gelius of ur tewls (people being hit by a bus ) &&!

Into The Abyss #011 | Iwamaki

Iwamaki is a Japanese DJ , started her career in 2015. She does live acts playing both drone and experimental. She focuses on materials sounds, such as glass, metal,
and tones of instruments with weights, and natural sounds.

SC :https://soundcloud.com/makiko-iwaki

Into The Abyss #011 | Iwamaki

Laima Adelaide Live @Tirkultura Alma Gallery 20.09.21

for KORG MS-20 + effects pedals ad lib.

Year — 2022
Duration — between 3' min. and 30' max. (≃)

Asteroid * (∞) is: 
> a 'Potentially Hazardous Improvisation' (PHI φ) 
> one among an infinity of possibilities (∞)
> an open and graphical score 
> the manipulation of a complex patch
> live, raw & unprocessed
> classified & archived in a continually growing database

Asteroid * (∞) [#3]

NASA’s InSight lander brought a seismometer to the Red Planet to study “marsquakes.” On Sept, 5, 2021, the seismometer detected a meteoroid impacting the planet’s surface, creating several craters in the process.
It was the first time the sound of a meteoroid impact was captured occurring on another planet, and it might not be what you expect. In the audio, you hear three “bloops” representing distinct moments of the impact: the meteoroid entering Mars’ atmosphere, exploding into pieces, and striking the ground. The peculiar sound is caused by an atmospheric effect that’s also been observed in deserts on Earth, where lower-pitched sounds arrive before high-pitched sounds.
Credit: CNES/IPGP

InSight Captures Sound of a Meteoroid Striking Mars

3 axis for voice, electronic organ, electronic harp, electric bass, e-drums, synths, live sound processing and live video 

Voice : Borbála Szuromi
Harp : Esther Lefebvre
Organ : Elisabeth Hubmann 
E-bass : Romain Corne 
E-drums : Shuang Yang
synth&electronics : Nicolas Roulive
live video : Nicolas Roulive&Jorge Care

Three Axis for small ensemble, electronics and video

a piece for 2 double basses - 2 basses / 10 strings / 2 bows - what else ?

Black Spaces

Despite being essential to life on Earth, the magnetic field isn’t something we can actually see in itself, or ever hear. But, remarkably, scientists at the Technical University of Denmark have taken magnetic signals measured by ESA’s Swarm satellite mission and converted them into sound – and for something that protects us, the result is pretty scary.
Sound design & concept: Klaus Nielsen (https://soundcloud.com/maplepools) and Nikolai Linden-Vörnle (https://soundcloud.com/kamikaze_vildsvin)
Read the full story: https://www.esa.int/Applications/Observing_the_Earth/FutureEO/Swarm/The_scary_sound_of_Earth_s_magnetic_field

The scary sound of Earth’s magnetic field

The original ‘The Death Of Rave’ project releases in 2006 was vast, over two-hundred flashbacks, using all of the dance floor hits from the time and stripping them of energy and spirit, turning them into shadows and ghosts. The material pre-dates the recent obsession younger musicians have for re-creating remembered rave textures and memories. This was not nostalgia, It was an inverted paean to a time when the music was about bringing people together for a shared experience. A time when only the music, advancement of sound and getting on one mattered. 


07 - Big Eddie's Van - Bowlers Car Park

Voyager 1's plasma wave instrument detected the vibrations of dense interstellar plasma, or ionized gas, from October to November 2012 and April to May 2013. This sound reproduces the amplitude and frequency of the plasma waves as "heard" by Voyager 1.

Voyager: Interstellar Plasma Sounds

vus (leblanc contrabass clarinet + analogue electronics) Jason Alder studio recording 2019

vus [Leblanc contrabass clarinet + analogue electronics, 2019]

Live at 316centro with Concepción Huerta
27.04.19

Live @316centro

± composer + multimedia artist
± acoustic + live electronics
± experimental / drone / noise

+ based in Offenbach (GER)
+ part of Studio Wäscherei (www.wäscherei.studio)

Asteroid * (∞) [#3]

Raphaël Languillat

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