vibes

Barda - Abrazo

BUY REMIX ALBUM!

Lucid In Fjords (Chancha Via Circuito remix)

Techno edit von Rus - pull the trigger 

Gönnt euch 😘

Pull the Trigger (M4X edit)

Anamnesis: By definition the word means a collection or remembrance of the past, reminiscence and for us, the word encloses as well our wish to create fresh memories based in our sonorous DNA and in the mysticism that floats in the air deep in the jungle. 

Music byhttps://soundcloud.com/nillocr andhttps://soundcloud.com/nochi

Nillo & Nochi - Anamnesis (Tropical Twista Records - 2017)

03 - Nillo & Nochi - Canto a la montaña de Fuego

Free Download

03 - Nillo & Nochi - Canto A La Montaña De Fuego

CANOA AMARU
Mixtape recorded in Sintra Mountains, at Casarão da Lua, FreeHousePROJECTS-June 2017.

TRACK ID LIST:
01:Indio Toba - Rodrigo Gallardo(Gallardo edit)(@gallardomusica)
02:Mosaico De Bunde -Grupo Bahía (Mr. Toé Edit.) (@mr-to)
03:Los Pastores - William Centellas vs. Chancha Via Circuito  (@ChanchaviaCircuito)
04:Grupo Andino de Oruro - Canto A Mi Alma (El Búho Edit)(@el-buho)
05:Ticuna - Samarana (@Samarana)
06:Macaco - Novalima (Jeremy Sole Remix)(@JeremySole)
07:Super Moon - Lascivio Bohemia (@LascivioBohemia)
08:La Memoria Del Viento - Lagartijeando (@Lagartijeando)
09:Ay Curura - Cacique Jaguar (@CaciqueJaguar)
10:Cumbia Al Atardecer - Tribilin Sound (@TribilinSound)
11:Puente Roto - Nicola Cruz (Quantic Remix) (@NicolaCruz)
12:La Paz En El Surco - Cacique Jaguar (Cholquij)(@canal-dub)
13:Antofagasta de la Sierra - Lagartijeando(El Búho's Diurnal Remix)
14:Os Tincoãs - Obaluaê (Lagartijeando Remix) (@Lagartijeando)
15:Na Rúa - Barrio Lindo (Feat. Carrot Green) (@BarrioLindo)
16:Ufordia - Berimbau (Peter Power Edit)(@peter-power)

.-Pamparious-.

Mixtape // CANOA AMARU // Serra Sunset - Casarão da Lua

A beautiful and colorful journey through space and time and moods and moments.  
Tracklist:
1 Fabiano Do Nascimento - Louva-A-Deus "Mantis"
2 Fabiano Do Nascimento - Já Que Tú
3 Tor - Aura Lore
4 Agua De Estrellas - Bachan Kaur (Lagartijeando Remix)
5 Saint – Mayrig
6 Populous - Azul Oro (feat. Ela Minus)
7 San Ignacio - Sudestada (con Rumbo Tumba)
8 Arts The Beatdoctor - Revolve (ft Esther)
9 Issa Bagayogo - Toroya (Perspectiv Edit)
10 PrΛ.Λ.H - Chamada (Trippin Jaguar Remix)
11 San Ignacio - En Otro Orden de Cosas (Raimundo Ongaro, Bs as 8)
12 Kilchhofer – Suckfuell
13 Cero39 - Boni meloni
14 Populous - "Cru" feat. Nina Miranda
15 Saint - Staanhi

El Silencio Entre Mundos //  Mixtape

Viagem pelos Ritmos Cholulteka (onefaceofCANOA) e Tropicaustica, simbioses ritmicas a aquecer para a 10a Festa da Diversidade, em Lisboa.

