Love this edit guys-could we get a wav to play out though pls?
Thanks 
Paulie

This is amazing. Please can you enable to DL button please?

Please please please please please please please please please. I will never give up - I love it that much! DL link please? Show mercy...

International Music System 'Run Away (Risky Disco Edit)'

un new beat instrumental para el corazón de Belgica

Compuesta por Danubio De Campos Rosado
Dudelange 2025®

Lovaina 1989

Vinyl Dreams

The Groove

Goschan Centre

Bien avant la téléréalité, Lee Harvey Oswald avait compris comment passer à la télé pour gagner rapidement en notoriété.
Ce morceau ainsi que sa face B, ne sont jamais sortis. On a voulu nous faire taire.

Lee Harvey Oswald (Zaza Dance Remix)

Frankfurt based producer dj/producer Martin Heimann presents his debut single “Salto” on Carry On. Remaining faithful to its name, the small label puts out another piece of limited wax every once in a long while. Enrooted  in  the  soundscapes  of  80's  proto-house,  the original  version  of  Salto  is  a thriving  piece  of  octave  liberation.  Consistent  changes  between  harmonics  break  up  the repetitive structure, while FM pads and the 303 are performing a little duet.
The release is ennobled by two proper remixes from LYO favorites Moon B and Jex Opolis ! Jex remix here featured comes with some embellishment to the cords, change in the bassline and a nice 808 snap. On top Mr Opolis adds some mysterious and cheesy vocals samples that match perfect with the moody 80's orchestral stabs, dope ! Expected for end march

PREMIERE : Martin Heimann - Salto (Jex Opolis Remix)

Suzanne Kraft's ambient LP "Talk From Home" and his EP released as Dude Energy were definitely some of 2015's highlights. The LA producer returns this month with the "DJ Safety" EP released via Stuttgart label Kitjen, who had previously welcomed Hotel Lauer, Tambien and Shit Robot. This time Diego Herrera offers three beautifully crafted house jams, including the phlegmatic Japanese-inspired "Skype". As usual with Suzanne Kraft, the production is flawless : a steady beat, a mesmeric bass line, dreamy pads, a clever use of the delay, Herrera knows how to tell a story. Mind-blowing and already essential, out on March 28th !

PREMIERE : Suzanne Kraft - Skype

The Violet Hour is the exclusive project of Panorama Bar resident Massimiliano Pagliara and Michael Greene aka Fort Romeau, for Berlin imprint Cocktail d’Amore. 
One Morning In The Future takes over the A side. A total dancefloor pleaser. Treating us with Chicago house-inspired drums and that kind of cosmic pads that make any seasoned raver jump and kiss a nearby stranger. The intensity never stops growing - with new melodic strings appearing unexpectedly, projecting the track to the rings of Saturn.
An involving italo-classic bassline characterizes Ultraviolet, together with an explosive layering of synthy melodies. The B2 Prisoner Of Love is a seductive dialogue between synthesizers and classic piano, resulting in a comforting, romantic piece of cosmic disco. These two tracks illuminate feelings of looking at a violet sky, but with different attitudes: the first pushes into the unknown looking for a happy ending, while the second is nostalgic and tender.
The Violet Hour is an evergreen example of contemporary man-machine lovemaking.

B1 - Ultraviolet

Lauer - 'Miamisync'

In late 2016, Thomas Gandey and Danny McLewin — known from the popular disco-influenced electronic music collective Psychemagik — emerged from their studio in London, England, claiming to have produced an extended musical arrangement, both entitled, and containing the sounds of, shakuhachi. Furthermore, they insisted, for the purposes of this production, and a further album of related arrangements to be released subsequently in conjunction with the successful German record label Kompakt, they should be referred to henceforth as Ghost Vision.

Shortly thereafter, the audio recordings described by Gandey and McLewin came into the possession of noted Los Angeles degenerate, DJ and nymphomaniac* (citation needed) Dirty Dave, who was quick to relay the hallucinatory qualities of the duo’s productions to fellow DJ and trusted hallucinogenic expert Paramida, of esteemed German musical imprint Love On The Rocks.

Paramida, recognising the innate quality of the sounds presented to her, decided that such recordings warranted immediate release through her audio distribution channel, and not without remixes. Quite without thinking of the Eastern origins of the instrument which had given the recording certain sonic distinguishments, and of course, its title, she enlisted the help of two musicians named Alex — one from Tokyo, and one from Kyoto.

Both Alex From Tokyo — the acclaimed producer of electronic sounds known for his prior releases on popular German label Innervisions — and his counterpart, Alex from Kyoto, better known as Al Kassian, rising Tamagotchi on Paramida’s Love On The Rocks imprint and his own label, Planet Sundae — turned in striking reinterpretations of Gandey and McLewin’s composition. It was reported that upon their arrival and first listening at Love On The Rocks headquarters, wild dancing broke out almost immediately and did not stop for 36 hours.

The resulting package of stereo recordings was finally released for public broadcast and manipulation by disc jockeys in early 2018, to much rejoicing, from England to LA, throughout Europe and Japan. It marked the first release for the label in their fourth year of operation, during which there is much more to come.

信じない者には魔法なんて見つからない。

International Music System 'Run Away (Risky Disco Edit)'

Risky Disco

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