ALLOOOOOOOORA.....ALLOOOOORAAAAA,ricordo Franchino all’Imsomnia!!!!!

A ‘pan-pot’ is a simple, functional dial that governs the left and right axis of the stereo field, useful but unremarkable; mobilee’s Pan-Pot is an entirely different proposition, a duo whose mastery of audio principles allows them to turn conventions on their heads, casting functionality aside as they plumb the deep, uncharted depths of pitch-black techno.

Since their inception in 2005, Pan-Pot have become a dominant presence in modern techno, an ascent mirrored in the rise of their home label mobilee records to the top tier of electronic music. Tagging themselves as “the dark side of the force,” Pan-Pot have melted minds, warped perceptions and reinvigorated the dancefloor with their heady, unorthodox sound; within their work, subtle pitch manipulations square off with wall-of-sound distortion, the dark stomp of 4/4 is tamed by intricate sound design, and minimalistic frameworks duel with throbbing bass lines, epic builds, and murky, off-kilter melodies.

Tassilo Ippenberger and Thomas Benedix met at Berlin’s SAE, and their studies in the production and manipulation of sound aided them in identifying Pan-Pot’s overarching sound aesthetic. The duo booked Anja Schneider for an ill-fated party in 2005, but the unfortunate circumstances helped forge a fortuitous connection with Schneider and her then-fledgling mobilee imprint. Within weeks, mobilee’s second ever release was Pan-Pot’s official debut, „Copy and Paste“. The steady stream of original tracks and remixes that followed on mobilee and Einmaleins, charted the duo’s unwavering commitment to precise, undulating and kinetic grooves.

The defining moment of Pan-Pot’s career came in 2007 with the release of their debut artist album, Pan-O-Rama. The aptly named long-player offered a 360-degree view of techno at its most twisted, balancing somber atmospherics with a lightness of touch, and spawning the overground hit “Charly”. More recently “Confronted” and “Captain My Captain” have demonstrated their classic, strong and timely production style, presenting them as the most consistent purveyors of techno around.

Pan-Pot are ceaselessly working and endlessly inventive. When not in the studio writing original material or remixing tracks by a myriad of artists, they can be found on the road, touring. Their DJ sets reveal a keen understanding of the dancefloor’s needs, and they are unconstrained by boundaries, traversing techno, house and everything in between.

Pan-Pot may have taken their name from an unexceptional element of studio equipment, but as with their music, they have rewritten notions of form and function through their own idiosyncratic language; once you’ve experienced Pan-Pot’s colossal, haunting soundscapes you will never forget them. Their vision, passion, and love of music continues to drive Pan-Pot — and the extended mobilee team —in all that they continue to do, and all that will come.

Pan-Pot - Charly (Original) - mobilee030

Absolute bomb by the one and only Josh Wink

Josh Wink - Talking To You

Makam - A Night At Trouw
Amulett 002, 2015
https://clone.nl/item33835.html
Low quality / for promotional use only!


Makam - A Night At Trouw

Joris Voorn - The Secret - Cocoon Recordings (112 kbps Low Quality Preview)

His music, whether in the form of his melodic, gospel-inspired Floorplan output or as himself via M-Plant, has always sounded fresh and unique, while always bearing his quintessential sound.

He's made an appearance on the new Landside remix EP where he joins Bambounou, Etapp Kyle and Edanticonf for edits of 'Signs of Change' and 'Desert Lake'. His re-imagining of 'Signs of Change' is a classic slice of Hood magic and you can listen to it first here.

Uncharted Remixes EP

More exclusive music

Premiere: Landside 'Signs of Change' (Robert Hood Remix)

Radio Slave readies a double A-side to mark the 100th release on Rekids this February.

Having recently celebrated ten years, the consistency of music on Matt Edwards’ Rekids is indisputable with releases from Nina Kraviz, Mr. G, David Morales, Peggy Gou and DJ Deep to name a few. Aside
from his A&R abilities Edwards’ extensive understanding of electronic music is evident in his various pseudonyms. Amongst these Radio Slave is easily his most illustrious and most fitting for the seminal label’s milestone 100th release.

“I had to make these tracks. It’s what we do and it’s the perfect release for Rekids 100” – Matt Edwards

Containing all the hallmarks of a Radio Slave production, ‘Another Club’ merges looped vocals with thudding kicks as echoing stabs and infectious hats work their magic. On the flip, ‘Feel The Same’ is a
funky slice of Detroit inspired house.

A. Radio Slave - Another Club

The  release  opens  with  the  title  track,  The  Mask  Of  Sanity;  Over  8  minutes  of  haunting  synth work and expertly compiled drums that build to a bubbling crescendo of that Reset Robot sound we all know and adore. Track two is Bil'am's Donkey; A harder more-to-the-point weapon with pounding  drums  that  doesn't  mess  around.  Next  up  is Paradise  Lost;  This  is  more  of  a  driving affair with a house twist. Expect to hear this one on repeat across dancefloors this summer. The release  closes  with Oak  Ridge  Capsule;  Mechanical  yet  groovy,  moody  but  danceable,  this  is exactly why we love what Reset Robot encapsulates so much.

Reset Robot - Paradise Lost - Truesoul - TRUE1295

RADIO SLAVE - I DON'T NEED A CURE FOR THIS (KENNY LARKIN REMIX)

Best Of Live Vol. 1

Tel Aviv

Robot Man: Hypno Freak (Original Mix) (1992) 12DEF003

Boris Werner - Set It Off (Makam Orchestra Drama Mix)

This is the Official SoundCloud account for Richie Hawtin and contains all audio media from Richie’s career: releases, remixes, DJ mixes, Live shows and interviews. We invite everyone to listen and enjoy what will become the definitive audio history of Richie’s career from past to present. All this material will also be linked into the new richiehawtin.com website that is currently in development.

Please note that we will NOT answer any emails, listen to any demos or tracks, or follow any individuals that are sent to this account. QUESTIONS CAN BE SENT TO info@richiehawtin.com

Thanks and enjoy.

Robot Man: Hypno Freak (Original Mix) (1992) 12DEF003

Richie Hawtin

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