Visions - is about seeing beneath the surface—the moments when someone’s light feels hidden behind masks, screens, or shadows. It’s a song about energy: how we sense truth even when it’s unspoken, and how music can strip away the filters we hide behind.

Visions

Illusions - is a song about awakening to the truth that the only prisons we truly live in are the ones we construct within our own minds. It reflects on the paradox of being the wound and the healer, the watcher and the watched, the knife and the one it cuts. At its heart, the song is a reminder that freedom begins when we start dismantling the illusions we’ve built around ourselves, revealing that the key to release has always been within.

Illusions

My Soul Hurts Every Day is a record born out of grit, truth, and a longing for something better. It’s a blues-funk-gospel fusion album that stares hard at the world as it is, while refusing to stop dreaming of what it could be. Each track is raw and unfiltered, carrying the pulse of stomping Delta blues, the fire of gospel revival, the swagger of funk, and the cry of soul.

The title track, “My Soul Hurts Every Day,” is a haunting lament — a Delta blues hymn for an age worn thin by hate and division. “Hiding in Plain Sight” picks up that thread, a hypnotic chant about dreamers and innovators fighting to break through the shadows of greed and control. “The Digital Life” flips the perspective, letting a robot’s voice sing out against misinformation and fear, reminding us that humans and machines are stronger together.

“I Want My Freedom Back” kicks with modern funk and hip-hop swagger, a demand for truth and liberation in the face of manipulation and control. “The Lord Can Wait” brings a playful gospel-blues energy, a joyful anthem about seizing life’s moments and living without fear. “Desire” leans into smoky Chicago blues, exploring the storm of passion and longing that consumes the human heart.

Science and truth take center stage in “Periodic Blues,” a gritty blues-rock call to protect knowledge for the good of all humankind. The fire burns hotter in “Take That Small Man Energy and Shove It,” a funk-soul powerhouse that takes aim at judgment, greed, and ego with humor and raw defiance. And the record closes with “Sunrise Above the Clouds” — a gospel-soaked blues ballad that lifts the listener up, celebrating life, love, and the beauty of every breath.

My Soul Hurts Every Day is more than an album — it’s a cry from the soul, a stomp in the dirt, a prayer, a shout, and a call to rise. It’s music for dark days and bright mornings, for the broken and the hopeful, for anyone who believes the blues still has the power to heal and to fight.

Periodic Blues

Desire

Sunrise Above the Clouds

The Lord Can Wait (I’ve Got Living to Do)

I Want My Freedom Back

Take That Small Man Energy and Shove It

Hiding in Plain Sight

Hummingbird” is about the loneliness of moving through a world saturated with illusions, fakeness, and masks—the endless noise of scams, chaos, and surface-level connections. Yet within that heaviness, a single flash of hope appears: the hummingbird at the window, a reminder that we are never truly alone. The song is both raw and vulnerable, but also quietly defiant—anchored in the belief that even in the midst of deception, truth and light can still find their way to us

Hummingbird

Back Against the Wall is an outlaw-country record built on grit, scars, and resilience. It’s the story of holding on when the world tries to break you — of finding freedom in dirt roads, family, memory, and truth, even when the weight of survival presses hard.

The album opens with “Dirt Roads and Dogs”, a free-spirited escape into the country soul, before diving into the raw defiance of “Frankly, I Don’t Give a Damn.” Tracks like “Sunday Porchlight” and “The Sky Remembers” provide heart and reflection, anchoring the record in stories of grace and memory. “We Were Soldiers Too” serves as its haunting tribute, honoring sacrifice and courage with reverence.

The title track “Back Against the Wall” and “The Last Free Thinker” drive the album’s rebellious core, confronting modern struggles and the cost of survival with unflinching honesty. To balance the fire, “Pickin’ Trouble” delivers rowdy bluegrass energy, while “Let ’Em Be Kids” strips back the noise to remind us what’s worth protecting.

Together, these songs form a litany of truth: that even in chaos and collapse, there’s defiance, there’s love, and there’s still something worth standing for. Back Against the Wall is not just an album — it’s an outlaw hymnbook for hard times.

The Last Free Thinker

We Might Be Robots

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