"No Convenient Apocalypse" by Pissed Jeans
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No Convenient Apocalypse

Pissed Jeans - No Convenient Apocalypse

all my "cats" are DEAD, push me to the edge!

The Hard Earth Hexology moves through pressure rather than release. Its songs are built around what people learn to hide—history, grief, complicity, desire for control—and the way those forces continue to act even when they are denied. The writing treats emotion as a physical condition: weight in the body, tension in the jaw, ground underfoot that refuses to shift. Rather than offering confession or resolution, the voice in these songs observes how systems of belief, authority, and intimacy operate quietly, often through tone, silence, and habit. What is suppressed does not disappear; it adapts, resurfaces, and follows. Memory behaves less like narrative and more like geology—layered, compacted, and capable of breaking through without warning.

Sonically, the album sits at the intersection of propulsion and restraint. Rhythmic drive borrowed from electronic music pushes forward while guitars carry grit, twang, and abrasion, grounding the sound in land, motion, and human friction. The genre blend is not decorative but structural: surf and psychobilly tension, blues and country endurance, and techno repetition all serve the same purpose—momentum under pressure. These songs are less about rebellion as spectacle than resistance as posture: staying upright, refusing erasure, and choosing rough edges over polish. The series does not argue or persuade. It stands, listens, and waits, trusting that what holds its shape long enough will eventually be felt.


Some Scars

Paint It Black - Womb Envy

Eidolon

Zdzislaw

Terras Fames

Harlequin

"Like the Oar Strikes the Water" from "Iron Will".

Grand Magus "Like the Oar Strikes the Water"

From our fourth studio album "What We All Come To Need" released on October 27, 2009 on Southern Lord Records.

Harlequin

Rishloo

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