Name: The Lone Centurion Theme by Rob Harvey
Duration: 1 min 4 s
Description: My theme tune for the Big Finish series The Lone Centurion

Taster of the future soundtrack release for Sky's remake of The Amazing Mr Blunden.

The Amazing Mr Blunden - The Staircase

My theme tune for the Big Finish series The Lone Centurion

The Lone Centurion Theme

Prod. Pezzhead

Lyriczz 

(Ah, ah)
(Ay, yah)
(Chuyah)

Chase that feeling, uh 
But it doesn’t exist though 
She been killing herself slow uh, uh
(Yuh, right)
Codependent, yuh 
I’ve been feeling like shit though (wah)
She been killing herself slow yeah, uh 

(Chuyah)
Yuh, yeah, I just want a foreign whip
But I got a foreign bitch instead, she still a pretty bitch (yah)
You’re not making any fucking sense, I’m deading it (right)
I’ve been making all these fucking beats, but I ain’t selling them 
Get a shy bitch off her fucking feet, you know we’re killing it 
Bruv your mind there blank just like a sheet you not got no ideas 
I’ve been fucking dying for a bitch, she got no money though 
Everybody know your fucking squad is full of pussy holes

Yuh, yuh
Give me time, I’ll be outside
I’m telling lies, she’ll bleed me dry
Like that guy, that I once knew 
Bitch that’s not you, that’s not you 
Nah you can’t come through
You been chatting so much shit to all of them, bro you know that won’t do
And she like to keep me hidden like a rotten tooth 
She’ll kill me too, she’ll kill me 

Eheh-ahh

But she doesn’t exist though 
She been killing herself slow, yah, yah
Codependent, yuh
But I’m feeling like shit though (ayy)
She been killing herself slow 

(Uh, uh)
She try taking all of me, gave her space so she could grow
it weren’t hard to let her leave, yuh, yuh, yuh
Change your number in my phone, ‘cause the reaper tried to reap
She try bring me to my knees, when she cry, yuh

Inside I die to see you manage (for you)
Felt like I died a hunnid’ times, just to have it (for you)
She be like “how the fuck you get so damaged?”
It’s you, it’s you, it’s true
(Ay, ay, ay,)

Yah, I been feeling like shit bro, uh
She took everything and then she fuckin dipped bro, yah
Always on the net talking ‘bout what you did though
Telling lies, Evil eyes 
What a disgrace, written all over your face, yeah
Made mistakes, but theres shit I wouldn’t change, yeah
Pain and bloodshed, I’m tryna empty all my veins
Give me time, I’m tryna stay alive

Give me time, I’ll be outside
I’m telling lies, she’ll bleed me dry
Like that guy, that I once knew 
Bitch that’s not you, that’s not you 
Nah you can’t come through
You been chatting so much shit to all of them, bro you know that won’t do
And she like to keep me hidden like a rotten tooth 
She’ll kill me too, she’ll kill me 

Chase that feeling uh
But it doesn’t exist though 
She been killing herself slow uh, uh
Codependent, yuh
I’ve been feeling like shit though
She been killing herself slow yeah, uh
(Ah)

draezz_ (feat. Draeko)

composed, arranged and conducted by Ben Foster
Torchwood Theme composed by Murray Gold
performed by the London Session Orchestra
recorded and mixed by Jake Jackson at Air Studios


12TW Bilis Manger

Demo track for the Discovery Trailer soundset for Omnisphere 2.
This track uses also one piano preset from the Discovery Deluxe soundset and external choir, percussion, brass and strings.
https://www.triplespiralaudio.com/product/discovery-omnisphere-2-soundset/
https://www.triplespiralaudio.com/product/discovery-deluxe-omnisphere-2-soundset/

Care For Our Planet (Discovery Trailer Dressed Demo)

Original Music from the 2018 Doctor Who story - Devil in the Mist

Doctor Who - Devil In The Mist Music Suite composed by Andy Hardwick

Vauban

This was another incidental sketch in the industrial metal style.

Time to Die

Find out more at the Big Finish website: bgfn.sh/capjohn

From zombies in Restoration London, to Hell gatecrashing a funeral, rogue Time Agent Captain John Hart leads the universe to rack and ruin in four new adventures written by David Llewellyn.

1. The Restored
Captain John is in Restoration England looking for some gauntlets. There's intrigue in the Tower of London, the dead are walking the streets, and the severed head of Oliver Cromwell has a terrible warning.

2. Escape from Nebazz
Captain John is in a wooden space prison that's under attack by a strange and terrible life form. Also the catering is truly dreadful and Dr Magpie's latest discovery may have got a little out of hand.

