what u call post-covid disco, i call a kinda balkan wedding )) whatever we call it, u kess killed it 🖤 tack!

Tried to leave a comment around 16.00 because it was fire but there were too many bald heads. Anyway: 🔥

great mix, really eclectic, kepy my interest...thank for sharing!

Tilliander meets Lee Scratch Perry #2

This weeks SYSTEM mix comes courtesy of Paris-based Dang-Khoa Chau aka @d-k-music, who matches heavyweight riddims and psychedelia with the ritualistic sounds of his Vietnamese heritage to breathtaking effect. With regular releases on the likes of Good Morning Tapes and Antinote, he's steadily carving an exciting new line in the club music cannon. Dive in.

SYSTEM Mix 046: Đ.K.

1.5 years of SILENCE.
Finally broken by 2 nights of 15 crews and 25+ DJs.
I was one of them, and opened the saturday night with this set.

As it was a reopening night I tried to push myself somewhere other than usual. Hope you enjoy!

Live at Dance Weekender (Inkonst) 2 oct 2021

Recorded live at Radio Oedipus on 15 January 2022.
@sacha-banians @dj_doo-bop

The Low G Court (Nederlandszalige Editie) at Radio Oedipus - 15 January 2022

LJUDVERKET 31.01

Linus Hillborg, a Swedish composer and musician based in Stockholm operating in numerous fields, ranging from electronic musics and interactive installations to post-punk and noise groups. In 2021 he released his solo-debut Magelungsverket, derived from the installation Orphan Works (2019) which he built with an obsolete video game engine. He has previously put out music under the moniker Atonet, co-runs the imprint Moloton and is set to release new organ and violin music through XKatedral in 2022.
“This mix is a healthy slab of early electronics, soundscape music, punk, video game soundtracks and new stuff from me and friends.”

Linus Hillborg [Reste à la fin, les cendres  Curated by Mari] [31.01.2022]

Neptunian Influence, Fifty-Two | Featuring @jrmiketansella @mike-tansella-jr

Cool off and dip into the Great Dark Spot with selections by Sons of Traders’ Mike Tansella, Jr. The Berlin-based label boss and @MutantRadio affiliate is a true music aficionado and we are ecstatic to feature his impression of Neptune’s influence. 

SUPPORT: https://sonsoftradersrecords.bandcamp.com/ 

| Tracklist |
JUST ASK MELANIE - DIALOGUE FROM JACKIE BROWN
FASHION FLESH  - EDGING 
JD SWIFT - 0:00  
MUSLIMGAUZE - 4KALISKINAZURE
ASHTREJINKINS - POLITICAL COCO BUTTER
NICK KLEIN - ICED BY CHRIST
NARVALOS - HANUMAT 
MIDNIGHT CLIMAX - PARRILLADA
SEPEHR - DIASPORA SIMALUCRA
OFFICINE - THRILLER
ALONZO - CRUISING WITH PAP
BERTRAM - STREET VALUE
PENELOPE’S FIANCE - SAINT THROUGH SINNER EYES 
E.L.I. - MALICIOUS CONTENT
KAFKACTRL - APPROXIMATION ERROR
PSYCHE - CONSUMING LIFE
CHROME - EYES IN THE CENTER
SEGOVIA - GOLPE MEDIATICO
FASHION FLESH - OTHER SIDE OF A DOOR(3RD MOVEMENT)

Meet you in the Great Dark Spot <3

NI52 | Mike Tansella Jr

Aroh ╚═ Future Intel ═╗18 11 2022

Lookslikeani [REFLECTOR x Mutant Radio] [26.11.2022]

Fonte/source: UbuWeb (http://www.ubu.com/sound/radigue.html)

Eliane Radigue, “Kyema, Intermediate States” (1992)

Live recording at Radio Tempo Não Pára (11.02.2023)

Artist: @roelien

roelien @ Radio TNP 11.02.2023

Capablanca [15.04.2023]

Bean Radio Mix 015

The Sensory Signal Show

@rodzkhalaschi
Location: Los Angeles
Record Label: Elbow Grease

Recorded 06.28.23 at Bean HQ

Bean Radio Mix 015: Rodney

Kjell Alinge läser upp Mats Almegårds recension av Andreas Tillianders ”No Schaffel” ("Från Jävla kritiker")

Kjell Alinge - Mats Almegårds recension av Andreas Tillianders ”No Schaffel”

An eclectic mix for music lovers, № 33 brings you the sounds of @djsundae from Paris.

A traditional 'music digger', Sundae is currently working on a compilation for 'Noise In My Head' with Julien Dechery as well as hosting the 'No Weapon Is Absolute' radioshow on Rinse FM with Cosmo Vitelli.

Feet up, it's Friday!

http://edwin-europe.com

№ 33 - DJ SUNDAE

Mutek Nexus Experience, San Francisco 2020.

Eichef Live•Nexus Experience•Mutek San Francisco 2020.

Sometimes when playing organ preludes and postludes in church, I improvise on rap songs. Sometimes I start with something else (say, for example, motives based on my own interpretations of "redemption" or "jubilation" or "cupcakes") but the journey ends up, somewhere along the way, in the loopy-oriented terrain a rap song or vice versa. 

Most people listening out in the pews more often than not have no idea what sources I quote at the time (depending on who's out there, of course), but the most intriguing part of the exercise is that people of all stripes seem to like the pieces, and have said to be "moved" by them in ways unconventional and far away from a song written for, say, a club. 

There is little material intervallic and harmonic difference between a song played on the organ and a song played through a DAW after all; meaning is ultimately ascribed through timbre and context. This fact testifies to the power of a delicately placed recontextualization and is proof of an "everyday sacred"  contained in even the most deceivingly simplistic 4/4 riffs and 12-bar bass lines.  

A 2013 Gate Production. 
Composed and Performed by Kara-Lis Coverdale in Montreal, Quebec. 

Kara-Lis Coverdale - Puttukas(organ postlude)

EDITIONS MEGO/MIDNIGHT SHIFT

Following 25 years as a producer and DJ, his debut album On Feather and Wire – released at the end of 2020 on the revered Editions Mego label – surprised and delighted with its punk spirit, industrial pulse, sensual atmospherics, and body music flavor, we get a better sense of what he’s capable of as an artist. Hinted at by his work as the EBM/body music enthusiast behind Kess Kill Records and the years honing his production skills first as Grovskopa and then as Rivet, his current sound has a sophisticated slink and a surprisingly accessible twist of pop, while still recognizable in its industrial lineage.

Live at Dance Weekender (Inkonst) 2 oct 2021

Rivet

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