Cover of Amado Mio by Emily Hayes (vocals), Mark Holzinger (guitar) and Tom Martin (bass). Written in 1946 by Doris Fisher and Allan Roberts, featured in the film Gilda, starring Rita Hayworth..

Amado Mio

Cover your ears. It’s going to get LOUD, introducing, Oval Track Racing. This high-octane stock car racing library features cars of various makes, models and performance characteristics in nine divisions circling a quarter mile (.40 kilometer) oval track in Idaho. This track distance is referred to as a ‘short track.’ The sounds were captured from multiple perspectives inside, outside, and alongside the asphalt track with a variety of microphones and recorders. Some cars sound like a sleuth of growling Grizzly bears roaring past. Others, like a swarm of angry bees, let loose all at once. Backfires sound like giant popcorn on the stove. There are shrieking skids and stunning spinouts, plus fender scrapes, tire screeches and high-pitched whines that come from engines meticulously cared for in the pits. There are even onboard recordings that feature the sound of a Street Stock car (1975 Chevrolet Nova), both in the pits and on the track.

Read more and purchase library at:
https://www.evocativesound.com/2024/04/03/oval-track-racing/

Oval Track Racing,street Stock Preview

This recoding is part of "What do you hear from your window?" Initiated by Gilles Malatray - a form of Sound Walking without leaving your house during the outbreak of Covid19. Link further down
Recorded from the window in my tiny studio in my house - on 3/20/2020 8AM - is pretty quiet, birds of course, construction machinery from at building site nearby, my neighbors going about their business and towards the end of the recording - a jogger with his dog on the unpaved road outside my garden... enjoy
desartsonnantsbis.com/2020/03/17/app…SriHXUNGpxBIBw

Friday 3:20:2020 8AM

This recording is part of "What do you hear from your window?" Initiated by Gilles Malatray - a form of Sound Walking without leaving your house during the outbreak of Covid19.  Link further down
Recorded in my garden on Saturday 3/21/2020 11AM the weather is cold and clear, with a little wind from the Northeast -  if you look closely you can see my microphones on the lawn. The track begins and ends with my footsteps going and coming - I left it in just because.... 
It was pretty quiet, there's a horse farm close too my house and you can hear the sound from his Bobcat excavator, there's birds of course, the wind rustling the dead leaves on the hedge, my neighbors going about their business and towards the end of the recording you can actually hear a fly close to the mics... 
I recorded with 2 Lewitt LCT 540´s in NOS and Sound Devices MixPre3 II 32 Bit float.
Enjoy
desartsonnantsbis.com/2020/03/17/app…SriHXUNGpxBIBw

Saturday 3:21:2020 11AM

The epicenter of the epicenter. Dystopian vibes. 
Capturing the new sound of Times Square during the coronavirus pandemic.
March 23, 2020 1am
46th St and Broadway, right next to the George M. Cohan statue

Aside from law enforcement, who were stationed every block or so from about 50th street down to 42nd street, and a few foot patrols, Times Square was empty for the most part.
A few homeless people wandered around, and a few people, curious like me, were roaming around as well.
At most, I counted around 10 people in Times Square at one point.


Gear used:
Sounddevices Mix-Pre 3M
Usi Pro mics with Bubblebee Windbubbles

Times Square Field Recording

Every day during my Shelter-in-place order for COVID-19, I will be posting an ambience that I've recorded from somewhere around the world.

[#2] Michigan's Copper Country was home to one of the first major mineral booms in the United States.  Hundreds of undocumented mining sites still dot the region waiting to be discovered.  Hidden deep in the forest, this partially submerged 150-foot adit is a home to bats who suffer from White Nose Syndrome.

[#2] Keweenaw Mine

This collection of recordings accompanies the text of "Capturing Wildlife Sound: A Useful Guide."

1 - Welcome

This documentary radio feature delves into the nocturnal life style of a professional astronomer and telescope operator. It follows Brian Skiff of Lowell Observatory as he plans his work, sets up the telescope for an observing session, ponders the sky - and discovers an asteroid, accompanied by sounds of the nocturnal creatures and music he shares his nights with. Executive producer Alan Hall (Falling Tree Productions. Music credits: Julian Loureau (Lonely Night), Steve Roach (various), Jane Ira Bloom (various) and Radiohead (Everything in its Right Place). All other recordings by Diane Hope including large research telescopes, bugling elk, chorus frogs & a western screech owl. This is the original 27 min version of the feature broadcast on BBC Radio 4. “a hypnotic, sensual tapestry” The Guardian, UK

Lonely Nights BBC R4

BINAURAL: A ECOUTER AU CASQUE
Trois jeunes enfants découvrent la tête de prise de son binaurale fabriquée par papa!
Qu'est-ce que c'est que ce truc? Les oreilles sont bizarres.
Ils se partagent un casque, écoutent, touchent, disent, jouent...

BINAURAL: LISTEN WITH HEADPHONES
Three littles kids are discovering a DIY binaural head made by dad.
what's that? Ears are so stange...
They are sharing the headphones, listening, speaking, touching, playing...
A kind of crash test!

Zoreilles Papa?

Rain falling on the branches of a dead mopane tree in the Namib desert. Recorded with Sony PCM D10 and a pair of Lom mikroUsi microphones taped to the dry branches. Read about my epedition to Namibia at https://mindful-audio.com/blog/namibia-sound-recording-2020

Chromatic Rain

Recorded earlier this year while Lucia and I went out to capture the sunrise at Sharkfin Cove. Recorded using the MiPre 3 II in 32-bit float mode with two Clippy EM272 lavalier microphones about a foot apart on a coat hanger stuck into the sand. Normalized the audio and applied some EQ. Any recommended adjustments for processing would be appreciated! Enjoy the sound of some waves in a cave :)

Sharkfin Cove Cave 1/23/2021

I am a professional photojournalist who has branched out into sound as another means of telling stories. I produce both audio mixes and straight recordings that are always true to the location and time.

Oval Track Racing,street Stock Preview

Richard Alan Hannon

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