Tearing through familiar highways. Diodes piercing like starlight. Impulse engines at maximum. SKUFF’s hands clutch the controls. G-forces pull at the chassis with each turn. A new consciousness has infiltrated the rave at the end of the world.

Fused cybernetics with pumping rhythm. Burning through limiters, engine lines glowing - molten red. Music, Ravers, and Pilot. Keeping pace with light until it's overtaken. Matter folds and collapses. Warping space-time and sound. ​​The human form no longer seems to be sufficient. With every beat we grow more machine-like. With every break we crave singularity.

////// Meltdown \\\

[01] desire.
Pure XTC floods our mind. Stomping kicks lead us further and further down the spiral.
Desire for a new constitution of boundaries between organism and machine becomes unbearable.

[02] simulation.
All systems go. Simulating
accelerated economic conditions.
This is anti-humanism.
Digital annihilation of anything organic.

[03] dysfunction.
[][][][][][][][][][][][][][][][][][][][][][][][][][][][]
r̸͉̓è̴͍p̸̮͘l̵̤͗ĩ̴̓c̷̽̔ǎ̷̋ț̴̃e̴͛̕d̸̜̈ ̴͉͘o̷̒͋ṕ̵͚t̸̆͋ḯ̵̖m̶̩̆i̵̽̈s̷͈̓m̶̈̓ ̴̓͒-̷̀͝ ̷͑͊ä̷̖́ ̴̉̇ǵ̶̪l̷̓̽ï̴̙t̶͍͂c̴̥̕h̷̫̀ ̵͂͝ǐ̸̔n̴̛̓ ̶̔̀t̶͐́h̷̿͜e̷͛͝ ̸̛͓s̵̅̊y̴̡̍s̷̛͔t̶͋͗e̸̽̓ḿ̷̖ ̷̀͝


As each bass drum breaks another layer of cognition we reach singularity. X = 1^n
Time shifts in nonlinear directions; each binary becomes an infinity; the fourth and fifth dimension: perceivable.

finally
we are free.  

Music by EraTek
Mastered by EraTek
Album cover by Bruno Lauzon Tanzi
Character illustration by Sora Park

D.S.D.

Outpost 7

EraTek - Outpost 7

Jungle 93 - 97

Riteskeeper I

Please Stop Killing me

Pharakami Sanders - Jolten

@user-562803650

Flewid Out Now!

noumenalloom.bandcamp.com/album/flewid

Flewid

Lasus - Craters

A live set from Noise Traffic event at Free Art Space in Helsinki, 14th of January 2023.
----
Abstract SuperCollider sound synthesis
---

Live at Noise Traffic

Nondi_  - Dusk Mecha 2hrs

meghívtakk játszani a kedvenc money-ék

ezeket raktam,
trekk lista: 
80dekk a csengeryben 00:00
expooz 01:58
simpx pattogtatások 02:09
zwutyzwuty mixxtakes 06:00 - 13:00
vuvu amped slo st 13:00
koboldlegenda 24:00
ryuradio 27:53
new recording 49 2018 30:35
áppp (3) 36:28
áppp (6) 38:24
áppp (3) 39:00
mixtake 08 44:00
szodomi : o==}{:::::::::›  46:45
new recording 16 52:00
könyvtárrr 54:00

Ryu Mare - Nappali Pénz - Naplementés Guest Mix 2023

Made this track with ableton and love! ENJOY

MELOPHOBIA - SYR3N

PRV-01
V/A "PRIMORDIAL CHAOS"
CS/Digital
Released Aug. 3rd 2018

Massive debut compilation release collecting 20 electronic and live recorded works, featuring Jeff Witscher, Gobby, HKE, Olan Monk, Mukqs, Lockbox, Sentient Gyre, Terribilis, Oxhy, Emamouse, LXV, Theodore Cale Schafer, Angelo Harmsworth, M/M, Waterhouse, Constellation Botsu, Yolichika, Kazumichi Komatsu, Snakepiss, and Modelock & EMBASSY.

Artwork by White Goblin

Buy: https://primordialvoid.bandcamp.com/album/primordial-chaos

16 waterhouse - c.phon

Amnesia Scanner & Bill Kouligas
Format: LP / Digital
Cat.No: PAN 83
Release Date: 5 April 2019
Buy: https://bit.ly/2OMcSsJ / https://bit.ly/2UivhmG

Lexachast is an ongoing collaborative work by Amnesia Scanner, Bill Kouligas & Harm van den Dorpel.

Initially birthed as a joint, improvised performance between Amnesia Scanner and Kouligas at the ICA, London in 2015, it was later recreated and extended with visual artist van den Dorpel into a 15-minute online-only audiovisual work – known simply as Lexachast.

Since then, it has expanded into a live show that has been performed at Transmediale, CTM Festival, Unsound Krakow & Adelaide, Next and LEV Festival and during Paris Fashion Week in collaboration with the brand Ottolinger. Now to be released on PAN, is a new document of Lexachast in its current, full-grown form.

Whilst broadly inspired by the experience derived from and exposure to algorithmic patterns as generated by visual artist Harm van den Dorpel’s specially-devised program, the work is a sonic reference to the fallouts of avant-EDM and cyberdrone. This in turn is simultaneously mirrored by the perturbing visuals, created by a unique algorithm that sources and blends various filtered imagery from DeviantArt and Flickr in real time – with a bias towards the NSFW, extreme banality, and ornamental melancholia. The results were a perfect fit for the deliberate intention of non-intent, an anti-video of sorts, which ended up as a defining element for the project.

The artwork is created with Harm van den Dorpel’s ever-evolving, image-sourcing algorithm and it is mastered by Rashad Becker at D&M, Berlin

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