Takes a bassline from my track and makes one 100x times better. Dick. 💙 https://soundcloud.com/leosoki/limbo

MIBBES NAW

UNNECESSARY Parts 1 & 2

Look Around You

I assembled some electronic noises into a thing.

Cosmo Records

Live recording of the warm-up of a recent KEEP ON party. We play every Sunday night in La Cheetah club in Glasgow, rounding out the weekend the right way with a deep mix of disco, boogie, house, and global jams.

OOFT! & David Barbarossa - KEEP ON Live 29.09.24 [Excerpt]

WindyTeenth

The Sphinx

LIFE LESSONS 004 - DO MORE OF WHAT WORKS

jettison the cellophane

This is the mix I put together for Resident Advisor 4 years ago – it’s no longer available via their website, so I thought the time was right to share here. It was very well received back then and certainly served to enhance my reputation within the RA community, coming, as it did, 4 months before my BBC Radio 1 Essential Mix brought my name to wider attention. 

I’d decided to buck the trend by highlighting the lower bpm’s of the music I was playing in the clubs, rather than, as was the norm, going for a more typical uptempo vibe. Here’s how I described it at the time in the accompanying interview I did with RA - ‘I'd just done a BBC 6mix, which, with regards to tempo, was geared around the 116-120 region, so I wanted to do something different here, concentrating on the more downbeat side of what I play, which, despite being a rich and fertile segment of dance spectrum, many DJ's dismiss as being too slow. I also took the opportunity to put together some new stuff, with the mix providing the impetus for me to bring a few ideas to fruition—so thanks are due to Resident Advisor for its role as muse.’ The full interview can be found at RA: 
http://www.residentadvisor.net/podcast-episode.aspx?id=119 

I also added in the comments section, in answer to a question asking how I put the mix together – ‘I recorded the tracks into my studio PC using Sound Forge, then overdubbed textures and fx in Cool Edit Pro, in a similar way to how I use the the Revox live, spinning additional sounds over the top of the tracks I'm playing. The mix itself was pretty straightforward, but I spent a fair bit of time in the preparation, editing up some new stuff - 'Body Movin' Freaks', 'One Lifetime' and 'Re-Working The Illusion' (which was based on a previous mash-up I did a few years back) - whilst adding the Donna parts to the Eddie Drennon edit I'd put together a little while back, inserting the Martin Luther King speech in the intro of 'Why Can't We Live Together', and sticking the 'Good Times' vocal at the end of Adrian Blunt's Ting Tings edit to conclude the mix.’ Full comments here:
http://www.residentadvisor.net/forum-read.aspx?id=48550 

Greg Wilson - October 2012

Check out my label's music at: https://superweirdsubstance.bandcamp.com

WindyTeenth

Rob Dylan

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