I love how deep these sounds are. I can even feel the bass resonating in my throat. Just crazy amazing!

just heard you on radio 6 nicely done, great sounds!

MY WEBSITE: https://ramoninc.xyz
LISTEN ON STREAMING PLATFORMS: https://push.fm/fl/when-you-die

┈┈┈┈┈┈┈✦✧✦┈┈┈┈┈┈┈

"When You Die" is a melancholic dive into the ruins of memory. On this album, Ramon Inc. explores the weight of nostalgia, longing, and regret—the ghosts of bad decisions, of loves that could have been different, of people we left behind or who left us broken. An ode to the past that, while seemingly brilliant compared to today's cold reality, is merely a comforting illusion.

Throughout the tracks, genres intertwine in an emotional and sonic narrative that ranges from ethereal synth-pop to vibrant hyperpop, passing through IDM pop, pop and alternative rock, neo-soul/jazz, and cinematic ambient. The journey begins danceably, almost hopeful, but soon delves into introspective, somber, and sensitive atmospheres—like someone looking at old photos trying to understand where everything began to fall apart.

Inspired by artists like Princess Chelsea, MGMT (more specifically, the album Little Dark Age), LA Priest, Sabrina Carpenter (current era), Jungle, TV Girl, CHVRCHES, Roosevelt, Grimes, and Loaded Honey, Ramon builds a universe where the brilliance of the past meets the weight of the present. Violins, pianos, synths, and broken beats serve as the soundtrack to an emotional, intimate, and visceral diary.

Audiovisual producer Kevin Loryan defined it: "When You Die is an incredible IDM album, but people aren't ready for it."
Maybe he's right—maybe this is one of those albums that will only be fully understood in the future.

When You Die isn't about literal death, but about everything that dies inside us over time—and what we do with what's left.

┈┈┈┈┈┈┈✦✧✦┈┈┈┈┈┈┈

I got surrounded by all the noises in my head
I felt my heart in the floor
I told to myself: it's not fair
Then I understood how poor
You were

Because you used to shine
And you used to be mine
Now you're just someone
Lacking of good inside

Watching me lose myself
In these rhymes
And forgetting who I was
Before you being in my mind

I hate the nights I spent awake
It was just me losing my time
That's enough, girl
I have my own demons to fight.

┈┈┈┈┈┈┈✦✧✦┈┈┈┈┈┈┈

THANK U ALL ♡

When You Die

My Own Demons (with Lici)

nation mission

Progression 2

Oaktree - Dust EP

Release date: 5/2/16, [PIAS]


Encounter was written, produced & mixed by Oaktree & Pieter Nooten
Piano & strings recorded by Stefano Guzzetti / Additional cello by Lucas Stam
Mastering by Matt Colton

The 'making of Encounter': https://encounter.redbullelektropedia.be/

Oaktree - Encounter (with Pieter Nooten)

Bandcamp: http://bit.ly/20e71cX
Beatport: http://btprt.dj/20LuXpW
iTunes: atomnationrec.lnk.to/KoettThaw
Spotify: http://spoti.fi/1PEP8SV

Koett - Giberboreya

from 'Oneirogen - Convivium'
Denovali Records · den261
available on all formats at [http://denovali.com/oneirogen]

"Convivium" is Mario Diaz de Leon's third album under his ONEIROGEN alias, and follows the "Plenitude" EP, released in 2015. It was developed over a period of two and a half years, primarily through live performance in the metal and noise underground of NYC. Like its predecessor, the album's core instrumentation is an array of hypnotic synthesizer riffs, pummeling percussion, distorted vocals, and surging noise. With "Convivum", Diaz de Leon has crafted a powerful and singular work of heavy electronic music.

A charged sense of anticipation permeates the music, sustaining tension and mystery through spans of repetition and moments of rupture. The songs build towards hedonistic climaxes, which yield to sparse, expansive passages in which every sonic detail is vividly heard. Inspired in part by Bataille's "Erotism", which connects the "rupture of boundaries" common to sex, mystical ecstasy and ritual sacrifice, as well as the work of psychologist Stanislov Grof on the impacts of birth trauma on the human psyche, "Convivium" is an incantatory journey through primal and dark creative forces.

