Thec - 2

Flashing Lights

Hangable Auto Bulb

Laughable Butane Bob

orphaned deejay selek 2006-2008

dmx acid test

Custodian Discount

CIRKLON3 [ Kolkhoznaya mix ]

Come To Daddy

Funny Little Man

Arched Maid Via RDJ

DUFYZY

Glenn Molloy 'Pyrokinesis'

> @theliquiddude
> @liquid-freaks

"What you'll hear isn't nostalgia, it's a disassembled memory rebuilt from frequencies and mild paranoia. It's the echo of someone who once lived inside the scene, then slipped out quietly when it stopped making sense. Not a tribute, a confrontation. A cracked mirror held up to a culture that once moved bodies and minds." Opener 'Skip This' begins with atmospheric synth modulation, textured smears, and curious melodies before 'Nipponacidfunk' delivers a twisted house workout with funky drumming and screwy 303s laced with Japanese spoken words. The singular sounds continue on the pressurised and winky acid madness of 'Shakyshaky,' while 'Botox Love' is an off-grid rhythm with unhinged synths and flaming breakbeats, warped vocals and acid flashes that take you to the heart of a strobe-lit warehouse. 'Freaking Freaks' brings old school piano energy to new school club rhythms and 'Digital Dopamine' is tripped out afterparty electro with aliens controlling the machines. There is a more introverted feel to the plunging bass and melancholic chords of 'Indigestion' before closer 'The Old Days' pairs warm summer synths with spoken word musings and elastic rhythms.

PREMIERE: The Liquid Dude - Digital Dopamine [LFS001]

Xylem Tube EP

Phlange Phace

Aphex Twin - Phlange Phace

Lobster Theremin ‎– LF01
Meda Fury ‎– LF01
Lobster Fury ‎– LF01
2016

DJ Seinfeld - Feel De Bum Slap

"Those not familiar with Jones’ style, will listen slack-jawed at the shear anticipatory nature of his sound collage. The five lengthy tracks are based on hypnotic and somewhat menacing grooves: a repetitive dub bass beat, waves of Middle Eastern strings and voices, layers of building hand percussion. Each track is respective but the washes of sound/percussion come and go often creating a sense of motion and change. All of the tracks are similar and even share elements. Mid-East tension is so accurately captured through the use of the regions instrumentation (especially percussion), sinister electronics, samples of men chanting, women crying, sounds culled from the horrors of war, and occasional angry distortion that the listener’s listener will be transported to the belly of the beast.
‘Mullah Said’ displays two aspects of the work of Muslimgauze. Firstly, musically, it is in the delightful drifting ambient vein. The percussion is mainly acoustic hand drums - providing a rhythm of aural features - the trademark shimmering string sound heard on a number of releases is much in evidence, rhythms are generally slower, there are lots of samples of people speaking in conversation, markets wherever. ‘Mullah said’ opens the disc with the lovely mix of these sounds. ‘Every grain of Palestine sand’ continues the mood, with a slightly faster tempo, and more emphasis on the beat. But it soon locks into a mesmeric lassitude as various effects echo or smear the sounds, drums come in for short moments, different string sounds enjoin the play. ‘Muslims die India’ follows the mood though the voices seem darker, sadder, and then comes ‘Every grain of Palestinian sand’ followed by ‘Muslims die India’. Yes - not a typo, these tracks are repeated. Muslimgauze trend - to remix himself.  Prime Muslimgauze middle eastern ambience - if you like that side you will love this album. The final track is short and different, a crackling ground over which a singer chants a song interrupted by machine-gun percussive bursts - ‘An end’."

Engineered by John Delf.
Recorded at the Abraham Mosque, Manchester.
Originally released in 1998 as Muslimlim 018.

A2.  Muslimgauze "Mullah Said": Every Grain Of Palestinian Sand

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aphextwin

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