High-energy, cinematic, Electro-desi, club bangers, rave, punjabi vocals, Hindi, borderless, glitchy, celebration vibes.

MAYBE IT’S THE TEA (Original Edit)

High-energy, EDM, dark, atmospheric, spirit animal, rave— HYPERPOP MAXIMALISM by R!SKYNEAT.

QUOTH THE RAVER (Original Edit)

Dark electro, synth-driven, dark mood, mortality, atmospheric, outrun, driving beat, Salvador Dalí, hypnotic vibes.

MORTAL CLOCKS

EDM, high-energy, rave, live sets, cinematic, industrial, music industry, social media, news, Instagram, smart phones, tech detox, horror-core.

KILL THE PHONE (Bigroom Edit)

EDM, rave, high energy, x-core, glam core, male vocal, glitched, metaphorical, double entendres, ice cream.

CONE PLAY (R!SKY REMIX)

EDM, rave, high-energy, travel, jet-set, closing parties, Ibiza, hypnotic, tripping, clubland culture.

CLOSING CALL (R!SKY REMIX)

EDM, scratch, glitch, turntablism, syrup, screw, hip-hop, dirty south, Miami, Scarface, cinematic.

GOSSIP TOXIC (Original Edit)

Hypnotic, ambient, glitch, techno, rave, industrial, Dolby Atmos, atmospheric, underground, icy, sleek, 007, James Bond #movies #soundtrack

SERUM OF TRUTH (Original Edit)

#hiphop #underground #backspin #rap #freestyle #disstrack #timbaland #tata #tatataktumi #ai

R!SKYNEAT VS THE TATA MACHINE

#party #rave #dance #clublife #dj #houseparty #live #events

BODY KNOWS (Original Edit)

#futurebass #trap #past #edm #vegas #detox #LV #rave #clublife #clubmusic #houseparty #partymusic

PAST GO (Original Edit)

R!SKYNEAT™ |Songwriter•Composer•Producer| immersive borderless sound from the underground — defiant vibes defined by sonic excess, visual distortion, chaotic appeal and internet-native identity— where everything goes HAM. Glitch aesthetics (“CONE PLAY”), reverb on max (“UNDERNEATH”), raw emotion (“KNEW THE RULES”), jet set chic (“CLOSING CALL”) and fashion memecore (“SHE GO SUMO”) collide in a space where irony (“HOW DEEP IS YOUR POP”), sincerity (“SUNRISE SETS”), spaced-out(“ELEMENTS OF STONE PT I”), and absurdity (“ON THE CASE”) are stitched together like bootleg couture for the masses in multiple spoken languages: French (LU), English (MIA), German (LU/AT) (“NULLER IM GASSL”), Spanish (MIA/ESP), or why not…even Bajan Creole (“TOP-TOP SHELF”).

The futuristic sound is genre-hybrid rave (“QUOTH THE RAVEN”) and overstimulated: part club meltdown (“TOTAL CARNAGE TV”), part pop theatre (“S-O-R-R-Y”), dripping in diamond-static (“DRIVER’S SEAT”) and champagne-glitch (“SUPER NEAT-O”). Each track is encoded with layered references and double entendres (“ALLEZ CROCO”) — deep-cut nostalgia (“THE WORLD, CHICO”), diss track bars (“RISKY VS THE TATA MACHINE”), heartbreaks (“MADISON AV.”) (“ALGÙN TIPO DE AMOR”), and pop culture tributes (“JUST ASK BOBBY”/ “ROBBI FABBI”).

Beneath the shimmer is a sense of digital déjà vu — fragments of memory (“DIAL-UP LOVER”) and culture (“MAYBE IT’S THE TEA”) looping back in distorted forms. More than music, it’s an operatic performance (“ELEMENTS OF ABYSS PT 2”), built for the hyper-connected era: loud, layered, and too much on purpose. MORE is MORE…


© RISKYNEAT 2025. All rights reserved.
Unauthorized duplication, distribution, or use of these recordings or any portion thereof is strictly prohibited. These compositions and sound recordings are protected under international copyright law.

QUOTH THE RAVER (Original Edit)

RISKYNEAT™