Loving this, well crafted mix. Great collab and production!!!💚🎵🔥🎵🔥

Really awesome mix and production my friend.. much enjoyed!! :))

tender and fragile piece ! dark but beautiful! ☻

Brilliant both! Agree with that Midas touch comment.. always 👌✨

Love this theme and what you do with your magic!

Love this combination... 🤍 Ethereal vocals... excellent dark ambience

Meet ___________ (insect and spider species, when my computer is fixed)

Calm and Steady tracks series no. 587

created: 2025/08/23

Picture CREDIT (none yet, there's no picture so far ; )

Capitalized tags in the "Additional tags" field are SoundCloud's.

hk_calm-steady_tracks_587

Dreams

I’m always on the hunt for vintage, psychedelic tracks.
This one — if I had to put it into words — carries a faint trace of the ‘80s. But it’s not about nostalgia.
It’s rooted in my love for dub, layered over breakbeats with a post-rock spirit, and driven by a sharp electronic edge.

It’s like New Order suddenly crashing into a session, and the Bristol crew getting into a brawl right then and there.
Chaotic, yes — but a chaos with intent. Noise with direction.

My music is instrumental. I don’t use vocals.
That doesn’t mean I don’t respect them — on the contrary, I hold vocalists and lyricists in the highest regard.
But the story I want to tell doesn’t need words.
I speak through melodies, I scream through beats, and I question through silence.
That’s my form of storytelling.

I know this track might not be easy to grasp right away.
But if you’re into krautrock, post-rock, alternative, hip-hop, IDM, or experimental electronic music —
you just might find something in it that resonates with you.

I’m Japanese.
And I believe there’s something compelling about how a Japanese mind interprets psychedelic sound.
Maybe not as wildly unhinged as Damo Suzuki’s work with Can,
but this is my own vision of a sonic trip — one that’s more grounded, yet still deeply exploratory.

The result is this track,
ironically named — Classy Slang.

If you give it a listen, I’d be honored.
Come take a journey through my world, told entirely through sound.

The shadow of UK new wave, the depth of roots dub.
Guitar filtered through Tommy Guerrero, broken beats from IDM.
The origin: hip-hop. The destination: undefined.

Progressing like post-rock, sinking into lo-fi.
A quiet homage to New Order, Boards of Canada, and Madlib.


#newwave #postrock #psychedelic #hiphop #idm  
#electronic #dub #rootsdub #lofi #experimental #instrumental #ambient

Classy Slang

Dedicated to my friend Carl "The Beautiful  Dark", a real poet and singer/songwriter here on soundcloud.
May the force be with you ...

Laurie (the spirit))

Conga and Bass brothers

The Mongol Princess is a conceptual EP/soundtrack Mood Exhibit released in July 2017.
moodexhibit.bandcamp.com/album/the-mongol-princess

It is an audio story of a young, beautiful, and kind princess that died tragically by disease at an early age. The music reflected her stages of life with emotion and textures of various ethnic and acoustic instruments. It remains my most passionate musical project.

This EP is a document of her return; in spirit form, as a legend. These tracks retain the same feel as the original, but with a more grandiose and mystical flavor, and mixed minor electronics.

https://moodexhibit.bandcamp.com/album/the-return-of-the-mongol-princess

I had asked fellow electronic artist Belial Pelegrim to collaborate on 2 tracks for this EP. These 2 tracks showcase his brilliant production and vision, fitting perfectly to the mythology of The Princess.

Belial Pelegrim/Mood Exhibit - Prismatic Refractions of The Mongol Princess

Blue Crumble

I can't seem to put down the guitar now that I've picked it back up! Played around with layering some kind of simple repetitive loops to create a hypnotic atmosphere on this one.

Image by Paul Bica (CC BY 2.0)

Sky Above Clouds

released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 1

Original Composer: Michiru Yamane (1997)
All Instruments: Brian Butts

Image Generated by http://hotpot.ai

The Marble Gallery (Yamane 1997)

Here's a remix of a beatiful track by https://soundcloud.com/wildsilences_music

Here's a link to the original;

https://soundcloud.com/indiiwildmoon/hope


Cover art created with https://www.canva.com/

Wildsilences - Hope (RiZLiX Remix)

Delight

Original Track umastered
https://soundcloud.com/heavynoiz/doepfer-a-188-1d

DOEPFER A-188-1D_AltesKamuffel_remastered

One Form to Another

Check out, Ducks on Quack in Space, also on Soundcloud. @user-713093027


https://www.youtube.com/watch?v=CibgqD7lI40&list=RDCibgqD7lI40&start_radio=1

Waaahhhh Owwww

Vocals; https://soundcloud.com/wildsilences_music

Production; https://soundcloud.com/rizlix



Here's a collab with the exceptionally talented https://soundcloud.com/wildsilences_music


cover art created with https://www.canva.com/



Wildsilences x RiZLiX - I Am Just Invisible To You

Dread

Welcome to my SoundCloud!
Here to make meaningful connections through music.

Peace.

Dan

.
International Vermin Consortium
.
.
The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is eternal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
.
...
Is it 1984 already?!?!
...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Wildsilences x RiZLiX - I Am Just Invisible To You

RiZLiX

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