Tracklist available here: https://tigerandwoods.wordpress.com/2022/01/02/rinse-fm-show-december-2021/

2022 Q1

Recording from nitsa night on december 17th 2021

John Talabot dj set @Nitsa (17Dec21)

Name: Jennifer Loveless (@jenniferloveless) 
Alias: JLO 
Pronouns: She/Her
Location: Naarm (Melbourne), Australia 

Influences: 
Everything, all the time, constantly.  
 
Affiliations/Residencies/Projects: 
Weatherall  
 
Favorite Quote: 
We are the things we take the time to be. 
 
Advice for the DJs, producers and artists of our community:
There is longevity in this, take your time and don’t forget to LIVE along the way. Be intentional about the sound that really represents you and be open to that changing, growing and coming back around, as it should. And remember, no one will ever do it like you do.

With this mix Jennifer Loveless asks to please learn more about and consider donating to:
❁Blak Pearl 
Blak Pearl is a community-led creative studio in Naarm (Melbourne) Australia providing a culturally safe environment for local Aboriginal peoples who cannot access mainstream spaces. It is a place to gather and connect, develop and expand on artistic skills, and showcase the artistic outcomes of a talented and underrepresented community. (www.blakpearlstudio.com)
❁ Nari Nari Tribal Council
 An organisation that adapts and flows like the river for better management of natural resources and inclusion of Aboriginal people and culture in land management. (www.patreon.com/narinaritribalcouncil)

Daisychain

Daisychain 206 - Jennifer Loveless

An artistic soul with a rebellious spirit, Irish born DJ and producer, Cici, is here to vibrate magic. A cosmic creatrix merging musical worlds together to bring something different and new to electronic music, this show takes us on a journey through some of her favourite tracks of the past year spanning across House, breaks and electro.

IG:  @cicicava

www.thelotradio.com
www.instagram.com/thelotradio
www.facebook.com/thelotradio
www.twitter.com/thelotradio
@thelotradio

Cici @ The Lot Radio 12 - 28 - 2021

Rinse FM Podcasts

Download

Tiger & Woods - 29 December 2021

A funfetti of genres

IG: @heatheredpearls @mechanicalofficial

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@thelotradio

Mechanical presents Heathered Pearls @ The Lot Radio 01 - 03 - 2022

Running Hot Radio was live and direct, inviting along special guest Vio PRG. Running Hot on warm-up duties before handing things over to Vio PRG for the second half, running a selection of deep house and italo cuts.

Running Hot Radio w/ Vio PRG - March 2022

From vibrant Brazil to the beating heart of Berlin, @moretzz infuses Juicebox with her bubbling energy and catchy rhythms! ✨🧃

🪇Our first encounter with her was at Fandango, where she immediately hypnotized us from the very first record! Her dance moves, incredible music selection, and the way she connected with the crowd left an impression on us and we couldn't wait to share her music with you.✨

Welcome to Juicebox, Moretz! Thank you for adding your unique touch to our mixtape. ❤️‍🔥

JUICEBOX #3 - Moretz

Daniel Monaco is a multi-talented artist, producer, and bass player known for his unique fusion of Italo Disco, Proto House, Obscure Disco, and a captivating tropical touch. With a deep-rooted passion for music and an innate talent for creating infectious beats, Monaco has carved out a distinctive sonic identity that transports listeners to a vibrant and sun-soaked musical realm.

Lumberjacks Tapes 063: Daniel Monaco ( Rush Hour // Bordello a Parigi )

"I’d heard of House of Mince and the wild parties that are thrown in Sydney years ago when I was based in Adelaide. After relocating to Sydney I went to my first mince party and was blown away with how amazing the music was, the queerness, but most importantly the sexy muthafuckers. It felt like a scene out of party monster. I’ve meet some of the most amazing people at these events and finally feel a sense of community and belonging I’ve always wished for. After 12 years of djing and not feeling a sense of queer community, here I am playing pavs, the type of party I’d always dreamt of playing and with the upmost sense of belonging. 
This mix was recorded on 2x Technic turntables and a Condesa Carmen mixer, featuring some of my favourite house, breaks and techno records I’ve discovered over the past decade.
Enjoy xoxo" - @milkpaste

Milkpaste - Pavlovabar 048

For our next podcast series, we have @daveydiamond, a DJ, multi-disciplinary visual designer, and co-founder of Dublin-based party and DJ duo Bella Festa. His sound is a blend of cosmic journeys layered with rich percussive elements, big driving synths, and touches of progressive house and Balearic influences.

Nothing Special 008: David Diamond

COMD is a New York City-based DJ with deep roots in Berlin’s underground techno scene. Having started as an avid spectator in Berlin's vibrant electronic music culture, he now brings its hypnotic, tribal energy to audiences across the American Northeast and beyond. 

https://www.instagram.com/jpurpureus
https://www.soundcloud.com/c_o_m_d



COMD @ The Lot Radio 06-16-2025

Heaven INC. & Perc Capsule - Roots And Echoes ( Original Mix )

U wanna do (Short Play)

Buy on bandcamp

Simon Sim's & David Coroner  - U wanna do (Short Play)

Recording from Sterac Electronics' set at the Dekmantel festival 2015 Selectors stage.

