Made with an 0-coast and a CV quantizer and a delay module

Dripples

Chant of the machines für Kammerensemble und Live-Elektronik
Düsseldorfer Symphoniker, Ensemble Differance, Norbert Kleinschmidt
www.frank-zabel.de

Frank Zabel: Chant Of The Machines für Kammerensemble und Live-Elektronik

Woodsmithery (2023) for Concert Band by Coleman Rowlett

Copyright 2023 Coleman Rowlett. All Rights Reserved.

Woodsmithery

Michael Schelle

FEAR STRIKES OUT (2015), for trombone and wind ensemble

Millikin University (IL) Symphonic Wind Ensemble
Mark Babbitt, trombone
Gary Shaw, conductor

VIDEO: https://www.youtube.com/watch?v=cMuKNXVENq0&list=PLbnlz2uecZDNvdfPDDsnv-Pww0KUdov1J&index=1

Schelle website:   www.schellemusic.com

FEAR STRIKES OUT (2015)

XANADU was commissioned by The Florida State University College of Music for the grand reopening of the Ruby Diamond Concert Hall and the 100th anniversary of the College of Music. XANADU is a work inspired by the 80’s, the era in which the composer attended Florida State University as an undergraduate performance and composition major. Like this composition, the 80’s movie with the same title is inspired by the poem Kubla Khan by Samuel Taylor Coleridge. The poem was an opium-influenced dream describing a stately palace. This work is influenced by 80’s hip-hop culture, TV themes and other pop culture music of the late 70’s-80’s. The first three notes of the 80’s song Xanadu play an important thematic role in the work. This work also has an optional Turntablist (DJ record scratching) part for the percussion.

XANADU (Wind Ensemvle Level 6)

Submarinul Iertat (Forgiven Submarine)
a tone-poem based on poetry by Andrei Codrescu & Ruxandra Cesereanu

Performed by Shepherd School Symphony Orchestra; Ben Manis, conductor

Nov 30, 2018

Submarinul Iertat (Forgiven Submarine)- for large orchestra

Komorebi: tree escape light_ii_Earth bed _Sasaki_Premiere_Music By Women Festival

El Puente (2015)

- for bassoon and piano

Lia Uribe, bassoon
Miroslava Panayotova, piano

www.sasakimusic.com

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Miho Sasaki : El Puente

Michael Schelle

SUMMIT AT SAN QUENTIN (2019)
- for large chamber ensemble
Commissioned by the IU NME

- temporary midi -

Premieres: March 5 (Bloomington), April 21 (Indianapolis)
Indiana University New Music Ensemble
David Dzubay, music director / conductor

SUMMIT AT SAN QUENTIN (2019)  -  by Michael Schelle

San Quentin State Prison, located north of San Francisco, opened in 1852. 
The oldest prison in California, it is also the state's only death row. It has a gas chamber, gallows, and an electric chair, but since 1996 most executions at the prison have been carried out by lethal injection. Throughout its long history San Quentin has been “home” to dozens of high-profile bad guys—murderers, politicians, drug peddlers—and musicians. 

Among the many infamous inmates: Henry Cowell (famous experimental composer who did time as the prison’s band leader), Eldridge Cleaver (noted author and early leader of the Black Panthers), Merle Haggard (country music legend), Stanley “Tookie”Williams (a founder of the L.A. Crips gang), Charles Manson (cult leader and mastermind of the “Helter Skelter” murders), Sirhan Sirhan (assassin of Robert F. Kennedy), Danny Trejo (movie star, boxer, restauranteur), and Richard Ramirez (serial murderer-rapist known as the “Night Stalker”).

Before those folk called Quentin home it housed the likes of Earl “Black Bart” Boles (1829-1888), a notably well-mannered poet-stagecoach robber known as the “gentleman bandit,” and “The Duchess,”  Evelita Juanita Spinelli (1889-1941)—gangster, pro wrestler, brothel madame, and the first woman to be executed in the state of California.

If one looks for an upside to San Quentin’s rouges gallery it would have to be the San Quentin Jazz Band, a group of talented inmates (most of them in for robbery and/or drug-related charges) made up of both professional and amateur musicians. Its members included saxophonist Art Pepper (one of the 1950’s most celebrated and visible proponents of “West Coast Jazz”), pianist Jimmy Bunn (who performed and recorded with Charlie Parker and Charles Mingus), trumpeters Nathaniel Meeks (who worked with the Gerald Wilson and Johnny Otis bands) and Dupree Bolton (who played with Jay McShann, Harold Land, Bobby Hutcherson, and Dexter Gordon), saxophonists Earl Anderza, and Frank Morgan (who worked with Lionel Hampton, Wild Bill Davis, and Leroy Vinnegar before his drug habit led him into spending nearly 30 years bouncing in and out of prison, after which he enjoyed a successful 20-year comeback career). 

Locked up in the overcrowded San Quentin—a few yards from the gas chamber, and amid dire prison violence—the San Quentin Jazz Band played strikingly original, vibrant, life-affirming music every weekend in the “Big House.”

"Summit at San Quentin", commissioned by the Indiana University New Music Ensemble, David Dzubay, director/conductor, is a fictional gathering of various inmates (including some of those noted above) under the watchful eyes of the prison guards. The cinematic “form” of the piece is freely episodic—as various participants interact, interject, interfere, intervene and improvise.  An oft-recurring rhythmic pulse—a musical reference to the inescapable confines of prison life—surrounds the entire piece.

www.schellemusic.com

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SUMMIT AT SAN QUENTIN (2019), for large chamber ensemble

Piano Quintet Movement III

Miho Sasaki 

Swirling Spheres (2021)

for the Thomas Piercy Quintet
Premiere:  NYC 31 March 2021

www.sasakimusic.com

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SUMMIT AT SAN QUENTIN (2019), for large chamber ensemble

Michael Schelle

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