TROPICAUSTICA
Somos um projeto de DJing que parte de uma pesquisa sobre a música e a dança de origem sul-americana e africana, com enfoque em períodos históricos marcados por reivindicações identitárias das comunidades e gerações de origem africana. Denunciando a escravatura. Queremos oferecer palestras e bailes ao som dos pratos, olhando para a música e a dança como formas de afirmação e intercâmbio cultural. Propomos um olhar que atravesse o fenómeno musical com questões que se relacionam com a história, com os encontros e com a circulação e a afirmação identitária das culturas mais tropicais em crescimento nos grandes centro urbanos por todo o Mundo.
https://www.mixcloud.com/TROPICAUSTICA/

Mixtape // Tropicaustica Cholulteka Clash

Africa-Brasil é uma viagem que vai dos ghettos da farófa carioca aos becos de uma africa que dança.

Africa-Brasil

@birdzzie ~ Portugal.

It’s such a pleasure to introduce the 1st Portuguese artist to the series, and what better way to celebrate than a mixtape by BirdZzie. You see, a producer and dj who has been reached by labels like Voodoohop, Tropical Twista and Casa Caos must have good stories to tell.

His tale for ecos del mundo lets us visit ethereal places and states of mind, shifting our mood for the better. The quality of a mix being eclectic is something we always look forward to.

So, have a pleasantly dreamlike journey.

Amor.

https://soundcloud.com/birdzzie
https://www.facebook.com/BirdzZie/
https://soundcloud.com/tropicaltwistarecords
https://soundcloud.com/voodoohop

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For two millennia, the Olmec civilization lay forgotten beneath the jungles of Veracruz and the ruins of subsequent Mesoamerican cities. 

One early theme that was identified, was the half-man half-jaguar form known as the “Were-Jaguar”. The “Were-Jaguar” is most easily identified by its human-like form combined with a down-turned mouth, an elongated feline snout and a cleft head, which features an “X” shaped cross in its right eye, which is a common glyph in Olmec art. 

The meaning of the “X” is not entirely clear, as it is used in many different contexts and research hasn’t settled on a single meaning. Here it would seem most obvious that it symbolizes blindness or death of the eye. 

However, it could mean the complete opposite, for the “X” is often seen on the attire of the Were-Jaguar and other deities, where it is believed to symbolize the underworld2. With the jaguar having been revered for its nocturnal prowess, it may be that the “X” signifies the ability to see in the darkness of the underworld.

ecos del mundo 072 | BirdZzie

Todos indios é uma viagem sonora aos ritmos tribais latino americanos e um encontro entre varias tribos.

Todos-Índios

A few months back @stas_from_liasufam shared a selection of unreleased tracks with us that blew us away and we couldn't not release something. Hence we are really happy to present two floral, melodic, short and sharp tracks for Botanas number 11. 

Stas is a Budapest based producer who is also head-honcho at Bablyon Records (www.babylonrec.com) and his music is a striking original mix of African, Middle-Eastern, Asian and South-American tribal rhythms, instrumentation and articulation with contemporary electronic music. He also organises the BWOLA tropical bass parties in Budapest. 

soundcloud.com/stas_from_liasufam 
www.facebook.com/StasMusic 
www.instagram.com/stas_from_babylon/
credits

Download

Pétalos

Vinyl/Download/Stream: https://mateokingman.lnk.to/astro

MATEO KINGMAN PRESENTS HIS SECOND ALBUM, ASTRO 

Mateo Kingman conceives of his second album Astro as a cure for the healthy. It’s a journey across the constellation of the snake, a journey at once earthly and cosmic. The poetic text expressed with a multiplicity of vocal timbres drives the musical journey, starting with the decision to face up to our demons, passing through a deep sense of vertigo and sacred healings, to return us to ourselves, reconciled and grateful. 

Musically, Astro expresses an intense investigation, tying together different threads: contemporary urban song (trap, hip hop, and elements of electronic music), traditional Latin American melodies influenced by shamanic icaro chants, and the emphasis on synthesizers, resulting in a new, hypnotic kind of sound.  

