3
1 had a vision
But that only turned into a nightmare.
There seemed this mission
But now there is no time left to spare.

ref 3
Its end will be dramatically
And until then
1 can try to stand,
Gain solid foothold again 
And that eventually
Until the end

The end just fatally
And until then
1 can try to understand,
Regain solid mindset again,
Adapt the stand
Until the end

Take the reject and
Try to reflect that
Reflect the act and
Accept the fact, a

Cut in ego
(A cut in ego, at the right time, now…)

Cut In Ego (wt eddyoffline)

Needless

Dear friends, I was in such a hurry to finish this song for Greta's birthday, which is why there were many disturbances. I have reduced interference in this version.


In Swedish
En tjej på nio

Hon kommer som en vind - som en vind från öppet hav
med glädje tjut  -  hon flyger in
i vårat hem -  och nu blir allt väldigt ljust
Det är alltid fint med dom som sprider mycket glädje omkring

Det finns en tjej  soom kan - tala med naturen
hon talar med  -    myror och med bin
hon älskar dom  - och dom älskar henne med 
Det är alltid fint med dom som sprider mycket glädje omkring

Det spritter i hennes ben  -  hon kan inte sitta still
hon är som en  -  evighetsmaskin  
det livar upp  -  alla gamla trötta folk
Det är alltid fint med dom som sprider mycket glädje omkring


In English
A Girl of Nine

She comes like a wind - like a wind from the open sea
with joy howl - she flies in
in our home - and now everything becomes very bright
It is always nice with those who spread a lot of joy around

There is a girl who can - talk to nature
she speaks with - ants and with bees
she loves them - and they love her too
It is always nice with those who spread a lot of joy around

It splatters in her legs - she can't sit still
she is like a - eternity machine
it enlivens - all the old tired folk
It is always nice with those who spread a lot of joy around

En Tjej på Nio (A Girl of Nine) with less noise

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Dancing is the best exercise for brain happiness 🔊💚🔊💃🕺💃🕺

'Emeralds and Leprechauns' An Ambient track inspired by the many myths and legends concerning Leprechauns in the Emerald Isles.

After Gockston

Emeralds and Leprechauns

Is Life

Cast of Characters:
The Mysterious Decibel-- @themysteriousdecibel –MD-- vocals and lyrics in the choruses
TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix
J.J. Terrell–@j-j-terrell –piano, synth sax 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums, acoustic guitar intro, rhythm guitar and verse lyrics and melody, composition, vocals 
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass

This is a song that originated with Ken several months ago. He wrote the whole thing on piano, guitar, and drums and presented it to the rest of the band. Of course, everyone was very excited to add their spin to it. Josh added his bass part first, as the foundation. Ken also left his catchy original guitar intro as it was. Then JJ added his dynamic piano part, which ended up being both foundational and stylistic, along with the sax that you hear in there, too. Stephen added his solid foundational guitar to it, too, soon after. Then it sat, stalled out for need of some vocals. Of course, we asked TMD to add some, which he did in grand fashion for the choruses. All that was left were the verses. Ken wrote lyrics, and gave Josh an idea for the melody, so he sang the verses to wrap it up. Of course, we asked Stephen to produce and mix it for us, which he did so well, as always.
  We hope you enjoy listening to this song as much as we enjoyed making it!

Lyrics:
Well, I’m working my way through the sun shining day 
Driven away from my home town 
It’s a quarter past Eight
My earliest late
Saving my frown for my work town 

Hey Homeboy, do what you gotta do
I won't hold you down underneath where the water's fade from blue

Friendly or foe, from the word, a get-go
A sourness always betrays me 
Well, I have half a plan, and I do what I can 
But you’re laziness, always amazed me 

Hey Homeboy
I'm in these waters too
Reel in the guru from the edge of the canoe cuz I don't even have a clue

We’re taking one down, and we’ll pass it around
Taking it all for your home team
Feeling a win, reeling it in
Feeling so good you know how( how now)

Filling my cup, I’m picking it up, 
Feeling so good tonight

It’s a quarter past Eight 
My earliest late
Saving my phone for my hometown

Hey homeboy
My lungs are filled with defeat
And yours are filled with deceit
But I know this boat can't hold our feet
Can't hold our feet we're slowly sinking down

Homeboy
Homeboy

Homeboy-Eclectic Collective-K2 Vocal Version

"From the air, raise them like you just don't care." 🔊💚🔊

un nouveau chill ( à écouter avec un volume assez bas)

Pour Que Dure Encore La Lumière Du Jour

Hinterland Teaser (teaser of the new album, out now on Spotify a.o.)

Pop Out ft Lil Beezi

D.Rossini - After Party (Radio Mix)

ArBi - Countdown

Thriller x Appetite

Alone
Backing track, Mix, Arrangement and Production: Lillithe
Vocal: Emily Coy
https://soundcloud.com/freevocals
Bass: Paploviante
https://soundcloud.com/paul-racle

Alone      ( Prod. Lillithe-Paploviante)

JARV’s lifelong love affair with music has deep roots, sprouting in the ‘70s influenced by six older siblings always spinning tunes.  Festivals have been a crucial part of his fabric since his first taste at Sweetwaters ‘83.  JARV’s sets reflect his broad musical palette, recreating his journey from  the reggae-infused snow and surf of Whanganui via the psychedelic experience of cave living in India and the melting pot that was the exploding dance culture of early ‘90s London. Now based in Tāmaki Makaurau, JARV's experimentation across music’s multiple genres continues to evolve. He knows how to party and how to bring the party.

Bookings -   richardjarvis483@gmail.com

https://www.facebook.com/richard.jarvis.9465/

Photography by : Richard Jarvis & Bruce Jarvis #   
Apart from Lee Scratch Perry & The Ska Photo.

Past Gigs ... 
1998 Red Eye Cafe Gigs
1998 Seans House party with the amazing band from Palmy - Cortina.
!4,8,99 - Roots Bar with Keeping Tadpoles (Whanganui) 
28,8,99 - Fine Arts Hat Ball (Whanganui) 
4,9,99 - Roots Bar - Global Dance (Whanganui)
11,9,99 - Red Eye Cafe - Tranceported  (Whanganui)
17,9,99 - Roots Bar with DJ Melt 
30,10,99 -Roots Bar with The Hasselhoff Experiment.
20,11, 99 -Fine Arts Gig. War Memorial Hall Whanganui
7,9, 2000 Fallout Festival with Nick on the ones & twos  -Sunbeam - (Ohakune)

Dancing is the best exercise for brain happiness 🔊💚🔊💃🕺💃🕺

Richard (JARV)

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