Techno

DJ Sotofett and LNS have teamed up with Tresor Records for Sputters. The double-vinyl album with 15 cuts spans a hybrid of warped electro and psychedelic hypnosis, all the while remaining fixed in an. unmistakable dance release. Recorded between 2017 – 2020, and bookmarked throughout by intros and interludes dug out from archival material, it's a deconstructed yet classic compound of techno-sonics. 

LNS from Calgary, Canada, is rooted in braindance, electro and acid. Releasing 12inches on both her self-titled imprint LNS and Sotofett’s Wania - LNS, whilst in the studio, has often pointed out “the lacking blend of dub and electro in dance music”. 

DJ Sotofett, hailing from Moss, Norway, is among a myriad of things commonly known for the extended work of his Sex Tags Mania and Wania labels, without forgetting his afro, dub and jazz releases on Honest Jon's London. 

Together both artists give space to a guest appearance by E-GZR, a fellow Wania artist, to open the Sputters journey. The sinus bending drum stutter of K.O. by E-GZR collisions flanging basses and chronic-inducing synth pads to blueprint the technoid atmosphere to come. LNS & DJ Sotofett take control with El Dubbing, evoking an effect-heavy demeanour, typical of the Sex Tags Mania soundworld that DJ Sotofett is responsible for, this time rubbing up against solid electrified rhythms. The hypnotic moods carry over to Dúnn Dubbing's deep delays, freely running over a surprisingly minimal skeleton retaining a solid direction. Crafting a warmly emotive end of Side-A with sparse rhythms to perfection. 

A meaner turn introduces Side-B. Hints of electro are scattered everywhere, fat basslines, ricocheting drums and synths that mourn and drift in and out of harmony. Vitri-Oil exposes a tumbling sound design, fog-lit chords of material fragility and nosedives - with an alive mix that wallows and grows in equal measures. The side closes with Shim, a classic drift between house and techno releasing sensual euphoria with the albums first big surprise – grand strings. 

“LNS wanted to sell her TR-606, while my reply was for us to make a track with the 606 sounding so fresh that she'd never even think about selling it again” Sotofett states. Side-C proves the artists to be some of the most singular producers around with album centrepiece The 606. Clocking in over 10 minutes, it kicks off as a driving techno banger, chugging bass and big chords. Midway through everything falls away, and out of the void enter scattered drums and improv piano lines emerge, while twisted dubs lead us back in an enduringly warm groove. 

Side-D sets the clock back to the original electroid foundation of the album, casting fires with alien vibrations. Synchronic Bass Blort is a hard-hitting electro track, steaming sonics and thrills, its melodic hook diving in subterranean motions. On Sputtering the duo raspily beams into outer space, with fizzy motives that disfigure and dazzle while the harmonies of the closing track is for yourself to experience. 

DJ Sotofett and LNS deliver an album inhabiting a world full of sci-fi sonics and fierce groove. Their sound is free and live, simultaneously wondrous and sharp.

@sophatmixes 
@lauransparrow

Buy on Tresor Bandcamp

PREMIERE: LNS & DJ Sotofett - El Dubbing

Syntax

Syntax [One]

PRE-ORDER: https://vilcravo.bandcamp.com/album/klockworks-32

Power duo VIL & Cravo debut on Klockworks with a high-spirited 3 tracker showcasing their warm approach inspired in soul and funk tracks from the 80’s and early 00’s.

Both behind Portugal’s freshest collective Hayes, the duo started their project 6 years ago with the idea of bringing colour, light and groove to the scene.

Fusing funky techno with soulful vocals, this EP reminds us of the carefully chosen euphoric moments Ben Klock drops in his sets with hope to get them back this summer.

Klockworks web-shop:  https://klockworks.de/shop/kw32/

Klockworks 32

More exclusive music

Premiere: VIL & Cravo 'Links'

Download/Stream >> https://fanlink.to/sound-bath

Dubfire really needs little in the way of introduction, but for the uninitiated, the hugely prolific DJ & producer has been at the forefront of the electronic scene since the earliest days.  As one half of house music titans Deep Dish, through to his more techno focused career as Dubfire, huge singles like ‘Ribcage’ and ‘Roadkill’, and his own SCI+TEC label, the Iranian born artist has more than left his mark on the dance music scene.

‘Sound Bath’ drops on Dense & Pika’s Kneaded Pains label and illustrates the resolute sounds that Dubfire has become revered for.  A minimal and stripped back production keeps active with metallic and fissured tones, as an ever-present percussive loop anchors this impressive club cut, where the ‘less if more’ ethic is deployed auspiciously.

Rising star, Sophia Saze, has been impressing with her productions and remixes for labels such as Tresor, Counterchange and Krill Music, and her take on ‘Sound Bath’ centres on the addition of an arpeggiated synth line and acid pulses that really ramp up the energy levels!

