Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels.

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

Pre-order

Ripperton - Contrails - ESP Institute 084

Welsh textile manufacturer Robert Owen split our 24 hour existence into 3 eight hour slots. 8 hours labour, 8 hours recreation & 8 hours rest. German DJ & producer @johannesalbert combined 2 and 1/8th of these siloed segments in 9 hours of pleasurable work & working pleasure at Wilden Renate Berlin. Albert spins industrial melodies with revolutionary funk for a full day of avocational joy. It’s true what they say, if you love what you do, you’ll never work a day in your life.

Anomaly Live Courtesy Of Johannes Albert All Night Long At Renate, Berlin 01.03.2024

Available as pay what u want on bandcamp:
https://ripperton.bandcamp.com/album/desinhuma

Desinhuma - BI - Washed (Ripperton's Monsters At Night Remix)

The Canary Islands’ Alex Medina is showcasing his latest productions in the 'Just the Artist' series. The DJ, live act artist, producer, promoter, and label owner, recently release on Laurent Garnier imprint Cod3qr, has graced renowned labels such as Innervisions, Diynamic, Moblack TAU, Watergate, Sum Over Histories, and his own label Mumbai Records, among many others.

· SoundCloud: @alex-medina
· Instagram: instagram.com/alex_medina___/
· Spotify: https://open.spotify.com/artist/110rQdN8A00wYaqmUWi0q2?si=JsJ_RW-9Q920ZB5-6zqYcA

· Instagram: instagram.com/essential.part

Just the Artist #3 - Alex Medina

*Tracklist here: http://bit.ly/3wJQo0s

Artist Info:
With initial appearances on prestigious labels such as Shall Not Fade and Pont Neuf, DJ Psychiatre has made his mark on France’s electronic music scene in recent years. Now, he is set to release a new opus titled Glad To Be Back, which serves as a joyful return to the Parisian label. The EP comprises 4 club bangers blending progressive and piano house. By day a psychiatrist, by night a DJ, DJ Psychiatre stands out as a gem in the current French house music scene. His impressive discography includes releases on labels like Pont Neuf and Shall Not Fade. Ranging from nostalgic downtempo reminiscent of the genre's greats to the depths of club sounds, the Rennes-based producer asserts himself as one of the most exciting talents of his generation.

Labels:
https://soundcloud.com/pontneuf  https://soundcloud.com/shallnotfade  https://soundcloud.com/noireblanche  https://soundcloud.com/inhaleexhalerec https://soundcloud.com/welofi  https://soundcloud.com/mostlycozy  https://soundcloud.com/txtr-recordings  https://soundcloud.com/glbdom

Soundcloud:
https://soundcloud.com/djpsychiatre

Social Media:
https://www.instagram.com/djpsychiatre/

Curator:
Manny Cais

Artwork:
Kaio Batista

Follow Us:
soundcloud.com/connectch
facebook.com/connectch
youtube.com/connectch
instagram.com/con_nectch

Tracklist

DJ Psychiatre (Vinyl Only) @ Chicago Calling #158 - France

atish & Nhii head to Damian Lazarus’ Rebellion in a first-time collaboration with ‘Shola’, showcasing two innovative productions
Marking a debut outing on the Crosstown Rebels sub-label, the pair unveil their two-track EP promising an exploration of their musical mastery, set for release on 12th April 2024.

New York-based atish is an artist known for communicating the highs and lows of life through his diverse soundscapes, spanning deep house, Romanian minimal, artful techno, and emotive progressive house on esteemed labels such as Anjunadeep, Stil Vor Talent, and Manjumasi, which he co-founded with Mark Slee. Here he joins forces with fellow New Yorker Nhii, recognised for his bottomless journey of musical growth with no boundaries, exploring deep sounds and electronic elements on labels like Sol Selectas and One Tribe Records. Together they combine their creative visions for the first time with a compelling two-track collaboration on Damian Lazarus’ Crosstown Rebels sub-label, Rebellion, offering a rich sonic tapestry of beats with ‘Shola’.

“I wear my inspirations and playfulness brightly on my sleeve with the Shola EP. Nhii and I created 'Shola,' referencing my South Asian roots with an obscure 1983 Hindi/Urdu sample, while the solo tune '2007' has synth textures nodding to one of my most formative years as a dance music enthusiast, the year I moved to San Francisco" - atish

The title track, ‘Shola,’ evolves through layers of off-kilter electronics and rattling, crisp percussion enriched by enchanting female vocals that infuse the overall arrangement with a sense of intrigue and excitement. To close, atish weaves warping sonics and mind-bending elements in ‘2007’, guiding listeners through a mesmerising exploration of propulsive synth patterns that intensify throughout.

We hope you enjoy the track as much as we do. Don't forget to support the artist and label by following:
@atish
@crosstownrebels

Shola

Premiere: atish - 2007 [Rebellion]

Djolee (@djolee_music – Stil Vor Talent / Habitat / Rummel) 
presents United We Rise Podcast Nr. 213
████████████████████████████████████████████████

▌I How would you describe your style?
Melodic & Percussive
Trying to be as eclectic as possible on every performance as a DJ and when producing music inside the studio.

