Classical remixes, rework by EE

Ludovico Einaudi - Experiences (Starkey Remix) is available to own now: http://po.st/EinSRSciT
The exceptionally talented producer and label manager Starkey remixes Experience from Einaudi's latest album, In A Time Lapse. The Remixes EP is out Monday 16th September 2013.
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In A Time Lapse - The Remixes

Experience (Starkey Remix)

Michael Jackson - The Way You Make Me Feel Live 30th Anniversary

Mason Williams vs. Emanuel Lavéz - Deep Classical Gas (Original Mix

Simple Yet Dope Beat. 
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Day In A Life

DOWNLOAD FREE: https://hypeddit.com/track/ej0rhp

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The Piano

Prelude in C minor, BWV 999
The Prelude in C Minor (BWV 999) is a prelude for solo lute written by the composer Johann Sebastian Bach, probably during the late 1710s or early 1720s. An edition of this work that is arranged for piano is available under the title J. S. Bach: Eighteen Little Preludes, edited by Keith Snell. It has been widely adapted into other instruments such as violin, piano, guitar etc.
Getting Back Into Piano after a Long Absence.

Jean Sébastien Bach Prélude en ut mineur, BWV 999
Le Prélude en ut mineur (BWV 999) est un prélude pour luth seul écrit par Johann Sebastian Bach
Getting Back Into Piano after a Long Absence.
Reprise du piano après plus de 30 ans sans jouer. 

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Johann Sebastian Bach Prelude in C minor, BWV 999

Thomas Bergersen - Heart Of Courage (Extended Version)

Code Name Vivaldi

Walk (Phaeleh Remix)

Symphoniacs

Vivaldi Winter

Bitter Sweet Symphony

Screws Reworked

Si (Plasma Rüby Rework)

Beethoven was an OG bass head, so I wanted to give him the update he deserved. 
Thank you for all the support thus far, and may the wobbles be with you <3

https://www.klutchmusic.com/

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Beethoven - Fur Elise (Komuz Remix)

Josh Vietti - Classic (feat. C-MO)

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

written produced by Dr. Draw & Bassmynt 
Mastered by Mike @ Elite Mastering 

Dr. Draw & Bassmynt - Carillon (dubstep carol)

Classical Fusion - Remixed, Rewired & Reinvented - 50 Classics Including the Original Masters

Four Seasons “Winter” -  Allegro Non Molto (Remix)

Four Seasons “Winter” -  Allegro Non Molto (Remix)

Classical Hip-Hop 2

Hard Decisions

Jay Urban Music - No Goodbyes (Single)

Listen on Apple Music:
https://music.apple.com/us/album/no-goodbyes-single/1549203519

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https://open.spotify.com/track/3RkaiJOqRL9BQxJ1fqVuvB?si=geZJRIChQjG9R8JO6-MiDg

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I'm a music producer specializing in Dance, Pop, EDM, Hip Hop, R&B, Afro and Latin music. My beats are available for licensing at www.JayUrbanMusic.com
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Classical remixes, rework by EE

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