Very fitting name for this cool ambient track!

Single from the new album by Zelienople frontman, Matt Christensen called "Constant Green" (June 18th, Miasmah / 300xColoured vinyl). 

As Matt himself describes: " I Had A Vision That I Could Move Anywhere" is  about how much fear does, or doesn't play in our limitations or unwillingness to do things. What is chemistry, genes and fate, and what is choice (if there is any)? In other words, this is a fantasy about free will."

Constant Green

Matt Christensen - I Had A Vision That I Could Move Anywhere

GRFTPS009
@carlos-ferreira-sounds & @almanacs - La Deriva
PRE-ORDER > limited edition cassette / digital - now on bandcamp
https://giraffetapes.bandcamp.com/album/la-deriva

video for "Isabel, no llores" - www.youtube.com/watch?v=op6WMKomMtQ&t=16s

La Deriva

B3. Carlos Ferreira & Almanacs - Isabel, No Llores [GRFTPS009]

chengdu

B1. Earthen Sea - Spectral Sky

Alaban

"Laminar Flow" is the opening track of "Palimpsest", the debut album of the trio Shentov, Simitchiev, Lukanov due via Amek Collective on July 4 on tape & digital. Mastered by Marius Costache (Studio 148). Artwork by Silvana Ilieva.

On July 1 Shentov, Simitchiev, Lukanov will be playing КРИК 07 Festival in Museum for Contemporary Art Skopje, Macedonia. RSVP here: https://www.facebook.com/events/850408722586430/

Palimpsest

Shentov, Simitchiev, Lukanov - Laminar Flow

Just A heads Up, Something That Was Planned Last Year Turned UP, Today
Legiac - Banisteriopsis Caapi

Its A mega Stunning Vinyl In Sound And Looks, Each One Comes With Download Card

art by me, cover edit by moiCflo
artwork is here :
www.instagram.com/p/CZXkozAgHzL/

100 through Touched Music (UK)
touched.bandcamp.com/merch/legiac-b…-touched-music
The other 100 through Phainomena ( clone.nl)
clone.nl/item72184.html
Digital will be available on my Bandcamp and all other outlets later
roelfuncken.bandcamp.com/album/banist…iopsis-caapi

Official release will be the 24th of April 2023

For more than twenty years, Roel Funcken has been a cornerstone in electronic experimentation. Alongside his brother Don, this Dutch sound sculptor melted hip-hop, industrial and soundscapes under monikers like Funckarma and Shadow Huntaz. A prolific solo musician and collaborator as well, Funcken teams up with Cor Bolten to revive the Legiac project with the eight tracks of Banisteriopsis Caapi. Keys appear through a sorrowful haze in "Mimosa Hostilis", this machined mist difussing as distorted strings penetrate before a dawning of icy brightness. Modulated forms and shapes billow in the bubble and trill of "Pyschotria Viridis" before the orbiting interference and introspection of "Epicatechine." Percussion is reduced to a texture, the duo finding structure in droplets of water, the stretch of steel and a litany of field recordings. The partnership dive deep into their chosen sounds, elongating and expanding tones to find harmony in the absence and isol ation that is their focus. Pieces like "Solanaceae" bristle with an understated elegance, like starlight piercing a brooding night sky, while "Banisteriopsis Caapi" finds an eerie solace in its repurposing of voice as an undulating elegy. Legiac achieve a distant intimacy with their listener, a relationship forged through complex compositions, gentle movements and subtle shifts.

Proanthocyanidine by Legiac

this is a very similar patch as Untitled VI, except that now there are three voices instead of one: SMR, piston honda (which is also in the rosie efx loop from time to time, which is a bad habit/crutch that i lean on way too often) and e350. SMR is droning and fluttering into clouds, while the piston honda and e350 are both hitting an optomix before going into rings for some reverb. there is also a field recording churning in the background inside the disting, which i am randomly and manually controlling the playback speed on. 

i could listen to this for hours (and did)

Untitled VII

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Alpha

ritaleite

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