In the forest untainted by our destruction lay a place where life blossoms thick with beauty.
This song is happy, and upbeat tho simple

Loops created in Beatonal. Sequencing, and mastering done in Mixcraft. Instruments are tuned to A=432hz drums were tuned by ear.
The song is 108 Bpm.

So Dance, Party, Enjoy the sound. Be Inspired and learn.

A Temple In The Forest

High in the mountains, is The Valley Of Lost Souls, and a town of which time has forgot..... My home, and the point from where I now reach out to the world.

Instrument loops created in Beatonal. Drums sequencing and mastering done in Mixcraft. All drum samples are my own creations, tuned to my scale. The Beatonal loops were Master tuned to A=432hz, and pitch modulated up 47 cents to A=444hz (or C=528hz)
This song is 96 Bpm

So Dance, Party, Enjoy the sound. Be Inspired and learn.

Legend Of A Valley Beyond Time

Earth travels around the sun as electrons spin around nuclei. Our actions and momentary being revolves around the true nature of our self identity.

Instrumental loops and some of the drums created in Figure. The sequencing, distortion, mastering and the rest of the drums were done in Mixcraft. The drums added in Mixcraft were made with homemade samples in my own scale. The Figure loops were retuned to exact C=528hz
this song is 75 Bpm

Elipsing Orbit

Our world has reached a point where truth is drown in a sea of opinion. Fact and valid information nearly impossible to recognize covered by a million points of subjectivity.

Instrument loops created in Beatonal. Drums sequencing and mastering done in Mixcraft. all drum samples are my own creations, tuned to my scale. The Beatonal loops were Master tuned to A=432hz, and pitch modulated up 47 cents to A=444hz (or C=528hz)
This song is 96 Bpm

So Dance, Party, Enjoy the sound. Be Inspired and learn.

Wars Over Information

Until observed by consciousness matter is only waves of possibility. consciousness creates its reality based on relative circumstance to its previously measured existence.

The instrumental track was created in Caustic 3. Drums and mastering were done in Mixcraft. All samples used in the drums and sampling synths were my own home generations and creations. The drum samples are tuned to my own personally designed precise frequency. instrumental sounds are keyboard detunings of samples generated in my scale. A=Variable. Song is 72 Bpm
So Dance, Party, Enjoy the sound. Be Inspired and learn.

Infinity & Consiousness

Golden rule for great manifestation make.

Loops created in Figure, were mixed in Launchpad, with a lot of effects. The resulting track was chopped, sequenced, mastered, and retuned to C=528 in Mixcraft. Drums In my scale were added.
Track is 70 Bpm

Magic Trap Of The Wizards Hat

A serene mix of horns, drum mastery, and Fx magic. A bright and shining song. Created from loops in Traktor, and mastered in Mixcraft.
63 Bpm, 
A=Variable:
Song and drums in Roald's Scale
Enjoy!
 download this version or buy the better longer one here: http://roaldpage.bandcamp.com/track/beauty-in-all-sizes

Serene Song

This song was originally composed by Junichi Masuda for the first Pokemon games in 1996. all credit for his composition should go to him and any corporation holding ties to his music. This is a tribute to the genre. My only claim is to the unique sound I have created from his music notes and to the drums playing underneath.

For many years there was a controversy over Lavender Town. An urban legend arose that the first release of the games in japan had caused a mass outbreak of suicidal depression in children playing the game. The urban legend states that children who reached Lavender Town in the original game were driven to deep depression by a combination of isochronic tones, high pitched frequencies, and scary content.
The song was unsettling to say the least, but I am a person who specializes in frequency manipulation and retuning, so I created this remix in order to reverse the darkness and create a beautiful version of the original lavender town.
Notes: Even with fixed frequencies this song still has a creepy and almost other worldly vibe one of the things that I noticed while looking at the midi patterns was the repeated use of minor seconds (separated by 1 note), which more commonly is known as "el diablo de musica" which also could have explained the ill effects that may or may not have been observed.
Either way this is my healing of Lavender Town and tribute to the original Pokemon from my childhood.

Secrets Of A Ghost Town (Lavender Town Remix)

This song was originally composed by Junichi Masuda for the first Pokemon games in 1996. all credit for his composition should go to him and any corporation holding ties to his music. This is a tribute to the genre. My only claim is to the unique sound I have created from his music notes and to the drums playing underneath.

For many years there was a controversy over Lavender Town. An urban legend arose that the first release of the games in japan had caused a mass outbreak of suicidal depression in children playing the game. The urban legend states that children who reached Lavender Town in the original game were driven to deep depression by a combination of isochronic tones, high pitched frequencies, and scary content.
The songs were unsettling to say the least, but I am a person who specializes in frequency manipulation and retuning, so I created this second remix in order to reverse the darkness and create a beautiful version of the original Pokemon tower music in Lavender Town.
This is my healing of Lavender Town and tribute to the original Pokemon from my childhood.

Pokemon Tower

Ghost Tower Poke Music Remix

Master tuned to 528, and drums tuned to Roald's Scale is a Collaboration project with Anubliss.
Released March 11, 2019
Special Thanks: To Anubliss for writing the piano for the main repeated 8 bars. Also thanks for the many suggestions for qualities to the sound as I strung together a wall of virtual synthesizers intricate enough to make P Floyd jealous.
Buy It Here: http://roaldpage.bandcamp.com/track/largo-dragonia

Roald & Anubliss - Largo Dragonia

mostly producing in reason I have over time developed my own harmonic scale for writing music, which most of my songs have been experiments in. Using precise frequencies I utilize aspects of mathematic harmonisation rather than classic 12 tone. My genres are electronic crossed with the playing, and melody style of classical and rock.

Roald Page