The Battle Of Evermore

Make Up Your Mind

Find Me Where the Light Is

Carry You with Me

🔥 Velvet Sins 
A hypnotic, late-night alt-R&B seduction piece dripping with poetic sensuality. "Velvet Sins" invites listeners into a dark, intimate space where lust, memory, and surrender blur. With breathy vocals, lush metaphors, and a slow-burning groove, this track evokes whispered confessions and skin-to-skin tension—elegant, dangerous, and deeply immersive.

Velvet Sins

Verse 1
Red silk clings as I lean in close,
Your breath a tide I need the most.
Say my name like you know it's a spell,
Touch slow—make heaven feel like hell.
Lips trace truths we never speak,
Your hands preach deep where I’m weak.

Pre-Chorus
No prayers, no saints, just skin and fire,
Each moan a hymn to raw desire.
Mmmmh… mmmmh… deeper.

Chorus
Velvet sins in candlelight,
Your mouth writes poems in the night.
We taste like lust, like whispered crimes—
A rhythm lost in tangled time.
Ahhh… ahhh… come...

Verse 2
You kiss my spine like sacred ground,
Every gasp a holy sound.
Your fingers write in cursive heat,
Each stroke a verse I can’t delete.
You press your name into my skin—
I arch, I burn, I pull you in.

Pre-Chorus
This isn’t love, it’s something more—
A slow confession on the floor.
Mmmmh… mmmmh… yes...

Chorus
Velvet sins in candlelight,
Your mouth writes poems in the night.
We taste like lust, like whispered crimes—
A rhythm lost in tangled time.

Bridge
Bite my lip and make it last,
Pull me close, forget the past.
We don't repent, we just repeat—
Every sin, a heartbeat.

Outro
So drown me slow in velvet sins,
Where guilt is touch and breath is skin.

Velvet Sins

🔻 Song Insight – “Fire” by 4Me2BeFree
“Fire” is a visceral unraveling of emotional collapse and resurrection. Told through a cinematic alt-rock performance with Broadway-staged intensity, the song pulls no punches. It journeys through addiction, shame, memory, and self-reclamation.

The lyrics are raw and theatrical—each line delivered like a confession shouted under a stage spotlight. From whispered breakdowns to eruptive declarations of survival, “Fire” burns through past trauma in order to make space for transformation. It's not about being okay—it's about choosing to live anyway.

🔻 Lyrics
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[Intro]  
I go to give—but my arms feel numb  
Flashbacks hit like a loaded gun  
What the hell was wrong with my brain?  
In triage now—I see the haze  
I let go, and lost it all in flames  

[Verse 1]  
I see that man looking back at me  
Just a ghost—just a shell of who I used to be  
The rush is gone, no chaos left  
Laid out flat, gasping for breath  
Eyes shut tight—I had to let go  

[Verse 2]  
Fire in my chest, pain in my veins  
Memories loop like a runaway train  
Burn crawls deep into my lungs  
Takes what’s left—leaves me none  
Losing breath—it’s all I had  

[Chorus]  
I let it burn, I let it break  
I lost myself for someone’s sake  
But I won’t go down, not like this  
With blood and breath—I still exist  

[Bridge]  
*heartbeat*  
Skin pulled tight, I look away  
Can’t face that mirror today  
Feed me passion, feed me pain  
Drag me out of this place I hate  

[Breakdown]  
You looked at me with sorrow  
I said, “F*** that—come back tomorrow”  
You claim you know me, won’t let me speak  
Call me an open book you never read deep  

[Verse 3]  
Pride drips out from inside  
Mixed with joy I used to hide  
A transfusion of a life I never chose  
Something I did in the name of love  

[Bridge 2]  
You jammed the vein, heat pressed in  
My arms go numb, I lose my skin  
I’m staring back—but I’m not there  
This isn't home, and I don't care  

[Verse 4]  
Shadows rise from roads I walked  
That wasn’t me—I never talked  
The world fades, I scream to hell  
I’ll f***ing fly if I have to  
I’ll f***ing die if I have to  
I’ll cry… if I have to  

[Instrumental – *glass shatters*]

[Verse 5]  
The cabinet slammed, and then it broke  
Glass on the floor, and blood that spoke  
A skeleton standing in my place  
Dripping rage and a shattered face  

[Bridge 3]  
I saw their eyes—my babies’ eyes  
The ones who love through every lie  
I can’t be this—I won’t stay  
I can’t die, not this way  

[Final Chorus]  
I let it burn, I let it die  
Then rose again beneath the sky  
I won’t go down, not like this  
With all I am—I choose to live  

[Outro]  
With glass still glowing in the light  
I made a choice—I chose to fight  
With all I had left, I made my stand  
And I swore… I’ll be a better man
🔻 Personal Reflection
I wrote “Fire” out of one of the darkest emotional places I’ve ever stood in. There were moments in my life where everything I loved—everything that made me me—was slipping away. And I didn’t fight back. I let it burn.

This song is my reckoning with those choices. The numbness. The silence. The self-inflicted wounds. It's about trying to reclaim power when you’ve already thrown it away. And somewhere inside that wreckage, realizing there’s still something worth saving.

The hardest part wasn’t the trauma—it was waking up and facing it without looking away. This song is for anyone who’s ever thought “I can’t do this anymore” and then… did it anyway.

It’s not about survival being beautiful—it’s about survival being necessary.


🔻 Copyright Notice
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

FIRE - Explicit

Coffey Anderson’s original song 
(Remix version)

4th of July Song (Remix)

Magic Hour

The Silence of Fabio

Artist: Zimmer90
Album: "What Love Is" (Full EP)
Original Release Date: 2024

I do NOT own the rights to this material, nor do I claim to do so. Copyrights belong to their owners. We only spread their work, without any commercial spirit.
Thank you and enjoy it!