3. Peach Blossom Heights
Captains John and Jack find themselves stranded on a world that may be actual paradise - the weather is pleasant, the people are friendly, and the giant stuffed animals only come out at night. There's only one thing the world is missing. No-one has ever explained to any of the population about the birds and the bees. Which is unfortunate.

4. Darker Purposes
Captain John arrives at the funeral of one of the galaxy's richest men. He died without making a will, and his heirs have some very creative ideas about how this can be put to rights involving murder, necromancy and seduction. Sadly, Captain John is only too happy to oblige.

PRODUCTION CREDITS
Additional themes by Blair Mowat Ben Foster
Cover Artist Lee Binding
Director Scott Handcock
Executive Producer Jason Haigh-Ellery & Nicholas Briggs
Music Robert Harvey
Producer James Goss
Script Editor James Goss
Sound Design Robert Harvey
Written by David Llewellyn
Theme Music by Murray Gold

Torchwood: The Sins Of Captain John - Trailer

Find out more at the Big Finish website: https://bgfn.sh/2n

Dracula has risen from his audio grave as horror’s greatest creation once more haunts the imagination. Mark Gatiss stars as the Count in a full-cast audio production from Big Finish.  

Dracula's Guests is available now as a three-disc collector’s edition CD for £19.99 or as a download for £16.99.  

Transylvania, 1888.  

Sitting in his castle like a spider in its web, Count Dracula is setting his plans in motion.  

Soon he will travel to England, there to cut a bloody swathe through polite society and pit himself against a dedicated crew of vampire-slayers.  

Yet before then there is much to be done. A certain artist must be brought to him and a certain portrait painted. An old tale must be told, drawn from the darkest recesses of Transylvanian history. And in faraway London an honest police detective must be corrupted and set to work in the service of the Count.  

The vampire king is making preparations. And his survival will be assured – no matter the cost. 

Producer and director Scott Handcock explained how the prequel came about: “The idea for more came about entirely because of Mark Gatiss. I was working on the final block of Sherlock up in Cardiff, when he clocked me on set and took me aside for a bit of a gossip!  

“This was in 2016 and Big Finish’s first Dracula release was still quite recent, and obviously Mark posed the question: ‘When are we doing more?’ Of course everyone asks that but, when I realised he was serious, I spoke with the powers-that-be and Jonathan Barnes, and very quickly got a green light to develop two new storylines.” 

Writer Jonathan Barnes agreed: “The brief was wonderfully open-ended: two three-hour box sets to feature characters and situations from Bram Stoker’s world. The details were largely up to us and we were given a huge amount of leeway.” 

Actor Mark Gatiss said: “It was delightful to finally play the old boy. I had a very croaky voice at the time which suited it hugely. It was great to record it so close to the mic – whispery and sinister. A dream come true! I thought the scripts were really inventive and spooky. As we know, Dracula has a habit of coming back (especially in the Hammer films). 

"When he comes back, people often struggle to know what to do with the Count but these new stories really rise to the challenge! An unexpected bonus! Bram Stoker’s great gift was to synthesise vampire myths into this one, totemic character. Then many generations of talented people have added to the legend to create the irresistible, aristocratic uber-vampire that we love today.” 

Joining Mark Gatiss as Count Dracula are David Bamber as Jeremiah Hart, Ian Hallard  as RM Renfield and Hannah Arterton as Sabine. 

Dracula's Guests is available now as a three-disc collector’s edition CD for £19.99 or as a download for £16.99. 

Save money with the Dracula trilogy bundle (including the already-released adaptation of the novel Dracula, and the sequel release due in September 2020, Dracula’s War) for just £53 as a collector’s edition CD box set or £45 as a download.

Dracula's Guests

Dracula's Guests (Trailer)

Hear more at the Big Finish website: bgfn.sh/55

Inspired by the works of Bram Stoker, Dracula’s War is the last in a three-part connected series from Big Finish Productions, beginning with Dracula's Guests and continuing in Dracula.

PRODUCTION CREDITS
Cover Artist: Tom Webster
Director: Scott Handcock
Executive Producer: Jason Haigh-Ellery, Nicholas Briggs
Music: Robert Harvey
Producer: Scott Handcock
Script Editor: Scott Handcock
Sound Design: Joe Meiners
Written by Jonathan Barnes
Based on the works of Bram Stoker

Dracula's War

Dracula's War (Trailer)

Freelance Composer

Big Finish Productions

The Lone Centurion Theme

Rob Harvey

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