Sterac Electronics at Dekmantel Festival 2015

From latest blog post - 'Manchester Vibes In The Area':
http://www.gregwilson.co.uk/2011/10/manchester-vibes-in-the-area/

The Electric Chair, with its legendary residents, The Unabombers (Luke & Justin), ran from 1995-2008, hosting 151 ‘executions’. A who’s who of guests, from both sides of the Atlantic, appeared during this time, and it was the favourite UK night of so many DJ’s. After 13 years they decided to go out at the top, their beloved ‘dirty basement’ still packed to the rafters for the monthly sessions (the venue, the Music Box, was previously another seminal Manchester club called Rafters, which I first became aware of in the late 70’s when it was at the forefront of the North’s Jazz-Funk scene, with DJ’s John Grant and Colin Curtis at the helm). Luke & Justin now run a successful bar, Electrik, in Chorlton, Manchester, whilst still making DJ appearances – they also host the Electric Elephant Festival in Croatia once a year.

Playing for the first time at the Electric Chair, on February 26th 2005, was a big deal for me, not only because it was the leading night on the scene I was now a part of, but also because it represented a lineage of cutting-edge Manchester clubbing dating right back to the 60’s, including Legend and The Haçienda, 2 landmark clubs I had the good fortune to be personally associated with 2 decades earlier. 

So, as you can appreciate, there was a deeper sense of time and place, almost a sniff of destiny, about that night at the Electric Chair for me. I’d prepared in accordance, putting together some new edits for the occasion. I started off with a mash-up, ‘Soul Squelch’, which coupled a contemporary track, ‘Squelch’, by Manchester’s own Dubble D, a Chair regular, with the classic Rakim rap from ‘I Know You Got Soul’ (Eric B & Rakim), which harked back to my 80’s Hip Hop connections with the city – this would be pressed-up on the first Redux 12” as ‘Soul Squelch’ (by Dubble D & Rakim). 

My final track, again specially edited for the occasion, was Mr Bloe’s harmonica workout, a feelgood favourite from my younger years, 1970’s ‘Groovin’ With Mr Bloe’. This would later be become more widely known as the closing cut on my first ‘Credit To The Edit’ compilation, which was issued the following August. 

The recording features an additional ‘one for the road’ track, which was an extended edit I did of ‘The Word’ by The Beatles. Luke and Justin always played the last spot, but they got me to come up at the end of the night to spin a final tune, and this is what I went with. Also, the recording is presented here for the first time as a whole 2 hour mix. It was originally split into 2 CD length halves, hence the fade out you’ll hear on ‘WFL’ by the Happy Mondays at the end of what was Disc 1.
  
Prior to my initial Reels Of Steel at Band On The Wall, Stretch Disco, who were hosting the night, put a YouTube piece online, where I was interviewed about my career defining ‘Manchester Moments’ - Legend and The Haçienda first time around, and Music Is Better and the Electric Chair more recently. Here’s what I said about my Chair debut:

“I knew about the Electric Chair beforehand, and I’d recognised it as the leading night on the scene, not just in Manchester but nationally. I think Electric Chair is one of these nights that, now, I don’t think people give full credit to - it will need a separation of time, give it 10 years and people will talk about the Electric Chair in real hallowed terms because, you know, the amount of nights up and down the country that I’ve done since that have said that they got their inspiration from the Electric Chair. It was just such a great night! 

What they were doing was mixing all the different styles together and I think that reconnected to the original spirit that went back to my time (at Legend). I can remember when I first went in there, listening to some of the tracks that were being played - I knew that Justin (Unabomber) had come from an Indie side, he was in a band called The New Fast Automatic Daffodils, and I was aware of this, but I didn’t know much about Luke at the time. I thought there’s a connection back to the black scene here, but I couldn’t quite work out what it was, and then I realised what it was, it was that Luke was from Sheffield and he’d been schooled at a night called Jive Turkey, which Winston (Hazel) and Parrot were the DJs at. Now they were kids on the scene who used to come to the All-Dayers that I used to do - no doubt that they came to Legend and stuff. So it’s all within that side of things, and he (Luke) made his connection there, and that made perfect sense to me as to why that black sensibility was there within the music that was being played at the Electric Chair. 

It was an incredible night, I mean they still do one-offs now, but obviously the night was at The Music Box - not the original though, they started in pubs in the 90s. I mean it was going for a long time beforehand but eventually found its home at The Music Box with a real dedicated crowd who were really into the music and everything. So when I came to play there it was like a homecoming in a way, and in a sense it made me feel like I’d arrived as a DJ again - it had gone beyond the stage that here’s somebody from the past and there’s a novelty value aspect to it, to somebody who’s current and doing stuff now, and I felt that very much with playing at the Electric Chair, with the warmth and reception of the crowd.”

The full ‘Manchester Moments’ clip can be viewed here:
http://www.youtube.com/watch?v=MXHJQ_mDPiU

Greg Wilson - October 2011


ELECTRIC CHAIR MANCHESTER 26.02.05 (greg wilson live mix)

Mostly stuff I listen to while doing work.

Tiger & Woods - 29 December 2021

Rinse FM

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