ddddreamy

Never too Late
copyright Amae Love 2016 all rights resereved

coulda shoudla woulda, never did help me
i've cried i've denied but now i'm just tryin' to get healthy
my mind drive me crazy thinkin' of all that i could've done
what could have been waiting back when i was eighteen or twenty one

my voice it breaks in my throat i won't sing a note 
till i give up my hold on my fear and surrender
i die to my lies i run to the cries from my soul to remember 
that it's now or never..
but it's never too late,
 to make a break
to shake that the weight off and fly
so i do it for love
i do it for all that is sacred to me
cuz it's never too late
to change your fate
to give your dreams a new life
and it's never too late
to late to try

this life had seemed to through my fingers like grains of sand
got me lost in a dream till i finally woke up to who i am
there's so many talented people who never do get their shot
so there's no way that i'm gonna to give up till i give it all i've got

opportunities passed, that may never come back
did i step off my path, and get lost in confusion?
there's no way to know, now its time to let go,
just get on with the show and burn down the illusion

that it's ever too late to make a break
to shake that weight off and fly
so i do it for love
i do it for all that is sacred to me
cuz it's never too late
to change your fate
to give your dreams a new life
never too late
to late to try

well i'm tired of excuses, i've got only myself to blame
the truth is so elusive its useless, losing at my own game
still i get frustrated sometimes when i get caught up in my mind
i was born to be creative all i gotta do is let in the light 
and shine and shine and shine.....
and SHINE!
cuz it's never too, never too, never too late

never too late to make a break
to shake that weight off and fly
so just do it for love
do it for all that is sacred to you
cuz it's never too late
to change your fate
to give your dreams a new life
never too late
to late to FLY!!
oh no no no.....



Never Too Late

This is the master poet, Chances R Good, doin' his thing, sending love to water, the vital essence of life on Earth. This is from his epic, golden album, Earth Tones, which can be found @ www.chancesrgood.bandcamp.com  Aho Mitakuye Oyasin

Chances R Good ~Yanawana~ (a prayer for rain)

(prod.blue)

left way is regular, right way is unique
im scared dont know what to do

the left or the right i dont know what the hell to choose

you tell me, you tell me, you tell me

cause i dont know what the hell is going on
going on (yea)

is going on!

(yea)

no it dont make sense, make it make sense
a new life feels like the matrix

no it dont make sense, make it make sense
a new life feels like the matrix

left way is regular, right way is unique
im scared dont know what to do

the left or the right i dont know what the hell to choose

you tell me, you tell me, you tell me

cause i dont know what the hell is going on
going on (yea)

is going on!

(yea)

paralysis

We Will Be Heard

Lyrics Naima & Be Steady, arrangement Be Steady
original tracks produced by Be Steadwell additional recording Produced by Toshi Reagon

Can't Help But Fly

arrangement by Juliette Jones & Rachel Eckroth

Awakening

We wrote this song 4 years ago and its meaning is even more poignant. it's about the pending natural disaster of the Cascadian Subduction Zone shifting off the coast of Oregon and causing a catastrophic earthquake that could end us all in the NW. The world is currently overtaken by greed and money and natural disasters. As we wrote this song, we imagined a good hearted couple surviving the disaster, starting over from scratch and rebuilding their lives with their own 2 hands, and this time greed doesn't win, and a different world is born. It's interesting to hear this song so stripped down as just a duo, i think it's more about the story this way. ~ Laurie Shook

Shake

This is remix is an ode to all those hurt by the prison industrial system of the United States, and is dedicated towards transforming the "eye for an eye" retributive justice model towards a restorative justice model - one that strengthens, rather than fractures, communities. 

This remix is based off of two recordings: Rising Appalachia's "Spirit's Cradle" and a reading by the great, late poet Etheridge Knight. "Apology for Apostasy" was one of many poems that Knight wrote while incarcerated, which were originally published in the collection "Poems from Prison." His poems bear witness to the resiliency of the creative spirit. Leah Song, of Rising Appalachia, has been a long time advocate of criminal justice reform and is involved in projects that bring yoga, song and mindfulness into prisons. 

Resources:
"The 13th" - https://www.youtube.com/watch?v=X1yJsaFwqDM
The Prison Yoga Project - prisonyoga.org
Etheridge Knight - https://www.poetryfoundation.org/poets/etheridge-knight

Spirit's Cradle

Venus As a Boy - 800% Time Stretched

iTunes: https://itunes.apple.com/album/freediving-ii/1430698465
Google Play: https://play.google.com/store/music/album/Rhythm_of_Mankind_Nature_Freediving_II?id=B4pnsqjkl3yfla3mkh6ru3x5kee
Spotify: https://open.spotify.com/album/6QsyAAuqOGd644JN4d7yN2
Amazon: https://www.amazon.com/dp/B07GLPBM89/ref=ap_ws_tlw_alb5
Napster: https://ar.napster.com/artist/rhythm-of-mankind-and-nature/album/freediving-ii
Deezer: https://www.deezer.com/album/71066402
Tidal: https://tidal.com/browse/album/93789079
VK Music: https://vk.com/music?z=audio_playlist-2000423754_3423754/f6bbe051b57f8dea8c
Yandex Music: https://music.yandex.ru/album/5673997

        Much to the credit of its title, Freediving, the new album from Roman Pavlov aka Rhythm of Mankind & Nature is just that: an extended, placid, lilting descent from a more vertical vantage point into ever increasing layers of deep blue chill-out psychedelia.
 
        The foreign worlds Pavlov creates across the 71 minutes of Freediving’s fluid event horizon are both technically well-crafted and sonically pleasing, and taken as a whole comprise a hopeful, organic record that plays well both in the background and in your headphones.

