6.3.21

1988 Mitsubishi Montero Sport: a small hard copy run of material that debuted live in late 2019 and early 2020. A musically headless period that spiraled out into silence before being sublimated in this release dedicated to one specific and inoperable vehicle. More important to me than whether or not efforts in sound meet a set of standards is that complex moments be marked, however imperfectly.

1988 Mitsubishi Montero Sport

A 66 minutes compilation of singing synthetic voice.

TRACKLIST :
A SIDE
A1 - Radio Free Robots (Ootil) >> Two lines rendered - awaking a 18 years old computer
A2 - Romain de Ferron >> Ravi
A3 - Aじき >> ジトウさん
A4 - melody newton >> Marions les roses [Malicorne cover]
A5 - IAAY >> Mark Zuckerberg Live at Olympia 2021
A6 - fioki >> One thing [Amerie cover]
A7 - Inky Rina >> Sciuri Sciuri [Gabriella Ferri cover]
A8 - melody newton >> Dans les bars [TG Gondard cover]
A9 - Rubie >> Swallow Song
A10 - Claude Evernia-Prunastri & Matthew >> (or the author)
 ---------------------------------------------------------------------------------------------- 
B SIDE
B1 - A C C O U >> Its bitter bed
B2 - Oï les Ox >> Kodaly
B3 - Z3 >> mailto : konrad zuse
B4 - Disposiciòn Asoleada >> Pùrpura y dinamita
B5 - frere tuck >> Paper bones
B6 - Rev.23 >> Canto VII (Altazor)
B7 - Vica Pacheco >> El coro de la arena tibia
B8 - DJ Roger >> Juke Elise no fx
B9 - WinterdrivE x jambe2feu >> Hide & Seek [Imogen Heap cover]

B5  Frere Tuck - Paper Bones

fill

[surf034]

https://soundcloud.com/opalbeau

artwork by usof (linktr.ee/usofusofusofusof)

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

opal beau ~ Testing Positive

Hisolat is immensely proud to present Lulll, Sarah McCauley's debut album, a tranquil and restful series of hallowed meditative melodies and fervent compositions in which sound is fragmented or fused together, shifting between the mournful and balmy serenity before it decrescendos into pure quietness.

*꒦ິ꒳꒦ີ

Sarah McCauley is a producer and composer who works with digital synthesis and recorded sound material to create shifting textural songs and longer compositions. Her debut album Lulll was made over several years between Ireland and Australia. Drawn to its characteristic glissandi and microtonal capabilities, this release is the result of her work with the ondes musicales which is gently reshaped alongside digital and recorded material in simple, circling and emotive pieces.

Dierstein Ondes Musicales from the Melbourne Electronic Sound Studio collection.

Mastering : Abel Roux
Cover : James Crowhurst

Limited series of silkscreen prints on our Bandcamp.

Hisolat [HR5]
© all rights reserved

Lulll

Sarah McCauley - ,

Sam Wolk "Trop-plein" excerpt from new cdr on Salon available at http://saloncdr.blogspot.com/

New stereo improvisations by Sam Wolk. Max/MSP, Acoustic objects and feedback, SP-404, Saxophone (Max Lesser), Voice (Charmaine Lee)

The trio of improvisations which follow are variations on a single idea.  Running a Max/MSP patch and interacting with it is a method of transducing energy from one form to another.  Electrical energy drawn from the grid is ultimately transformed into acoustic energy emerging from speakers along with the accompanying, over-flowing waste energy [entropic release].  The ephemeral, unstructured heat released in the process of generating structured acoustic energy [the composition] takes multiple forms: the discarded acoustic energy of computer keys pressed while manipulating the patch, the kinetic energy of hard drives whirring as data is read from disk into the patch, the thermal energy of CPUs radiating out and the acoustic energy of fans loudly attempting to reroute those heat flows.  In this trio of variations the central theme is feedback.  These ephemeral energy fluxes associated with keys, fans, disks, and CPUs are subjected to recycling [feedback] as the energy they produce is transduced by a contact microphone and the computer's internal microphone back into electrical audio flows which serve as the input to the Max patch itself.  As such, manipulating the audio at the human-computer interface generates the very energy flows which are transduced into the audio to be manipulated in the first place... The computer processes its own unstructured flows of waste energy back into structured audio [the output of the patch].  The machine is not treated as an abstract, universal computational device whose digital nature renders its physical existence irrelevant.  Instead, as it harvests its own unstructured heat and processes it into structured audio, its physical identity is embraced for what it is: a concrete, individual, material machine imbricated in a larger system of energy flows. 

Recorded at the Harvard University Studio for Electro-acoustic Composition, 2016. 

Special thanks to Jeff Witscher. 

Play loud.

Sam Wolk "Trop-plein"

dingndents.bandcamp.com/album/retrogrades

Retrograde24

Following on from last year´s set of hallucinatory vignettes for Milan´s Haunter Records on "Jemi" and the dissection of the possible tearjerking sensibilities of self-help twitter bots on 'You'll Always Stay Beautiful' for Bristol´s NoCorner, @Broshuda glides on to casually deliver this glistening and equally heartfelt 7 Inch for Cologne based Imprint RDK Island.

On the A side, a reflection in the half light resonance of evening/dawn envelops the fractal heavily melodic core of 'Face2'. Floating in some ebulliently chilled out existence not that far, but still quite on its own trajectory, from some of Mouse On Mars most absorbing moments. An hypnagogic cityscape, brimming with lives, real and imagined.
On the flipside 'Voices' hypnotic melody-as-dream gives way to a smoldering state of aural unease, borderline anxiety creeping in, an "orchestra" of filtered, fading voices & realities. Gliding as a state unto itself, neither here nor there. This reality's what you make of it.

Bruno Silva (Ondness)

Release: 6th September 2019

Tracklist:
Face2 (5:04)
Voices (5:08)

Broshuda - Face2

Obfuscation Morphologies - https://ericfrye.bandcamp.com/album/obfuscation-morphologies

Processed phone recordings from 2015 - 2020, synthesis, found sounds.

Sam Wolk "Trop-plein"

Jeff Witscher

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