The artistic output of Mario Diaz de Leon spans a wide range. In addition to his work as Oneirogen, he is highly active as a composer of modern classical music (with a 2016 commission from the LA Philharmonic and releases on Tzadik and Denovali), and is the frontman of Luminous Vault, his recently formed death metal band. Envisioning all of his activity as part of a spiritual practice, he considers Oneirogen to be the most personal side of his work.

"It's just me producing everything, and of course I perform it alone as well." he explains. "Each album is a kind of personal trial or rite of passage. As someone who also works in the classical tradition, I think of them as my symphonies. Its a project where i'm open to all my influences, and i'm entering into mystery and the unknown, battling to carve essences out of formlessness." 

Convivium

Oneirogen - Rupture

the yearly roundup from Cold Fiction Music is on the horizon!! 

here's my offering :)

https://soundcloud.com/cold-fiction-music

[ This compilation is now available!! https://cfmlabel.bandcamp.com/album/futur-e-cho-2017 ]

an echo from the future - Futur[e]cho 2017 [Cold Fiction Music]

Lapsus Records proudly presents the third release in its “Perennial” series, dedicated to reissuing contemporary electronica classics from established artists. 

The third release is from Christopher Scott Leary, who over the last two decades has produced a plethora of material under his pseudonym, Ochre. 2019 marks 15 years since the original release of “A Midsummer Nice Dream” in 2004; on British label Toytronic, which pushed Leary to the forefront of the experimental electronic music sphere. To celebrate the releases’ fifteenth anniversary, Lapsus Records will reissue a special collector’s edition of this IDM classic in the form of a double tri-colour vinyl release, re-mastered by John McCaig (panicStudios). It will also include a full-colour print of the new artwork, re-designed by Portland (Oregon) illustrator Nathaniel Reeves, who has worked alongside Ochre for almost a ten years. 

This special deluxe reissue entitled “A Midsummer Nice Dream (15th Anniversary Edition)“, features unreleased material from the same period and includes three bonus tracks on its vinyl version, six on its digital version, making it a truly unique release. It therefore offers a golden opportunity to rediscover an album that navigates through several genre domains such as ambient, IDM and experimental electronica in its purest form, stylistically reminiscent of the likes of Autechre, conveying a sound considerably ahead of its time. In its entirety “A Midsummer Nice Dream” is undoubtedly one of the most remarkable electronica glitch albums to be released in the 2000s, when the genre experienced its zenith, largely thanks to the advent of significant breakthroughs in digital production tools.

You can order your copy at www.lapsusrecords.cat

A Midsummer Nice Dream (15th Anniversary Edition)

Ochre - A Midsummer Nice Dream (15th Anniversary Edition) | Perennial Series #03

Morrow

This is the second idea I worked on with Kathrin deBoer for the Conditions Two EP, and an attempt to make something surreal. I tried to use her voice as an instrument in the track, rather than presenting it as a normal vocal at the forefront of the mix. I used lots of Max for Live fiddling’s to mangle up her vocals into all sorts of weird noises, and then picked out some of my favourites to use in the track. Most of the noises that aren’t the drums and main synths, so pretty much all the weird noises in the track, are made from Kathrin’s voice.



The overall feeling was something soft and organic, where in addition to the unpredictability and non-loopy manner of the vocal effects, the drums also follow a loose and slightly randomised pattern, with lots of shuffle to add to the free feeling. I thought the approach made it end up sounding a bit maddening and messy, and there was also a strong feeling of space in there with the main pads, so this combined with the surrealist approach lead me to the name ‘Falling Into Recursive Space’.

For Max Cooper mixes/free downloads:
soundcloud.com/max-cooper/sets/max-cooper-free-downloads

And music videos here:
www.youtube.com/user/maxbcooper

And for up to date info on all the goings on, you can join the mailing list on my site if you like:
www.maxcooper.net/

Buy on Beatport

Max Cooper Feat. Kathrin deBoer - Falling Into Recursive Space (clip)

[p*dis] distribution sampler for June 2013

Progression 2

Rival Consoles

Recent comments

devinefield

PRESET

Little Glass Men

leopleop

Related tracks