indie bailar

Julio Iglesias

De las cenizas

Techno manchego (asiejque)

Gente Corriente

essa rua

Visita: http://www.facebook.com/armandomartincornetero

126 Gloria Trevi - Todos Me Miran [Dj armando 2012]

Mocatriz

Te Quiero Igual

Te Quiero Igual (feat. Alba Galocha)

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DOWNLOAD⤵️ Ginebras- Con altura (Raul Duran EDIT)

When J (LOS PLANETAS) urged his friend Ana Fernández-Villaverde, a painter up to then, to write her own songs, little did he imagine what he was starting. It was 2005 and she had bought her first guitar one year before.  Suddenly LA BIEN QUERIDA revealed herself as one of the brightest musicians to appear in recent Spanish indie-pop. Her demo, recorded in 2007 with the help of Horacio Nistal, made everyone who listened to it, and there were a lot of people who listened to it, fall in love with it. Her myspace page, with nearly 125,000 listens, is one of the most visited pages for a new artist. Her songs were simple things (with her on guitar and some minimal arrangements) but with a disarming beauty, fabulous poems about falling in love and out of love that follow the line of LOS PLANETAS without noise, the emotional intensity of SR CHINARRO without irony, the sweetness of LA BUENA VIDA or CLAUDINE LONGUET without the languor, the romanticism of FAMILY without the techno-pop costume. It was chosen best demo of the year by Mondo Sonoro and highlighted by Rockdelux. One of the most excited people was Antonio Luque (SR CHINARRO), who lent a hand as the band in a series of concerts in Madrid at the beginning of 2008.  The most popular girl ended up signing with Elefant, who finally have the privilege of releasing her first album.

“Romancero”, with 7 songs already known from the demo and 5 new songs, is one of the most awaited discs of recent years and it’s not exaggerating to say that it’s going to be one of the most important ones of the coming years. Ana went to David Rodríguez (BEEF), for the production, with the idea of distilling the marvelous production of LA ESTRELLA DE DAVID (David’s solo project) with clean sounds more fitting to the friendly environment of her melodies. The result is that Ana’s songs take on a unique artistic dimension with David’s inventive sound, and he shines like never before domesticated in the naturalistic beauty of Ana’s songs.

The album therefore has two sides: one the one side are Ana’s precious melodies, self-sufficient with their formidable lyrics, sincere declarations and mature reflections that reflect the always interesting and exciting paths of falling out of love, of frustration, of fear, the uncertainty and euphoria of love.  On the other hand you can also enjoy David’s superb work on the production and his personal arrangements, as peculiar and bizarre as ever. Always looking for the difference with the combination of such disparate elements that only he is able to imagine, but later they come together as if they were meant to be. And they have an admirable subtlety that doesn’t get in the way of the songs. It’s the vision of a privileged artist that ultimately increases the beauty of the songs in a surprisingly perfect fit and without taking away any protagonism from what is really important, which is Ana’s voice and lyrics.

In the end this all moves toward THE MAGNETIC FIELDS, not so much because of the sound but definitely because of the spirit, the quality and because of its personality. “Romancero” gets close to the level of “69 Love Songs” because it shares its dead-on combination of poetic sentiment and artistic individuality. They are songs that are dressed subtly eccentrically and originally without losing their ability to express feelings. And they do so in an intelligent, sincere and moving way. They are songs that drive into the heart and make a space in the head with apparently simple melodies, although the harmonies are not obvious at all and the arrangements even less so. It’s a work of art in its purest form, capable of communicating the most moving emotions through its beauty. Without a doubt, “Romancero” is a landmark album.

Romancero

De Momento Abril

Too Many Drugs

In Spain We Call It Soledad

Perra

Ya no siento nada

Tras conocer hace solo unas semanas "Luar", el primer adelanto del que será el esperadísimo álbum largo de Baiuca, uno de los nombres de referencia para entender la alianza sonora entre música tradicional y electrónica de vanguardia, el segundo adelanto de lo que será "Embruxo" viene venenoso y se te extenderá por el cuerpo en los casi cuatro minutos que dura.

Cantado en galego, asturiano y castellano, "Veleno", nuevo single de Baiuca, cuenta con la ilustrísima colaboración de Rodrigo Cuevas, otro de los nombre fundamentales de la recuperación y resignificación de los códigos de la música tradicional ibérica, para llevarla a nuevos territorios.

El espacio en el que el gallego Baiuca y el asturiano Rodrigo Cuevas consiguen llevar "Veleno" es un auténtico ritual que consigue embrujarnos en la primera escucha. Una canción tan cerca de la estructura de una canción de pop ritual como del tribalismo norteño ibérico, de la folktrónica cantada o un downtempo de vocación global.

Baiuca - Veleno (feat. Rodrigo Cuevas)

In Spain We Call It Soledad

Rigoberta Bandini

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Hector Louiz

Hector Louiz

Hector Louiz

Hector Louiz

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