▌II Which artist influenced you a lot?
Trikk - Frank Wiedemann - Frankey & Sandrino.

▌III What’s your favorite food?
Asado (Argentinian Barbecue). 

████████████████████████████████████████████████

█ Djolee (@djolee_music – Stil Vor Talent / Habitat / Rummel) 
SC - https://soundcloud.com/djolee_music
IG - https://www.instagram.com/djolee.music/
LINKS - https://linktr.ee/djolee
SP - https://open.spotify.com/artist/1HfGJTanZiMBHskJLQkRxL

█ UNITED WE STREAM (Berlin / Global)
FACEBOOK - https://www.facebook.com/unitedwestream/
WEB - https://unitedwestream.berlin/
INSTAGRAM - https://www.instagram.com/unitedwestream/

████████████████████████████████████████████████


█  HASHTAGS
#djolee #stilvortalent #habitat #rummel #electronicmusic #melodictechno #afrohouse #organichouse #deephouse #house #techno #electronica #downtempo #disco #techno #ambient #italo #wave #psy #twerk #darkdisco #techhouse

Djolee (Stil Vor Talent / Habitat / Rummel) presents United We Rise Podcast Nr. 213

https://linktr.ee/superstition
https://www.instagram.com/michael__mayer
https://www.facebook.com/michael.mayer.kompakt

Energy 52's Café Del Mar is one of the most iconic tracks in dance music. Released in 1993, this instrumental trance anthem was named after the famous beach bar on the Balearic island, becoming synonymous with the euphoric, sun-soaked vibe of Ibiza's dance culture. Crafted by German DJs Kid Paul and Cosmic Baby, the track's mesmerizing melodies and uplifting harmonies encapsulate the quintessential sunset moment, making it a staple in the sets of DJs worldwide.

Its enduring appeal is reflected in its impressive chart performance and numerous re-releases and remixes by leading artists, ensuring its presence in dance music culture across decades. Over the years, Café Del Mar has achieved legendary status, regularly featuring in lists of the greatest dance tracks of all time. Notably, it was voted No. 1 in Mixmag's 2001 list of the "Top 100 Tunes of All Time," highlighting its almost unparalleled impact on the dance music landscape. To put it simply, Café Del Mar is a cultural phenomenon, encapsulating the spirit of an era and influencing generations of artists and fans alike.

Now this iconic track is being remixed by two of the most revered acts in electronic music, Orbital and Michael Mayer.

A key figure in Cologne's electronic scene, Michael Mayer co-founded the influential Kompakt label, contributing significantly to its direction and success. His discography includes seminal albums such as "Neuhouse" (1998), "Immer" (2002), and more recent works like "Higher" (2020) and "Connecting the Dots" (2021). Known for his meticulous remixes and collaborations with artists like Superpitcher and Kölsch, Mayer's work spans genres, touching on microhouse, experimental, and ambient techno. Beyond producing, Mayer's mix CDs, including contributions to the Fabric and DJ-Kicks series, highlight his broad musical taste and ability to curate pioneering sounds.

For his interpretation, Mayer leans into head spinning, hypnotic rhythms, with tribal drums and the patiently evolving lead line building towards a climax that is more subtle but no less effective. A near-perfect sunrise track for the payoff to all-night, al fresco summer raves.

Café Del Mar: Orbital & Michael Mayer Remixes

Café Del Mar (Michael Mayer Remix)

Energy 52 - Café Del Mar (Michael Mayer Remix)

To celebrate CHLOÉ & Lumière Noire Records' compilation, Prima Lux is excited to have Kike Am Radar on the series with a sinfully groovy mix. Enjoy!

Read more: https://whenwedip.com/2024/04/prima-lux-kike-am-radar/

Follow: @kikeamradar / @lumierenoirerecords

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT: youtube.com/user/whenwedip
FB: facebook.com/wwdofficial
IG: instagram.com/whenwedip/
TW: twitter.com/WhenWeDip

Prima Lux: Kike Am Radar

Iteration 5/6

A series of mixes curated by Ditian

x

Iteration 5/6 Mix

Two house remixes by legendary producers Musumeci and Massimiliano Pagliara reintepreting 'Egal' by Stevie R & Parisinios feat. Ellivia. 

follow @massimilianopagliara / @stevie-r / @parisinos / @sumoverhistoriesrecords

Premiere: Stevie R & Parisinos - Egal ft. Ellivia (Massimiliano Pagliara Remix) [Sum Over Histories]

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels. 
crédits
paraît le 7 juin 2019

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

[ESP084] Contrails

A1 - First Snow - SNIPPET

A2 - Pendant Qu'ils Dorment - SNIPPET

A3 - Ghetto Berlino - SNIPPET

B1 - Lonely Walk - SNIPPET

B2 - Vespa - SNIPPET

C1 - Love Is Not Enough - SNIPPET

Tamed Musiq // ESP Institute
bookings@ripperton.com
http://linktr.ee/ripperton

C1 - Love Is Not Enough - SNIPPET

ripperton

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