Download/Stream

Dubfire - Sound Bath [clip]

Out now on Rekids: lnk.to/REKIDS184

Following 2020’s ‘Mirror Man’ LP on Radio Slave’s Rekids, Detroit pioneer Robert Hood returns to the label with a four-track EP of his trailblazing minimal techno. Leading the release, ‘Chroma Light’ opens with cinematic pads and pounding 4/4 patterns as twisted synthesis modulates throughout for a striking start. Followed by ‘The Majestic (Deeper Edit)’, with rattling percussion and fiercely relentless stabs, Hood shows his intent in creating propulsive, dancefloor focussed cuts across the EP.

On the flip, ‘The Majestic’ takes the B1 spot, expanding on the previous track with wild synths and his signature machine-like drums before ‘Ultrasonic Room’ closes out the release with eerie atmospherics and an underlying hypnotic pulse taking centre stage.

A founding member of Underground Resistance alongside Mad Mike Banks and Jeff Mills, Robert Hood is one of techno’s originators, with his decorated career spanning three decades across labels like Tresor, Peacefrog, Music Man Records, and of course, his own M Plant.

Robert Hood

The Majestic

Robert Hood - The Majestic

Jeff Mills - Changes

Function - Disaffected

Rrose - Waterfall

01- Epiciclo.
02- Gravitatoria.
03- Metano.
04- Núcleo.
05- Morgoth.
06- Gravedad en Superficie.
07- El Cementerio de los Elefantes
08- Tierra Firme.
09- Transformación.
10-  Orografía.
11 - Lo impenetrable


Mysterious argentinian techno veteran Kølpos provides us with eleven exercises of music from the future in many different shapes. Starting with the compulsory beatless intro named Epiciclo, setting the pace for what comes next. 

Gravitatoria brings the beat in a profound style with a solid reverberated groove made of assorted drum elements and occasional drones flying over the evolving arrangement. 

In Metano things go asymmetrical and shuffled rhythmic wise, synthetic noises bring the heat as the track goes by, changing shape and motif, creating a proper hypnotic tool.

Núcleo increases the BPM rate while preserving the overall spacious feel of the previous numbers. Here the obsessive sequences are more prominent, drilling minds and bodies properly.

Morgoth is a slowed down interlude, with slow pitched broken beats and complex atmospheres on top, resetting the vibe to incorporate danceable action again with Gravedad en Superficie where the sound machine is at its full development with ever changing abstract sequences and a mental approach.

El Cementerio de los Elefantes keeps things busy, a no remorse relentless techno tool aimed for peak time action, as well as Tierra Firme that goes in the same vein.

Approaching the end of this soundtrack, things slowly go down to mental places with the deep and profound Terraformación and the abstract slice named Orografía.

Lo Impenetrable brings the spaceship to the homebase in the same style as started, an ambient epilogue with outerworld bleeps and textures.

Preview: KØLPØS - Gravedad en Superficie [WU101d]

Novation Circuit Tracks, Behringer TD3-MO + Edge. 



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Alternative Version: https://soundcloud.com/gigitalis/acidtribethings/s-8EdHnKehRZY?si=e01ed8cf57d34372856226817bd5a4ff&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Pointless (Livecut)

Stellar acid and epidemie remix .mp3

Planetary Assault Systems - Surface Noise (P.A.S. Live Edit)
The Light Years Reworks out on Mote Evolver
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Planetary Assault Systems - Surface Noise (P.A.S. Live Edit)

Cleric - Plunge

Ben Klock’s Klockworks invites the legendary London-based artist The Advent to join the ever-growing roster to deliver the 22nd instalment on the label, to be due out this September. The Advent started producing in his trademark raw, energetic style in 1994 and since then has become a rebel and an icon in the scene. Cisco Ferreira puts forward three stand-out tracks for Klockworks, one brand new one and two from The Advent’s rave archives.

On the A-side, ‘High Horse’ is a fresh track from The Advent that has been prominent in his live sets, features a saucy vocal that can also be recognised as a favourite in Ben Klock’s DJ sets in the past few months, now finally making an appearance on wax for the label. 

The flip-side features two previously unreleased tracks from the 90’s when the approach was more raw and groovy, something that can be seen having a revival in current times. ‘Un Named’ is more stripped down and pulsating while ‘Sound Pove’ features a jacking Chicago house groove with a techno tempo, both fitting perfectly into the Klockworks catalog.

All tracks written & produced by The Advent
Cat. No. KW22 – all rights reserved
℗ & © Klockworks 2018
www.klockworks.de

A1. The Advent - High Horse (KW22)

Sirens - Ben Klock

Exact Sciences

This is the Official SoundCloud account for Richie Hawtin and contains all audio media from Richie’s career: releases, remixes, DJ mixes, Live shows and interviews. We invite everyone to listen and enjoy what will become the definitive audio history of Richie’s career from past to present. All this material will also be linked into the new richiehawtin.com website that is currently in development.

Please note that we will NOT answer any emails, listen to any demos or tracks, or follow any individuals that are sent to this account. QUESTIONS CAN BE SENT TO info@richiehawtin.com

Thanks and enjoy.

Syntax [One]

Richie Hawtin

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