To learn more material from this DJs/Producers, I invite you to activate the #C87 tab.

Zimmer90 - What Love Is (C87 Deep House Remix)

Artist: Duran Duran
Album: "A View to a Kill" (James Bond theme song soundtrack)
Original release date: 1985

I DO NOT own the rights to this material, nor do I claim to own them. Copyright belongs to its owners. We only spread your work, without any commercial spirit.
Thanks and enjoy!

To learn more material from this DJ/Producer, I invite you to activate the # Lifelong Corporation RMX tab.

Duran Duran - A View To A Kill (Lifelong Corporation Panoramic Mix)

Credits:
Music and lyrics by Lucy Clearwater
Produced by Tyler Chester
Engineered by David Boucher
Assistant engineer Luca Ruscica
Mixed by Tyler Chester
Mastered by James Krausse
Vocals - Lucy Clearwater
Guitar - Lucy Clearwater
2nd guitar - Tyler Chester
Bass - Solomon Dorsey
Drums - John Fatum
Pedal steel - Drew Taubenfeld
Additional vocals - Madison Cunningham
Additional vocals - Adam Moss
Cover photo - Joey Schultz

What's Mine

For over 20 years, Richard Marx has consistently and powerfully made his mark on the music industry. His debut single “Don’t Mean Nothing” and self-titled debut album kicked off his career as a solo artist in 1987 and went on to sell 3 million copies. His 1989 follow-up CD, “Repeat Offender,” became even more successful, selling over 7 million copies worldwide. From 1987 to 1990, he became the first male solo artist in history to have his first 7 singles reach the top 5 on Billboard’s singles chart, including the 1 hits “Hold On to the Nights,” “Satisfied” and the worldwide classic, “Right Here Waiting.” This feat remains unchallenged.

He was nominated for Grammy awards 3 times and received an American Music Award nomination for favorite male singer. In 1992, he was awarded Best Selling Adult Contemporary Artist at the Billboard Music awards, and received the International Song of the Year Award at the Australian Music awards for his song, “Hazard,” from his double platinum CD, “Rush Street.” 1994′s “Paid Vacation” CD also went platinum and featured the single, “Now and Forever” which not only went top 10 on the Billboard Pop Chart, but spent a nearly record breaking 13 weeks at #1 on the Billboard AC Chart. In addition to selling over 30 million records, and writing, as of 2009, thirteen #1 songs, he remained a fixture on pop and adult contemporary radio for years, even as he emerged as a top producer working with some of the biggest names in the music business. Among those artists, *NSYNC, Barbra Streisand, Josh Groban, Vince Gill, 98°, Luther Vandross, Kenny Rogers, Sarah Brightman, Lara Fabian, Sister Hazel, The Tubes and SHeDAISY. More recently, he has written and produced records for Daughtry, Leann Rimes, Katherine Jenkins, Travis Tritt, Emerson Drive, Natalie Cole, Keith Urban, Paulina Rubio, Kenny Loggins, Chris Botti, Michael Bolton, and actor Hugh Jackman.

As his career began in 1987, Richard immediately got involved with many charitable organizations. By donating the royalties from his 1987 hit single, “Should’ve Known Better,” he helped build a room at the NYU Medical Center where pediatric cancer patients can play while at the hospital. In 1989, he wrote and recorded the song “Children of the Night” about the plight of homeless children on the streets and donated all the song’s royalties to the Children of the Night Foundation, which houses and reforms street kids. To date, the song has raised over $500,000. Additionally, he has performed benefit concerts for many organizations, including the TJ Martell Foundation, Toys For Tots, Make A Wish Foundation, the American Cancer Society, Best Buddies, and the Special Olympics. In 2005, Richard and his band flew to Kitzingen, Germany to perform for US troops stationed there, and as of 2008, he hosts an annual event in Chicago for the Ronald McDonald House Charities. The first event featured a concert by Richard and the legendary Kenny Rogers.
Perhaps closest to Richard’s heart is the Cystic Fibrosis Foundation, whom he aligned with in 2000. He organized what has become an annual benefit concert to raise funds for research to cure the disease. The multi act, all-star concerts have, thus far, raised over $3 million.

In February 2004, Richard won the Song of the Year Grammy for “Dance With My Father,” which he wrote with the late Luther Vandross. It was a big night for several reasons. “It was the award itself,” says Richard. “For me and more importantly for Luther. I was proud.”

2005′s “Better Life,” a song written by Richard and Keith Urban which was included in Keith’s CD, the triple platinum “Be Here,” was the biggest hit single from the CD, spending 6 consecutive weeks at number 1 on Billboard’s Country Singles chart.

In the summer of 2006, Richard was asked to join “Ringo Starr’s All-Star Band” for a North American tour of 22 cities. Richard played guitar in the band supporting Ringo and others, including Billy Squier, and performed his own hits at each show. Ringo and Richard recently co-wrote a song for Ringo’s upcoming CD in 2010.

In 2007, Keith Urban released another song co-written by Richard, “Everybody” from his “Love, Pain and the Whole Crazy Thing” CD. The song went top 5 on the Country charts.

In 2008, Richard began touring with Vertical Horizon lead singer, Matt Scannell, as an acoustic duo. They released a CD, “Duo” on iTunes, and played shows throughout the US. They continue to do occasional shows together and are releasing a live CD in early 2010, followed by an electric rock record as a duo.

On September 22, 2009, Richard will release a new solo CD, “Emotional Remains.” The modern rock record, produced by Richard, features contributions by Matt Scannell, Jennifer Hanson and Kenny Loggins. Richard will be touring internationally to support the CD.

Magic Hour

RichardMarx

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