The journey begins with “Umbral”, its introduction reminiscent of a prayer, a representation of the moment when we understand we need help. With each song we go further into the meaning of this introspective journey. “Puerta de Sal” is an invitation to let ourselves go, embrace the absence of control and take a leap of faith into the unknown. “Último Aliento”, made in collaboration with Gustavo Santaolalla, speaks of the acceptance of death as an indispensablepart of life. “Religar”, the first single from the record, is about reconciliation, the possibility of returning to oneself after the disintegration of the self. The journey ends with “Astro”, which gives its name to the album, and represents the learning we carry with us after a spiritual journey. 

In a world in which we increasingly need more stimuli and approval from the outside, Astro invites us to take a look inside and explore all the aspects of the self, from the darkest to the lightest. On this record, Mateo Kingman shows a strong point of view as the author, although he moves away from the sounds and themes with which he made his name, daring to mix current trends, urban rhythms and vocal experiments, forming a constellation through which we can all travel, showing a clear personal and musical evolution. 

Music composed, arranged and recorded by Mateo Kingman and Ivis Flies in Quito, Ecuador, except for "Lucero” which contains an adaptation of "Tonada de Ordeño", from Antonio Estévez. In honor of Simón Díaz.

Collaborations by Gustavo Santaolalla, voice, ronrocos and bass in "Último Aliento"; Toño Cepeda, arrangements in "Último Aliento"; Andrés Benavides, bombo tradicional, vocal sampling in "Religar" and hi hat in "Puerta de sal"; Daniel Pasquel, synths design in "Astro"; Ernesto Karolys, synths design in "Umbral"; Isaac Zeas, guitar in "Último aliento" and "Lucero"; Jesús Bonilla, harp in "Tejidos"; Diego Alberto Martinez, arrangements in "Umbral"; Martin Flies, hi hat programming in "Religar"; Nicolás Dávila, kick replacement and sub low bass in "Religar". 

Recorded by Ivis Flies; additional recordings by Daniel Pasquel, Renato Arias, Omar Miranda; Daniel Amores, production assistant; Remy Laurençon, Mix; Antoine "Chab" Chabert Mastering 

Executive Production: Alvaro Almeida.

Art: Panic Study; Concept: Maria Emilia Jaramillo & Mateo Kingman.

Copyright AYA Records 2019

Mateo Kingman https://www.mateokingman.com/
Spotify https://open.spotify.com/artist/223se9o877Y4jHzwlDcGNx 
Facebook https://www.facebook.com/mateokingmanoficial/ 
Instagram https://www.instagram.com/mateo_kingman/ 
Twitter https://twitter.com/MateoKingman 
Bandcamp https://mateokingman.bandcamp.com 
SoundCloud https://soundcloud.com/mateokingman 

AYA Records http://ayarecords.net 
Instagram https://www.instagram.com/ayarecords/ 
Twitter https://twitter.com/ayarecords 
Facebook https://www.facebook.com/AYARecordsLatAm/ 
Bandcamp https://ayarecords.bandcamp.com 
YouTube https://www.youtube.com/channel/UCLxE2uBJBkRAWsRYaNRzlAg 
Merch https://ayarecords.bandcamp.com/merch

Astro

Mateo Kingman - Umbral

JT (La Visión del Vacío) Designers 19

Vinyl/Download/Stream: ghettokumbe.lnk.to/album

Ghetto Kumbé: welcome to the ritual of drums.

Raised on Colombia’s Caribbean coast and united by its capital, Bogota, Ghetto Kumbé combines the rich musical heritage of their home, to invoke the spirit of digital rumba in audiences all over the world. The secret behind their irresistible electronic ritual lies in their powerful percussion base; Caribbean house beats and traditional Afro-Colombian rhythms inherited from West Africa. The album’s co-producer, The Busy Twist, adds all the legacy of UK’s Bass scene to the Afro-futuristic sounds of the 3 Colombians.

