Fields

Inside the Magic

Just a quick attempt to recreate a Korova Milk Bar atmosphere with my Blofeld. No External processing / FXs.

KorovaBar M@G

Whirl.mp3

Chris Watson Invertebrate Harmonics

From the album Sounds from The Cambodian Wild by Adrian Stoeger
http://adrianstoeger.bandcamp.com/album/sounds-from-the-cambodian-wild

Purchase here

Adrian Stoeger – Gibbon Talk - Siem Pang Protected Forest

BatCallsPitchedDown

"The artist does not wish to create a work in which he transmits an already prepared and complete message to a relatively indifferent and impersonal receiver... unless you achieve the proper set of mind and feeling towards it, you will not experience anything of it at all. " - Meyer Shapiro

The Portal

Drums: Korg Triton-Rack, Yamaha Motif XS Rack
Bassline: Novation Supernova II, Xfer Serum
Pads & Plucks: Roland JP-8080, Roland Super JV-1080, Korg MOSS Board (in Triton)
Fill FX’s: Roland JP-8080
Reverbs: Lexicon MPX1, Zoom Multistomp 70-CDR
Mastering: TC Electronic Finalizer 96k, some basic compressors and EQ’s
DAW: FL Studio 12.

Tritonal feat. Laurell - Good Thing (Gokosoul Remix)

So, I just took delivery of my brand new Studiologic Sledge 2.1 and BOY IS IT A SYNTH! This thing is a powerhouse and I can't say enough good things about it.... or how about this

EVERY SINGLE SOUND CAME FROM THE SLEDGE - EVEN THE DRUM LOOP. ALL EFFECTS WERE INTERNAL.

So, yeah... I can write an entire song using 1 instrument..... this thing is so inspiring!

-Adam Borseti

Studiologic Sledge 2.1 (FIRST RECORDING)

A electronic/rock piece using Moog Mother 32 and a Moog Mother DFAM with K5000s.

A beat up fender Highway adds the guitar bit

Octopus

Album Release: https://cyberspeakmusic.bandcamp.com/album/freeform-of-paralysed-activities

HYPERCUBE - Macro sonic habitat

Alberto Novello a.k.a. JesterN’s practice uses found or decontextualized analogue devices to investigate the connections between light and sound in the form of contemplative installations and performances. He repurposes and modifies tools from our analogue past: oscilloscopes, early game consoles, analogue video mixers, and lasers. He is attracted to their intrinsic limitations and strong ‘personalities’: fluid beam movement, vivid colors, infinite resolution, absence of frame rate, and line aesthetics. By using these forgotten devices, he exposes the public to the aesthetic differences between the ubiquitous digital projections and the natural vibrance of analogue beams, engaging them to reflect on the sociopolitical impact of technology in a retrospective on technologisation: what ‘old’ means, and what value the ‘new’ really adds.

His works have been presented at Centre Pompidou in Paris, Museo Reina Sofia Madrid, Amsterdam Dance Event, Venice Biennale, New York Computer Music Festival, Bozar Bruxelles, BOA Biennale Porto, Rewire Festival Den Haag, Glasgow Contemporary Art Center, Dom Moskow, Seoul International Music Festival, Rome University of Fine Arts, to mention a few. He has released records for Staalplat, Bowindo, Elli Records, Dobialabel, Setoladimaiale, Ante-Rasa and Creative Sources.

BatCallsPitchedDown

RigelQL

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