Was cracking some of them in Portal. Astonishing results. Thanks!)))🔥

tracking sounds

ITSAME

ITSAME [group hugg]

Track by : @ice_eyes
you think you know who you are?
you think you had it all worked out?
a sentient being once realized that it was spinning on a gigantic ball
across the galaxy at mind boggling speeds and it became sick to the stomach,
questioning it's own mortality and reality
as the walls closed in, it looked around and it saw a mirror
and inside you saw yourself
you saw
"I"
Artwork by : www.instagram.com/mi6fit/
All tracks mastered by @tenebralcortex except track 6 mastered by @sunnk

Ice Eyes - Kyklo3

I am very excited to announce I am releasing a new track called "Recursion Constructors". This piece was a commission for the University of Huddersfield. A 12-minute mind-bending Electroacoustic journey driven by a customized MakeNoise modular system and various objects, that utilized the FluCoMa toolset.

Link to the track on Bandcamp: https://richarddevine.bandcamp.com/track/recursion-constructors

Grab the free Max/MSP patches, samples, Morphagene Reels, and a detailed explanation of the making of "Recursion Constructors" in the link below: 
https://learn.flucoma.org/explore/devine/

Recursion Constructors

A featuring track with @fixpointmusic for his EP Negentropy.
check it out at : https://geometriccorruption.bandcamp.com/album/negentropy

Order

Binding Problem (ft. Fixpoint)

For our second EP release, @thematicspb & @oddkut have joined forces to bring "Minimal Grind". Equally split into two solo and two collaborative productions, this four-tracker once again proves Oddkut's and Thematic's mastery, with sonics ranging from stripped minimalistic dubstep to skippy percussive-driven leftfield bass.

Tracklist:
1. Thematic x Oddkut - Minimal Grind
2. Thematic x Oddkut - Rocker
3. Thematic - Back Alley
4. Oddkut - Internal Rift

Mastered: Kercha ( @thekercha )
Design: PQQ ( @pqqshki )

Minimal Grind EP (JR002)

Pre-order

Thematic & Oddkut - Minimal Grind EP (JR002) - Showreel (20.06.2024)

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

Originally posted with Team Supreme's Vol. 83. Short DSP workout! :-)

TS83

Artist: exm
Track: "Meltt"
Album: Modulus
Label: Touched Music
Release date: July 21, 2017
Review: http://igloomag.com/reviews/exm-modulus-touched-music
Track: Exclusive stream July 14, 2017

exm - Meltt

Aethek - Scorn - Cleansing

new compilation Nerves Of Time vol.4
available digitally

mastering by Stazma
artwork by shift.

https://soundcloud.com/kettelmusic

Nerves of Time vol.4

Kettel - Goodbye Snake

Richard Devine is a sound designer and musician whose work, characterized by intricate rhythms and an extensive use of DSP, amassed a following within the IDM scene after his remix of Aphex Twin's "Come To Daddy.” Over the course of his 25-year career, Devine has designed patches for gear by Native instruments, Korg, Eventide, and more. His “Voltage Aesthetics” sample pack reflects his seasoned sound design chops, filled with perfectly designed sounds that are at once wacky and beautiful. Spanning versatile one shots to polished loops, Devine’s sounds are nothing short of electrifying. 

This collection contains

287 samples, 191 crazy alien modular single shot percussion & SFX sounds, 96 loops/sequences/textures. These samples will work well with all your favorite VST/AU samplers, and will equally be great source material for your favorite Eurorack modular samplers :-). 

https://on.splice.com/devine-sample-pack

Richard Devine: Voltage Aesthetics

https://www.youtube.com/watch?v=tPPuwFg2SvU
http://smarturl.it/RichardDevineRevsic
http://smarturl.it/RDSortLave
http://planetmu.bleepstores.com/release/1079…ine-sortlave
http://richarddevine.bandcamp.com/album/sort-lave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Sort\Lave

Richard Devine - Revsic (TIMESIG009)

Debut Single

[Available on Bandcamp http://yarck.bandcamp.com/track/untangle]

Untangle

5schim closing track on the new Systik EP.

Pre-order is open and the second track preview of my new EP Systik is now live! Full release on Wed November 11th. 

richarddevine.bandcamp.com/

BL_K Noise is proud to announce that Richard Devine - Systik will be released on November 11 with pre-orders starting today. Systik is comprised of four acid tracks produced, performed live, and mastered by Richard, not originally intended to be released. Richard debuted his acid set at BL_K Noise in Los Angeles in January 2020 with the original goal of crafting and performing it throughout the rest of the year - but, as we all know, this year had different plans for us. Sinscur, the ever-evolving fractured acid track is available to stream and download on Bandcamp now.

Richard Devine’s influences, inspiration, and roots come from many sources - and this release is a homage paid to classic acid albums that inspired him in his early career but with a more modern approach and arsenal.

Every purchase in the pre-order period is entered to win a set of HEDDphones by Hedd (Heinz Electrodynamic Designs) valued at $1,899. A winner will be announced on November 11th.

The artwork and all visual assets were created by Simona Noreik. The physical presentation was under the guidance of BL_K Noise.

blknoise.bandcamp.com

hedd.audio/heddphone/

Released by:
BLKNoise
Release date:
10 November 2020

5schim

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

DJ - Produtor

Fonte sonora psicodélica

Psychedelic sound source

Contato:
enmadaiohmusic@gmail.com

Sem restrições

No boundaries

Richard Devine: Voltage Aesthetics

RichardDevine

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