        Allusions to water, the ocean, and the fluid movement of both mass and energy are likely to color most descriptions of the contents of Freediving, and not just given the album’s title and song names such as “In Pacific Ocean”, “Breathe Underwater”, and “Touch of Blue Light”. The music is as hazy as sea fog and as gently swelling as a far-off breaker seen through a pane of stained glass. Each track herein is a type of journey in itself (no song clocks at under 5:00), and best taken in a dimly yet warmly lit room. There are hints of a lot of things going on here, from the emotionally-charged electro-chill of Enigma and perhaps Bjork, to the ambient worlds of Robert Rich, Brian Eno and a host of ambient knob twiddlers, to the dreamier side of Moby and current chill-wave darlings Washed Out, and even some hints here and there of the luscious, dreamy melancholia that characterizes some of This Mortal Coil’s more ethereal work. Though there’s not any one influence that strongly comes to mind, and in keeping with the album’s general arc, notions and recollections tend to filter to the surface with a type of languid fluidity...  read more: http://romanmusic.ru

iTunes

The Cassiopeia

Remast

Synchronicity (remix by CASTANEA)

'Changelings’
b/w ‘I Wonder U’ / ‘Changelings (The Enormous Shadow remix)

Release Date: 8th November 2010
Label: SomethingNothing Records (Digital Only Release)

“a dream-like tableau evoking Bjork, The Dirty Projectors and Vienna’s Soap & Skin as well as (Fever Ray’s) sly gift for otherness. At times it plays like a surrealist nightmare, with teeth in all the wrong places. At times it’s softer than that. - The Quietus

“Completely mesmerising, ominous and beautiful. Gazelle Twin does bring to mind the dreamy vocal allure of Elizabeth Fraser (Cocteau Twins), the strange beauty of Fever Ray and the edgy seduction of Siouxsie Sioux. But the Exciting thing is that there is no one exactly like her." – Arwa Haider, Metro

Very rarely - and all the more striking and mysterious they are for it - an artist comes along who is just that: An artist with a capital ‘A’. Doing something so different and special it’s as if creativity, ideas and - in Gazelle Twin’s case - sheer magic is rising from their every pore and floating into the atmosphere.

For atmosphere is the key word here.  Gazelle Twin’s influences are as far-reaching as the rhythmic wonders of Prince (hence this b-side cover), the Terminator soundtrack, the early choral music of composer Carlo Gesualdo and a mythical creature named Loplop (from whom Gazelle Twin – aka Elizabeth Walling - borrows her astonishing shape shifting image when performing her mesmerising, dreamlike live sets). So with all of this in the melting pot that is Gazelle Twin’s visionary mind, it is of little wonder the music plays out like some surrealist dreamscape – evoking an almost erotic Twin Peaks-esque mood where the listening is simultaneously drawn in by it’s all encompassing otherworldly magnetism and unnerved by a creeping eeriness that’s almost claustrophobic. 

‘Changelings’ with its existential lyrics, dramatic symphonies and dark electronica seems the perfect introduction to Gazelle Twin. The accompanying video is, produced and directed by Gazelle Twin, and featuring an abstract world of shifting storms and changing faces. All adding a chilly, surrealist underbelly to a track already hauntingly beautiful. 

‘Changelings’ is released on 8th November on Brighton label SomethingNothing Records. The single’s b-sides come in form of an abstract cover of Prince’s ‘I Wonder U’ and a remix of ‘Changelings’ by electro renegade The Enormous Shadow.

Gazelle Twin releases a second single in February, with the debut album ‘The Entire City’ set for release in Spring 2011. 

Info:
http://www.myspace.com/gazelletwin
http://www.gazelletwin.com/
http://iamshelliambone.wordpress.com/
http://www.vimeo.com/gazelletwin


Gazelle Twin -  Changelings

Slowed version of Purple Cloud-Fairy Spring.

Purple Cloud - Fairy Spring (slowed)

La Voz

A crew of us came together for a project called Tap the flow 24 to raise money for clean water for a Native tribe. We made a song and video all in 24 hours. We decided to re-release the song to raise more money for Natives affected by covid 19. You can donate at our bandcamp site or stream on spotify to support the project.
* Album art by Autumn Skye
  (autumnskyeart.com)

Grateful Within Our Hearts ft. Wakan Waci Blindman, RA-BE 333, Kat Factor & Gordon Hellegers

Sisters Leah and Chloe Smith founded Rising Appalachia on their back porch in Georgia, playing simple fiddle and banjo melodies and leaning into their families rich musical traditions. It has since become a globally recognized Americana and world folk ensemble, celebrating a unique blend of Southern-rooted music, storytelling, and community. The band features David Brown (bass, guitar), Duncan Wickel (fiddle, cello), and Biko Casini (percussion), and infuses music with a unique tapestry of Appalachian, Irish and traditional influence but stays connected to simple songwriting. Rising Appalachia has captivated audiences for nearly 2 decades, from busking in New Orleans to touring Europe, and has been featured at prestigious venues like Red Rocks, Telluride Bluegrass Festival and Woodford Folk Fest. Their performances at NPR's Tiny Desk and Preservation Jazz Hall have solidified their status in the folk music scene. Breaking industry norms, the band's approach to music is as much an artistic statement as it is a movement, culminating in their newest album, 'Folk and Anchor' a carefully curated collection of cover songs. This project includes remakes from Bob Dylan to James Blake, Erykah Badu to Beyonce and showcases their eclectic style, inviting listeners into a rich musical journey.

Synchronicity (remix by CASTANEA)

Rising Appalachia

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