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Great vocal performance and an enchanting and magnetic melody. Great job

Me gusta el sonido de las guitarras, por como estan paneadas

Amazing song and performance! The vocal style and range is fantastic 🎶

great guitar and vocals on this keep it up

Based around an acoustic riff, the song is about how a wave can be the start, or the end of something, and maybe a chance to start again. Produced by Shael Wrinch at Stone Hill studios on Bowen Island, B.C. Chris Herbsen on vocals, Shael doing harmonies and more of that great slide guitar. 
Lyrics:
She waved to say hello, she waves to say goodbye
She left a scent of faint perfume, and clouds in a sunny sky.
Coffee stains and magazines, and a space where she used to lie.
We're livin' here on shifting sands and we're left to wonder why.

I could have stared for hours and hours
at footprints in the sand
It took a wave beyond my powers
to help me understand 
that life come in waves.

Children's laughter fills the room. I hear her laugh and sing.
Faces stored in a picture frame can't beat the real thing.
What's been lost and what's been found, and what we hope to gain
is all that matters in the end, not teardrops in the rain.

I could have stared...

The Tequila Monday Project

Life Comes in Waves

The first guitar-driven synthesizer-flavored alt rock single of 2022 from Rare Elements is out now!

Tonight

Anyone can change where they're going

This alt rock song deals with the theme of freedom, led by strong guitar sounds. The single has been recorded, mixed and mastered in May 2022 at Rare Elements’ own studio in Tampere, Finland. The song has been composed, written and arranged by Harri Sarpavaara. He plays all instruments and sings on the single. He has also recorded, mixed and mastered this single.

About To Be Free

Days in the Sun

Orchestral reading of my piece AGE at the Mostly Modern Festival https://mostlymodernfestival.org

Performed by the Mostly Modern Orchestra in Saratoga Springs, June 27th 2022.

Conducted by Drew Banzhoff.

Recorded by Arts Laureate. 

This piece is a very condensed idea about "AGE"-ing and the wild rides we embark on during that process. The AGE pitch motif is spread throughout the composition.

"AGE" - Live Orchestral Reading Recording

Sometimes the difficult thing to do is to reconcile with someone after a disagreement. Relationships recover and flourish when honest conversation is had. 

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.


\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - guitars, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca
SafeCreative Registration code: 2201300363446
© 2022 8000 Miles All rights reserved.

Crystal Confetti

Reconcile And Recover

Buy our Music 🔥

A re-mastered and finely-tuned version of this song from our second album

LYRICS:

Why can’t we look away from the horror on the screen
And cry for the fear and pain no-one ever should have seen?

Soon it’ll be too late to correct our moral course
Choke on overwhelming hate
Ruled by ignorance and force

Every night we go to bed thinking tomorrow might be another beginning
We’re never right and our hopes are just spinning away
We carry on with our lives in a bubble like nothing’s wrong
We’re blind to the trouble
It won’t be long ‘til we’re searching the rubble in vain

Why can’t we walk away from the scenes of witnessed crimes?
We try to live one more day with these visionary minds

Every Night / Rubble [2022 Rework]

An unexpected call over an unintended situation leads to an unnecessary and unjust confinement. Whisked away to serve time in an undisclosed location; an unfit environment for any human soul. Trapped! And the only consolation is from loved ones bringing respite and a glimmer of hope. One's mind is tossed between despair, loneliness, searching for answers when there are none. Some days seem bright when occupied with distracting thoughts, in the end only to fall into a lull with an expressionless gaze, knowing that another day of confinement is on the horizon.

CREDITS:
Art Design by MuzArt Studio
Photography: JR Korpa

Piano Performance using Orchestral Grand Piano instrument samples courtesy of Spitfire Audio

Composition, orchestration and performance by Ralston Van Der Schyff
Recording, production, mixing and mastering by Pally Bear at PallyBear Studio

Copyright ©️ ℗ 2022 Composition and Master Sound Recording: Ralston Van Der Schyff

TIP THE ARTIST

Confinement

Written: 2021
Duration: ca. 5'
Instrumentation: solo violin (MIDI Version)
World Premiere: TBA
Sheet Music Currently Unavailable
For more information:  https://robertpaterson.com/adagio

PROGRAM NOTE
Adagio for solo violin was composed as a surprise birthday present for my good friend Adam Abeshouse who is an excellent violinist, and also one of the world’s greatest classical recording producers. Since I enjoy creating pieces that musicians have a personal connection with, I asked Adam’s wife Maria which pieces Adam likes to play, and she mentioned the first movement of J.S. Bach’s Sonata No. 1 in G Minor. I have quoted phrases from various pieces by Bach in a few of my other works (my Elegy for Two Cellos and Piano, for example), so I decided to embed a few phrases from that movement in this piece, so that when Adam plays it, he will be reminded of his favorite piece by Bach. I also included motifs based on Adam’s first name (A, D, A, and Mi, the solfège name for E) and also on Maria’s name, and his daughters Sarah and Emily.

Adagio for solo violin was commissioned by Steve and Hildy Martin in honor of Adam Abeshouse’s 60th birthday.

Adagio for Solo Violin (Pre-Premiere Version)

Tell Me When

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a multi-instrumental studio artist, songwriter, producer, and performer.

Anyone can change where they're going

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