Inspired by the different revolutionary movements emerging all over the world, Ghetto Kumbé will release their first full-length album in July 2020 on pioneering Latin American electronic label ZZK. Their self-titled debut is visceral, committed, and rebellious, denouncing through frantic rhythms the inequalities and abuses imposed by corrupt governments, while simultaneously enticing listeners to join in the fight. Dance mingles with awareness to create a global community, where family, friends, and strangers come together through our shared love of music and activate change amongst themselves.

Using musical motifs from Africa and Colombia’s Caribbean coast such as the gaita, call-and-response vocals, and an array of hand drums and rhythms, coupled with the elegant electronic production of Tech/House, Ghetto Kumbé creates an Afro-futurist soundscape with lyrics to motivate, elevate, and inspire.  Their first single to come out, ‘Vamo a Dale Duro’, is a fluorescent criticism of the unjust divide between the poor and the rich, the rising prominence of dirty politicians, and the ethics of the capitalist system while encouraging people to stand up and fight for a dignified existence. The album’s tone fluctuates fluidly between tracks that include ancestral chants, voices both deep and resounding, and anthems to uplift and inspire, as well as features by up-and-coming Réunion island artist Melanie and the Palenque-based folk/hip-hop band Kombilesa Mi.

In the Americas, Ghetto Kumbé has become one of the most important alternative groups to come out of Colombia. They’ve played Barranquilla’s world famous Carnival, Bogotá’s recent Boiler Room, and have even opened for Radiohead. The ancient yet modern sound of the three powerful musicians has made them a legitimate representative of the new Afro-House scene burgeoning all over the world.

Ghetto Kumbé

Ghetto Kumbé

Ghetto Kumbé - Intro

Recorded for Chineurs Des Origines in April 2018.

CDO 015 - MERCREDI RECORDS (2018/04/11)

Ritmos Cholulteka/ C-A-N-O-A

RITMOS CHOLULTEKA aka BRUNO SIN MÁS (DJ & Photographer) based in Lisbon. One of the pioneers of the “nights of cumbia and Latin American music” in the Portuguese capital. Creator of "Movimiento Cumbiero" a movement to unify Latin American residents in the city from 2013.

Founder of NAHUEL COLECTIVO, with the purpose of spreading Latin American culture in Portugal and co-founder of the TROPIKAOZ project.  Currently producer and curator of the BALKAN VS CUMBIA monthly party at TITANIC SUR MER (Lisbon).

Bruno Zayas comes from what was once a small rural town in Mexico and formerly a native civilization (Cholula). The mixture of native roots with popular sentiments has always been very influential in the musical journey and "bailanguero" (dance journey). Giving the result to intervene with the audience with a mixture of these two roots, to fill them with CUMBIA in heart and soul, but with the detail of amplifying dance and pleasure with electronic, Balkan or African sounds. The objective is to go around the world dancing to the rhythm of interculturality.
The DJ sets have a deep and lively energy mixed with Mexican pre-Hispanic instruments and accompanied by native visuals.

Throughout the process Rhythms Cholulteka has shared the stage in festivals and local partys  with national and international artists as Largatijeando, Kurup, Ohxalá, Venga Venga, Manu Chau, Rafael Aragon, R Vicenzo, Cigarra, Birdzzie, Matu and Pandilla, Shantel, Balkumbia, Tremenda Jauria and many more ... 




Proviene de lo que fue un pequeño pueblo rural de México y antiguamente una civilización nativa (Cholula). La mezcla de la raíz autóctona con los sentimientos populares siempre fue muy influyente en el transcurso musical y “bailanguero”. Dando el resultado de querer intervenir ante el público con una mezcla de estas dos raices para llenarlos de CUMBIA en alma y corazón, pero con el detalle de amplificar el baile y la gozadera con beats electronicos, balcánicos o africanos. El punto sabroso es, darle la vuelta al mundo echando un baile al ritmo de la interculturalidad.

Mixtape // Tropicaustica Cholulteka Clash

Ritmos Cholulteka

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