"君はすぐに忘れる"

Copper Circuitry


月みれば　ちぢにものこそ　悲しけれ
わが身一つの　秋にはあらねど
大江千里（23番）　『古今集』秋上・193

[Verse 1]
When I look up at the moon tonight,
Silver calm in borrowed light,
Nothing’s broken, nothing’s wrong—
It feels quiet, far too long.
It feels still, the air held tight.
⸻
[Pre-Chorus]
I know this autumn isn’t mine alone,
The moon looks down on everyone—
⸻
[Chorus]
But it feels like
Something gently slips away,
It feels like
A thousand thoughts I cannot name.
It’s not my life alone turning cold,
But it feels like sadness,
Soft and old.
⸻
[Verse 2]
I feel something I can’t point to,
No single loss I’m holding onto.
It feels close, but hard to see,
It feels heavier quietly.
⸻
[Pre-Chorus]
I know this season isn’t mine to claim,
Yet the moon still calls my name—
⸻
[Chorus]
And it feels like
Something gently slips away,
It feels like
A thousand thoughts I cannot name.
It’s not my life alone turning cold,
But it feels like sadness,
Soft and old.
⸻
[Bridge] (half-spoken, sparse)
I understand, I tell myself,
This light belongs to someone else.
I feel autumn in my mind.
⸻
[Final Chorus / Outro]
I feel the night already knows,
The quiet feels slower as it goes.
The air feels like something letting go,
More than reason ever shows.
I know this autumn’s not my own—
But the moon feels like sadness
When it hangs low.
----------
This song explores three ways of using the word "feel," tracing how subtle shifts in grammar change how we perceive our internal and external worlds:
I feel + noun / clause
 The internal perspective: Grounds the emotion within the speaker's own mind—a direct expression of personal sentiment.
X feels + adjective
 The atmospheric perspective: Projects a mood onto the environment (the moon, the air), describing the world through an emotional lens.
X feels like + noun / clause
 The interpretative perspective: Reaches for metaphor rather than literal statement, attempting to capture a shapeless impression.
By layering these three patterns, the song moves from personal emotion to atmospheric observation, and finally to abstract impression—capturing a sense of melancholy that exists entirely in the "as if," without ever needing to be resolved or explained.
本楽曲は「feel」という語の3つの用法を通じて、文法の微妙な変化が内面世界と外部世界の捉え方をどう変えるかを探求。
I feel + 名詞 / 節
 内的視点: 感情を話者自身の心の内に位置づける—個人的感情の直接的表出。
X feels + 形容詞
 雰囲気的視点: 月や空気といった環境に情緒を投影し、感情的なレンズを通して世界を描写。
X feels like + 名詞 / 節
 解釈的視点: 文字通りの表現ではなく比喩に手を伸ばし、形のない印象を捉えようとする試み。
これら3つのパターンを重ねることで、個人的感情から雰囲気的観察へ、そして抽象的印象へと移行し、「まるで〜のような」という領域にのみ存在する憂愁を、解決や説明を必要とせずに捉えている。



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